Amitabh Bachchan Festival set at Festival des 3 Continents with nine films set to premiere in France : Bollywood News – Bollywood Hungama

Having conducted a series of hugely successful retrospectives in cinemas across the country over the last year in India – Bachchan Back To The Beginning, Dilip Kumar – Hero of Heroes and Dev Anand @ 100 – Forever Young, Film Heritage Foundation, the not-for-profit organization founded by filmmaker and archivist Shivendra Singh Dungarpur, is gearing up to co-present yet another Amitabh Bachchan retrospective at an international film festival for the very first time. Titled Amitabh Bachchan, Big B Forever, the retrospective will be premiered at the 45th edition of the prestigious Festival des 3 Continents this year which will take place from November 24 to December 3, 2023 in Nantes, France. It will feature nine blockbuster films of the living legend such as Abhimaan, Sholay, Deewar, Kabhie Kabhie, Amar Akbar Anthony, Trishul, Don and Kala Patthar. Shweta Bachchan, the daughter of the film superstar will be travelling to Nantes to represent her father at the festival.

Amitabh Bachchan Festival set at Festival des 3 Continents with nine films set to premiere in France

Amitabh Bachchan states, “Film Heritage Foundation’s initiative to bring classic Indian films back on the big screen in India has been truly remarkable. I am so pleased to hear that they are co-presenting a selection of nine of my early films at one of the oldest and most reputed film festivals – the Festival des 3 Continents in Nantes, especially as it focuses on the cinema of Africa, Latin America and Asia. Many of these films gave me an opportunity to play a diverse range of characters and work with some of the most significant filmmakers of the time including Hrishikesh Mukherjee, Manmohan Desai, Yash Chopra and Ramesh Sippy. I hope that the festival audience will enjoy the selection of films that continue to give so much joy to viewers even half a century since they were made. Even though I will not be there in person, I am delighted that my daughter Shweta will be in Nantes to represent me at the festival.”

Shweta Bachchan states, “I am delighted to travel to Nantes for the Festival des 3 Continents to present some of my father Amitabh Bachchan’s milestone films at such a distinguished festival. This is a special occasion for me as I have the opportunity, for the first time, to represent my father, on an international platform. I would like to thank the Film Heritage Foundation for their exceptional commitment and ability in showcasing classic Indian cinema and drawing audiences back to the big screen when no one had faith that this would be possible. I saw the phenomenal success of “Bachchan Back to the Beginning” – the retrospective they curated on a massive scale to celebrate my father’s 80th birthday last year. Many of us in the family were watching his films on the big screen for the first time and we were overwhelmed. The films being screened in Nantes cover varied genres that will give the audiences at the festival the opportunity to see my father’s remarkable versatility as an actor.”

Shivendra Singh Dungarpur, Director, of Film Heritage Foundation states, “Film Heritage Foundation is proud to co-present ‘Amitabh Bachchan, Big B Forever’- a retrospective of nine landmark films that launched the career of India’s greatest superstar at the 45th edition of the Festival des 3 Continents in Nantes, France. We had presented an eclectic selection of Indian classics in the Indian Autumn stream of the festival last year and saw the enthusiastic response to the films from the festival audience. We would like to thank Jérôme Baron, the Artistic Director of the festival for giving us another opportunity this year to showcase nine Amitabh Bachchan films spanning a period from 1973 to 1982 when Mr. Bachchan was at the peak of his career, at the festival this year. Mr. Bachchan is an actor who is a worldwide phenomenon and an indefatigable champion for the cause of film preservation and when we conducted a country-wide retrospective of his films last year, the cinemas were packed and the audiences went crazy. Mr. Bachchan has been a childhood hero for me and it gives me immense pleasure to screen some of my personal favourite Amitabh Bachchan films as part of such a prestigious festival as well as to present Film Heritage Foundation’s most recent restoration ‘Ishanou’ (1990), Aribam Syam Sharma’s beautiful Manipuri film that had a red-carpet world premiere at the Cannes Film Festival 2023.”

Jérôme Baron, Artistic Director, Festival Des 3 Continents states, “The Festival of 3 Continents finds its breath and inspiration by combining its curiosity for contemporary cinema with that nurtured since its origins for classics that are often poorly known or unknown to Western audiences. And Amitabh Bachchan is precisely, as he continues a career that began fifty years ago, the living and iconic embodiment of a link between the past and present of popular Hindi cinema. He is an on screen unique performer and what no other actor has ever been, including in the history of European cinema. After a fruitful collaboration in 2022 with Film Heritage Foundation, we want, by seizing the ball thrown of the “Bachchan Back to the beginning” festival launched last year, to pay Amitabh Bachchan for the first time in France a tribute in nine films which will also be the opportunity to show the world premiere of Cédric Dupire’s astonishing documentary on him ‘The Real Superstar.’”

Festival des 3 Continents offers feature films from Africa, Latin America and Asia and screens, in the fiction and documentary films segment.

ALSO READ: Amitabh Bachchan playfully ponders whether his presence will affect World Cup 2023 outcome; says, “Jaun ki na jaun”

More Pages: Deewar Box Office Collection

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EXCLUSIVE: Vikas Bahl reveals, “While prepping for Ganapath, I used to see making videos of S S Rajamouli and Sukumar’s films” also says, “I hope we can crack the story of Queen 2” : Bollywood News – Bollywood Hungama

Ganapath – A Hero Is Born, starring Tiger Shroff, Kriti Sanon and Amitabh Bachchan, is all set to release in cinemas tomorrow, that is, October 20. Bollywood Hungama exclusively spoke to director Vikas Bahl about the film and a lot more.

EXCLUSIVE: Vikas Bahl reveals, “While prepping for Ganapath, I used to see making videos of S S Rajamouli and Sukumar’s films” also says, “I hope we can crack the story of Queen 2”

Since the time you debuted as a director, you have never repeated a genre. How do you manage to do so? Not many filmmakers could achieve this feat…
Maybe, I just like different kinds of stories. While doing so, you have to break the genre. I think it’s a constant learning curve. When you are switching genres, you are always nervous as to whether or not you can pull it off. I like that nervousness. Maybe, the student inside me wants to constantly keep learning how to try new genres. When I was doing this film or even the next one (a horror), I used to sit for hours on YouTube and watch videos on how these films are made and how these genres are done. So, it was almost like going back to school. That’s exciting for me. I don’t want to get into a comfort zone that ‘this is my genre, this is what I want to do for the next 10-15 years.’ I’d rather try new things.

How difficult was it to get the futuristic element right, especially for a Hindi film considering that we don’t have many reference points in our cinema?
More than just about the future, I was trying to pen a story that any calamity in the world leads to inequality in the sense that the rich get richer as they benefit from it. But the poor get poorer. This happens during any catastrophe, whether man-made or a natural disaster. This is the basic premise of the film. Since it is based on the hypothetical situation of the next biggest calamity that happens on the planet, I had to set it in the future because it couldn’t happen earlier. Hence, the idea was not just to make a futuristic story.

Years ago, Shekhar Kapur attempted a film called Paani. It was also set in the future and was about the water crisis. Were you inspired by its plot maybe at the back of your mind?
Shekhar sir is too senior and I think too brilliant (smiles). I don’t know much about Paani. I know about it just as anybody else knows. But I am sure he would have made an unbelievable spectacle. Even if I am remotely close to what we set out to do, I think I’d be good!

You became a force to reckon with, with Queen (2014). The same year, Tiger Shroff and Kriti Sanon debuted with Heropanti (2014) and became overnight stars. How was it to collaborate with two fellow artists for whom 2014 was also a defining year?
Now that you told me and I realize it, it feels good (laughs)! I don’t think any of us thought about it. We never sat and discussed this connection.

Tiger Shroff is not seen doing typical action in the film. Kriti Sanon, meanwhile, is attempting action for the first time. How exciting was it for you and them as well?
Yes. The good thing about Ganapath and hopefully it’ll also be a surprise for the audience is that Tiger is just not doing action in the film. He has done a lot of humourous, emotional and dramatic scenes. He has a big character arc. Action is the base of it but is not the primary characteristic. I always found him very innocent. He has his own little world of action, exercises and workouts. I loved that innocence. I wanted him for his innocence as much as I wanted him for his action. Even though I had never worked with him or even met him before, I was correct about how he is.

As for Kriti, she’s a great actor. She has a lot of action in the film and has done a great job. She has this ability that she can pierce through your eyes and deliver the dialogue. She’s also tall and looks absolutely convincing while taking on the goons.

EXCLUSIVE: Vikas Bahl reveals, “While prepping for Ganapath, I used to see making videos of S S Rajamouli and Sukumar’s films” also says, “I hope we can crack the story of Queen 2”

You worked with Amitabh Bachchan, first in Goodbye (2022) and now Ganapath. It must have been a high, wasn’t it?
Everyday, he walks on the set, you have to pinch yourself that he knows me and he knows my name, forget the fact that he’s in my film. He was extremely generous. He knew I was trying to put up a film like Ganapath together. He knew it was ambitious. He saw the art and mood boards and told me, ‘Vikas, if I can help you make this film in any way, tell me’. I pounced on the opportunity and told him, ‘Sir, ek role karenge mere liye’! He did it purely out of love. He said, ‘Anything for you. Just go and make this film’.

The film’s post-production took a year. There are a lot of green-screen shots. And this is your most VFX-heavy film. Please tell us about your experience…
It has been a phenomenal learning experience when it comes to VFX. I just hope that everyone supports this fact. When you are doing it for the first time, you are just learning. You are not a master at the craft. I remember for days, I used to see making videos of S S Rajamouli’s films. I used to understand how he used to use the green screen and used to check out the ‘before VFX’ and ‘after VFX’ shots. I also used to watch Sukumar sir’s making videos. It’s almost like a tutorial put up on YouTube. By now, the fear of VFX has gone away. Now we can write stories without any boundaries. You can imagine anything and you can pull it off on the screen.

Earlier, Ganapath – A Hero Is Born was called Ganapath – Part 1. Is a sequel in the pipeline?
It’s still part 1. We just decided to call it ‘A Hero Is Born’. There’s the intention of doing a sequel. We hope it’s received well and people love it because this is the start of the journey of the protagonist.

Will the sequel be called Ganapath – A Hero Rules?
After you watch the film, why don’t you send me the title of the sequel? (laughs)

This is the age of sequels. Would you like to make a sequel to Queen? We would love to know what happened to Rani (Kangana Ranaut) and what she’s doing 10 years after the events of the first film…
Queen 2 is always a very tempting option. But the temptation should be that we find a great story to tell and not just exploit the commercial benefit out of it. I really hope we crack the story for the sequel so that I can make Queen 2. I would love to do that.

Also Read: Ganapath: A Hero Is Born director Vikas Bahl praises Kriti Sanon, Tiger Shroff and Rehman for shooting action sequence in Ladakh under harsh conditions

More Pages: Ganapath – A Hero Is Born Box Office Collection , Ganapath – A Hero Is Born Movie Review

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Film Heritage Foundation announces Dev Anand Film Festival; CID, Guide & more to screen across 30 Indian cities : Bollywood News – Bollywood Hungama

Ahead of the 100th birth anniversary of Dev Anand which falls on the 26th of September, the Film Heritage Foundation announces a unique festival titled ‘Dev Anand@100 – Forever Young; that pays tribute to the timeless entertainment icon. The two-day weekend celebrations held jointly in association with NFDC-NFAI (National Film Development Corporation Of India- National Film Archive Of India) and PVR Inox will be conducted on the 23rd and 24th of September across 30 cities and 55 cinema halls all over India.

Film Heritage Foundation announces Dev Anand Film Festival; CID, Guide & more to screen across 30 Indian cities

The not-for-profit organization founded by filmmaker and archivist Shivendra Singh Dungarpur has meticulously curated a tailored collection of films where audiences can spend the weekend with Dev Anand in his different memorable avatars as the romantic hero, the dashing spy and the fun-loving rogue.

Audiences in Mumbai, Pune, Goa, Ahmedabad, Hyderabad, Trivandrum, Chennai, Bangalore, Lucknow, Kolkata, Guwahati, Indore, Jaipur, Nagpur, Chandigarh, New Delhi, Gwalior, Rourkela, Raipur, Noida, Kochi, Aurangabad, Vadodara, Surat, Mohali amongst other cities will get an unmissable opportunity to watch these landmark films of the suave leading man restored by NFCDC-NFAI on the big screen: C. I. D. (1956), Guide (1965), Jewel Thief (1967) and Johny Mera Naam (1970).

Shivendra Singh Dungarpur, Filmmaker and Director, of the Film Heritage Foundation states, “After a successful run with ‘Bachchan Back To The Beginning’ and ‘Dilip Kumar – Hero Of Heroes’ to commemorate Amitabh Bachchan’s 80th birthday and Dilip Kumar’s birth centenary respectively, we knew that there was no way that we could allow the birth centenary of Dev Anand to go uncelebrated. We wanted to honour his legacy by screening four of his milestone films. The films are among my favourites as I consider Goldie Anand one of the most stylish directors of Indian cinema. The festival also marks an important collaboration between the Film Heritage Foundation and NFDC-NFAI who have restored the four films and partnered with us to enable us to showcase these films. The Gregory Peck of India, as Dev Anand was often called, continues to be a beloved star, and we are thrilled that contemporary audiences will have the opportunity to watch some of the films that made him an enduring legend of Indian cinema. This is another milestone in the Film Heritage Foundation’s journey to bring classics of Indian cinema to modern viewers because after all these films are a part of our history and culture and if we don’t know where we came from, we won’t know where we are going.”

Suneil Anand states, “I’m pleased to hear that the Film Heritage Foundation is planning a film festival, on a large scale across India, to commemorate my father, the legendary Dev Anand’s 100th birthday. I am aware of the work they do, and I would like to congratulate them on their endeavour. I personally like my dad’s work, as the leading man, in Johny Mera Naam. I think this is because the character he played closely resembled his true personality. It was an ideal vehicle for him to showcase his histrionics, mannerisms, and his suave dressing sense. Jewel Thief was another such film with the trappings and the look of slick Western and European Cinema. Dad set fashion trends in many of his films – with his cap, high collars, scarves, jackets, and colourful attire. Even his hairstyles were being copied by his fans. Dad could have easily gone to Hollywood. In fact, an established Hollywood casting agency had even offered to represent him and had lined up several projects for him. But being a true Indian at heart, he decided to remain in his Motherland India. Time marches on, mindsets change, and trends evolve, however, with each new generation of moviegoers and aficionados, Dev Anand continues to remain an inspiration to the youth of India and the rest of the World. He was unanimously given – and continues to hold – the title of an evergreen romantic superstar. Not one to rest on his laurels, Dad continued to make exciting movies under his Navketan banner. As we celebrate Dad’s centennial, I’d like to say that Dad’s movies were decades ahead of their time. I sometimes feel we still haven’t caught up with them. I am sure the festival will be a big success and that contemporary audiences will rediscover the youthful magic of my Father – who will stay forever young on the silver screen. In the continuing legacy of Dev Anand and Navketan, I am currently making a Hollywood-based film, dedicated to my dad, called Vagator Mixer which will be released shortly worldwide. The show goes on.”

This also marks the very first time a government body has collaborated with a not-for-profit organization for a film festival of such scale. To showcase the appeal of Dev Anand to a new generation and rekindle the nostalgia of those enthusiasts who have cherished his work, NFDC-NFAI embarked on an arduous journey of restoring the four classics of the charismatic actor in 4K resolution. The restoration of the films was undertaken as part of the National Film Heritage Mission and funded by the Ministry of Information and Broadcasting.

Prithul Kumar, Joint Secretary (Films) and Managing Director, NFDC states, “It is important for the public to witness Dev Anand on the big screen once again, and in a manner how he was viewed during his heydays decades ago. NFDC-NFAI is sparing no efforts to ensure these films are presented in the best way possible, as hundreds of restoration artists, technicians, graders, DOPs, sound engineers and archivists, spread across multiple cities, are hard at work to once again bring these films to life. Showcasing the restoration of Dev Anand’s films on the occasion of his centenary, as a joint endeavour between both film archives, NFDC-National Film Archive of India and Film Heritage Foundation, along with our esteemed partners, INOX and PVR, is a testament to our shared commitment to preserving India’s cinematic heritage. We aspire to sustain these collaborative efforts, to provide broader public access to the gems of Indian Cinema, in the quality they are meant to be seen.”

Also Read: Karan Johar remembers father Yash Johar dealing with issues during the making of Dostana on latter’s birth anniversary

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30 Years of Maya Memsaab EXCLUSIVE: Deepa Sahi gives a RARE interview; says “Shah Rukh Khan was a child at heart and a THOROUGH gentleman”; opens up on lovemaking scenes: “I did get giggly at first but then you got to do what you got to do” : Bollywood News – Bollywood Hungama

The acclaimed film Maya Memsaab (1993) recently completed 30 years, on July 2. The film featured Deepa Sahi in a lead role while Shah Rukh Khan, Raj Babbar and Farooq Sheikh appeared in supporting roles. The actress delivered a stupendous performance in this Ketan Mehta-directorial, which was adapted from the French novel, ‘Madame Bovary’. Deepa Sahi, who debuted with Govind Nihalani’s Party (1984) delivered memorable performances in several films. She later turned producer and even director. Moreover, she also runs Maya Movies and a successful animation company, Cosmos-Maya. Incidentally, both companies are named after Deepa Sahi’s character in Maya Memsaab.

30 Years of Maya Memsaab EXCLUSIVE: Deepa Sahi gives a RARE interview; says “Shah Rukh Khan was a child at heart and a THOROUGH gentleman”; opens up on lovemaking scenes: “I did get giggly at first but then you got to do what you got to do”

The actress-entrepreneur has been away from the public eye for a long time. But on our request, she agreed to give a rare, exclusive interview to Bollywood Hungama about Maya Memsaab, working with her hubby Ketan Mehta and a lot more.

Ketan Mehta said that you were the one who recommended the book ‘Madame Bovary’ to him. When he decided to cast you, were you nervous or scared since it was quite a bold character for the early 90s? Or were you excited to take up the challenge?
I thought I was not experienced enough in life and should wait a few years to do such a complex role. But the director insisted that he could not imagine anyone else doing it. So, I was like, “What the heck? If the director is so confident, why am I being diffident”? I loved the imagery in the book, some of which stayed with me. For example, I can’t recall the exact phrase, but it compared a woman’s desires to a veil (and virtually every society has a veil as part of a woman’s attire); the veil that is “free floating at one end and tied at another!” Also. Ketan wrote some amazing dialogues which are so deep. For instance, about Maya, he says “Samajhna to asambhav hai, sambhav hai anubhav ho jaaye” or “sapno ko chhoote hi, unka rang kyon ud jaata hai?” These are life-defining lines!

How was it working with Shah Rukh Khan? It was his first film…
He is the most energetic and dedicated actor with an instinctive cinematic sense. One can’t learn such things. They need to be part of the personality and he surely had an instinct for that. Besides the fact that he is a thorough gentleman and caring for everyone on the sets, it is his energy that is the most infectious! Also, what I liked is that he is a kid at heart. He was always playing some game or the other and he’s also a big computer freak, which is what I am. Even then, he was into playing games on the computer.

How was your equation and experience of working with Raj Babbar and Farooq Sheikh?
Raj Babbar was a senior respected star already then and so was Farooq. As actors, they were far more experienced than me. Farooq was very disciplined and kind.

Ketan Mehta once said in an interview, “I am not that short-tempered now, but I remember when I would shoot earlier, all these actors including Shah Rukh Khan in Maya Memsaab must have been struck by my matchbox throws at them like missiles”! How was it working with such a hot-headed director?
He exaggerates! He does lose his temper in his passion once in a while, but he is hardly someone who can be called ‘hot-headed’. The best part of working with Ketan is that he pushes you to excel and has the savviest interpretations of characters and their mercurial quality. Also, he gives actors a long rope and loves them to improvise and add what he calls ‘the magic’. He understands human behaviour like no one I have met ever and is the most stimulating to work with.

Was it tough for you and Shah Rukh Khan to perform the lovemaking scene? It was quite bold even by today’s standards…
Well, I did get giggly at first (a sign of being uncomfortable) but then you got to do what you got to do. I did brood a bit about being misunderstood at the time of release, but I think 99.99 % of people got the intention. In fact, I remember at a terrace party, someone told Shakti Samanta ji, who was the Chief of Central Board of Film Certification (CBFC) then, that he was partial to allowing Ketan Mehta bold scenes but imposed cuts for even some dance moves for the others. And he graciously replied, “You make a piece of poetry Ketan has made, and I promise not to impose any cuts!” That was amazing!

Do you recall any memorable feedback that came your way after the release of Maya Memsaab in cinemas or film festivals?
Oh yes. There were many! It began on the day of the first public screening. I did not wait for the end and came back to the hotel. I recall I was at Ashoka Hotel in Delhi. An hour after the screening, there was a knock on my door and about 30 women came into my suite. They sat and spoke about how they had come from the screening and simply had to meet me, and it was the first film that ‘understood’ their inner core. They all had incidents to tell, and one even cried at how her ideals had let her down!

Then, I recall in Mumbai, two men in traditional dresses came all the way from Rajasthan, wearing their dhotiesangrakahas and pagris and sat in my living room. They told me how they had seen the film 17 times! They said it was about them. This is amazing as Flaubert, when asked about the book, had said “Madame Bovary, c’est moi” which means, “It’s about me”.

30 Years of Maya Memsaab EXCLUSIVE: Deepa Sahi gives a RARE interview; says “Shah Rukh Khan was a child at heart and a THOROUGH gentleman”; opens up on lovemaking scenes: “I did get giggly at first but then you got to do what you got to do”

I have yet to visit a country where someone has not called me “Maya” from across the road or on the street. The funny thing was that I read about a dish in a Delhi hotel menu which was called ‘Maya Memsaab ki pasand’. I had so many offers to launch soaps and perfumes named after Maya Memsaab but I was never into all that. So, I refused.

Do you have any plans to return to acting? You were phenomenal in Maya Memsaab and other films, and it’ll be great to have you back on screen…
Been there done that! I am not interested anymore. Even then I was too restless to be an actor as it involves long hours of waiting and I also hated getting make-up done and dressing up. Now I am too occupied with my new media technology hubs. Yes, I do miss live-action as I have been involved in our animation studio for so many years. So, I am producing some digital series currently. But I am not acting. At one point, I was interested in playing Indira Gandhi as I find her life fascinating and her contradictions really intriguing but not anymore.

How has the MAAC and Maya Movies journey been?
My life has been good. Time has flown like crazy! I thought I would spend 6 months setting up an animation studio and then getting professionals to run it. But it consumed all of my life nearly as there were no animators when we started which we did not know. It meant setting up schools to feed the studio. We ended up having over 70 franchises and 1600 animators in-house! And films became secondary as it took up so much time. However, all was good as Ketan makes everything good for me! I’m an absolute Ketan fan and if he tells me to jump off a cliff, I would, for him! And this is strange as when we began together, I told him, I am too restless and don’t think I will last long term. He said, “We will be together as long as we want and when we don’t want we shall see”. And as you know now it’s 30 years!

Would you like to direct again?
No. That was a lark but it’s too strenuous and demanding. My real passions are travelling, cats, and the latest phenomenon, AI!

If a remake of Maya Memsaab is made, which actor would you like to see playing the role of Maya, Dr Charu Das, Rudra and Lalit?
Ha ha! I am not answering that one; it means trouble!

Lastly, you have a close bond with Ketan Mehta. He said once in an interview, “I must be the craziest man she has met in her life, but I suppose she likes my madness, my films and my world view”. Your thoughts?
As I said, in Ketan, I have a perfect soulmate. He understands me perfectly, gives me the perfect space in life, and does not try to lead my life or dictate my life. I can’t survive with anyone dictating to me and he is the one who has never ever told me what to do, eat, wear, think, when to travel. He has never said “do this” or “don’t do this”. Nor do I do that to him, as I believe only if you give space can you demand it! And I have already warned him that he cannot get rid of me, the next 7 lives at least! He is a combination of Dennis the Menace and Superman (mentally) and has the same spirit of adventure that I have. The best is that he is the most non-mercenary man I have met, with never a bad word for anyone!

Yes, we are both crazy. I remember we had a pact that on every first monsoon shower, whatever the time, we have to drop whatever we are doing, meet up at Marine Drive and dance in the first rain together. We did that all for the first 10 years that we were together, till we got too damned busy! My mother often said “Ek hi thaili ke chatte batte” to us but in a good way!

More Pages: Maya Memsaab Box Office Collection

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