People’s Choice Awards 2024 Full List of Winners: ‘Barbie’ Wins Big

The 2024 People’s Choice Awards were handed out Sunday night. Simu Liu hosted this year’s People’s Choice Awards. Greta Gerwig’s film Barbie emerged as a major winner of the night, securing wins in both the Movie of the Year and Comedy Movie of the Year categories. Additionally, the film’s lead actors, Ryan Gosling and Margot Robbie, claimed the titles of Male and Female Movie Star of the Year, while America Ferrera was recognized for Movie Performance of the Year.

Take a look at the winners list:

MOVIES

THE MOVIE OF THE YEAR
Barbie (WINNER)
Fast X
Guardians of the Galaxy Vol. 3
Oppenheimer
Spider-Man: Across the Spider-Verse
TAYLOR SWIFT | THE ERAS TOUR FILM
The Little Mermaid
The Super Mario Bros. Movie

THE ACTION MOVIE OF THE YEAR
Ant-Man and the Wasp: Quantumania
Fast X
Guardians of the Galaxy Vol. 3
John Wick: Chapter 4
Mission: Impossible – Dead Reckoning Part One
The Hunger Games: The Ballad of Songbirds & Snakes 
(WINNER)
The Marvels
Transformers: Rise of the Beasts

THE COMEDY MOVIE OF THE YEAR
80 for Brady
Anyone but You
Are You There God? It’s Me, Margaret.
Asteroid City
Barbie 
(WINNER)
Cocaine Bear
No Hard Feelings
Wonka

THE DRAMA MOVIE OF THE YEAR
Creed III
Five Nights at Freddy’s
Killers of the Flower Moon
Leave the World Behind
M3GAN
Oppenheimer 
(WINNER)
Scream VI
The Color Purple

THE MALE MOVIE STAR OF THE YEAR
Cillian Murphy, Oppenheimer
Chris Pratt, Guardians of the Galaxy Vol. 3
Keanu Reeves, John Wick: Chapter 4
Leonardo DiCaprio, Killers of the Flower Moon
Michael B. Jordan, Creed III
Ryan Gosling, Barbie (WINNER)
Timothée Chalamet, Wonka
Tom Cruise, Mission: Impossible – Dead Reckoning Part One

Ryan Gosling and Margot Robbie in a still from Barbie.

THE FEMALE MOVIE STAR OF 2023
Florence Pugh, Oppenheimer
Halle Bailey, The Little Mermaid
Jenna Ortega, Scream VI
Jennifer Lawrence, No Hard Feelings
Julia Roberts, Leave the World Behind
Margot Robbie, Barbie (WINNER)
Rachel Zegler, The Hunger Games: The Ballad of Songbirds & Snakes
Viola Davis, The Hunger Games: The Ballad of Songbirds & Snakes

THE ACTION MOVIE STAR OF THE YEAR
Brie Larson, The Marvels
Chris Pratt, Guardians of the Galaxy Vol. 3
Gal Gadot, Heart of Stone
Jason Momoa, Aquaman and the Lost Kingdom
Keanu Reeves, John Wick: Chapter 4
Rachel Zegler, The Hunger Games: The Ballad of Songbirds & Snakes (WINNER)
Tom Cruise, Mission: Impossible – Dead Reckoning Part One
Viola Davis, The Hunger Games: The Ballad of Songbirds & Snakes

Rachel Zegler in Hunger Games. 

THE COMEDY MOVIE STAR OF THE YEAR
Adam Sandler, You Are So Not Invited to My Bat Mitzvah
Glen Powell, Anyone but You
Jennifer Lawrence, No Hard Feelings (WINNER)
Margot Robbie, Barbie
Ryan Gosling, Barbie
Scarlett Johansson, Asteroid City
Sydney Sweeney, Anyone but You
Timothée Chalamet, Wonka

THE DRAMA MOVIE STAR OF THE YEAR
Cillian Murphy, Oppenheimer
Julia Roberts, Leave the World Behind
Fantasia Barrino, The Color Purple
Florence Pugh, Oppenheimer
Jacob Elordi, Priscilla
Jenna Ortega, Scream VI (WINNER)
Leonardo DiCaprio, Killers of the Flower Moon
Michael B. Jordan, Creed III

THE MOVIE PERFORMANCE OF THE YEAR
America Ferrera, 
Barbie (WINNER)
Charles Melton, May December
Danielle Brooks, The Color Purple
Jacob Elordi, Saltburn
Melissa McCarthy, The Little Mermaid
Natalie Portman, May December
Simu Liu, Barbie
Viola Davis, Air

TV

THE SHOW OF THE YEAR
Grey’s Anatomy (WINNER)
Law & Order: Special Victims Unit
Only Murders in the Building
Saturday Night Live
Ted Lasso
The Bear
The Last of Us
Vanderpump Rules

THE COMEDY SHOW OF THE YEAR
Abbott Elementary
And Just Like That…
Never Have I Ever
Only Murders in the Building 
(WINNER)
Saturday Night Live
Ted Lasso
The Bear
Young Sheldon

THE DRAMA SHOW OF THE YEAR
Chicago Fire
Ginny & Georgia
Grey’s Anatomy
Law & Order: Special Victims Unit
Outer Banks
Succession
The Last of Us 
(WINNER)
The Morning Show

THE SCI-FI/FANTASY SHOW OF THE YEAR
Ahsoka
American Horror Story: Delicate
Black Mirror
Ghosts
Loki
 (WINNER)
Secret Invasion
The Mandalorian
The Witcher

THE REALITY SHOW OF THE YEAR
90 Day Fiancé: Happily Ever After?
Below Deck
Jersey Shore Family Vacation
Selling Sunset
The Kardashians
 (WINNER)
The Real Housewives of Beverly Hills
The Real Housewives of New Jersey
Vanderpump Rules

THE COMPETITION SHOW OF THE YEAR
America’s Got Talent
American Idol
Big Brother
Dancing with the Stars
RuPaul’s Drag Race
Survivor
Squid Game: The Challenge
The Voice
 (WINNER)

THE BINGEWORTHY SHOW OF THE YEAR
Beef
Citadel
Jury Duty
Love Is Blind
Queen Charlotte: A Bridgerton Story
The Crown
The Night Agent
The Summer I Turned Pretty
 (WINNER)

THE MALE TV STAR OF THE YEAR
Chase Stokes, Outer Banks
Jason Sudeikis, Ted Lasso
Jeremy Allen White, The Bear
Kieran Culkin, Succession
Pedro Pascal, The Last of Us (WINNER)
Samuel L. Jackson, Secret Invasion
Steve Martin, Only Murders in the Building
Tom Hiddleston, Loki

THE FEMALE TV STAR OF THE YEAR
Ali Wong, Beef
Hannah Waddingham, Ted Lasso
Jennifer Aniston, The Morning Show
Mariska Hargitay, Law & Order: Special Victims Unit
Quinta Brunson, Abbott Elementary
Reese Witherspoon, The Morning Show
Rosario Dawson, Ahsoka
Selena Gomez, Only Murders in the Building (WINNER)

THE COMEDY TV STAR OF THE YEAR
Ali Wong, Beef
Bowen Yang, Saturday Night Live
Hannah Waddingham, Ted Lasso
Jason Sudeikis, Ted Lasso
Jeremy Allen White, The Bear (WINNER)
Quinta Brunson, Abbott Elementary
Selena Gomez, Only Murders in the Building
Steve Martin, Only Murders in the Building

THE DRAMA TV STAR OF THE YEAR
Bella Ramsey, The Last of Us
Chase Stokes, Outer Banks
Ice-T, Law & Order: Special Victims Unit
Jennifer Aniston, The Morning Show (WINNER)
Kieran Culkin, Succession
Mariska Hargitay, Law & Order: Special Victims Unit
Pedro Pascal, The Last of Us
Reese Witherspoon, The Morning Show

Jennifer Anniston in The Morning Show. 

THE TV PERFORMANCE OF THE YEAR
Adjoa Andoh, Queen Charlotte: A Bridgerton Story
Ayo Edebiri, The Bear
Billie Eilish, Swarm (WINNER)
Jon Hamm, The Morning Show
Matt Bomer, Fellow Travelers
Meryl Streep, Only Murders in the Building
Steven Yuen, Beef
Storm Reid, The Last of Us

THE REALITY TV STAR OF THE YEAR
Ariana Madix, Vanderpump Rules
Chrishell Stause, Selling Sunset
Garcelle Beauvais, The Real Housewives of Beverly Hills
Kandi Burruss, The Real Housewives of Atlanta
Khloé Kardashian, The Kardashians (WINNER)
Kim Kardashian, The Kardashians
Kyle Richards, The Real Housewives of Beverly Hills
Mike “The Situation” Sorrentino, Jersey Shore Family Vacation

THE COMPETITION CONTESTANT OF THE YEAR
Anetra, RuPaul’s Drag Race
Ariana Madix, Dancing with the Stars (WINNER)
Charity Lawson, The Bachelorette
Theresa Nist, The Golden Bachelor
Iam Tongi, American Idol
Keke Palmer, That’s My Jam
Sasha Colby, RuPaul’s Drag Race
Xochitl Gomez, Dancing with the Stars

THE DAYTIME TALK SHOW OF THE YEAR
Good Morning America
LIVE with Kelly and Mark
Sherri
The Drew Barrymore Show
The Jennifer Hudson Show
The Kelly Clarkson Show
 (WINNER)
The View
Today

THE NIGHTTIME TALK SHOW OF THE YEAR
Hart to Heart
Jimmy Kimmel Live!
Last Week Tonight with John Oliver
Late Night with Seth Meyers
The Daily Show
The Late Show with Stephen Colbert
The Tonight Show Starring Jimmy Fallon
 (WINNER)
Watch What Happens Live with Andy Cohen

THE HOST OF THE YEAR
Gordon Ramsay, Hell’s Kitchen
Jimmy Fallon, That’s My Jam (WINNER)
Nick Cannon, The Masked Singer
Padma Lakshmi, Top Chef
RuPaul, RuPaul’s Drag Race
Ryan Seacrest, American Idol
Steve Harvey, Celebrity Family Feud
Terry Crews, America’s Got Talent

MUSIC

THE MALE ARTIST OF THE YEAR
Bad Bunny
Drake
Jack Harlow
Jung Kook (WINNER)
Luke Combs
Morgan Wallen
Post Malone
The Weeknd

THE FEMALE ARTIST OF THE YEAR
Beyoncé
Doja Cat
Karol G
Lainey Wilson
Miley Cyrus
Nicki Minaj
Olivia Rodrigo
Taylor Swift (WINNER)

THE MALE COUNTRY ARTIST OF THE YEAR
Chris Stapleton
Cody Johnson
HARDY
Jelly Roll (WINNER)
Kane Brown
Luke Combs
Morgan Wallen
Zach Bryan

THE FEMALE COUNTRY ARTIST OF THE YEAR
Ashley McBryde
Carly Pearce
Carrie Underwood
Gabby Barrett
Kelsea Ballerini
Lainey Wilson (WINNER)
Megan Moroney
Shania Twain

THE MALE LATIN ARTIST OF THE YEAR
Bad Bunny (WINNER)
Bizarrap
Feid
Manuel Turizo
Maluma
Peso Pluma
Rauw Alejandro
Ozuna

THE FEMALE LATIN ARTIST OF THE YEAR
Ángela Aguilar
Anitta
Becky G
Kali Uchis
Karol G
Rosalía
Shakira (WINNER)
Young Miko

THE POP ARTIST OF THE YEAR
Billie Eilish
Doja Cat
Dua Lipa
Jung Kook
Miley Cyrus
Olivia Rodrigo
Tate McRae
Taylor Swift (WINNER)

THE HIP-HOP ARTIST OF THE YEAR
Cardi B
Drake
Future
Jack Harlow
Latto
Nicki Minaj (WINNER)
Post Malone
Travis Scott

THE R&B ARTIST OF THE YEAR
Beyoncé (WINNER)
Brent Faiyaz
Janelle Monáe
SZA
Tems
The Weeknd
Usher
Victoria Monét

THE NEW ARTIST OF THE YEAR
Coi Leray
Ice Spice (WINNER)
Jelly Roll
Jung Kook
Noah Kahan
Peso Pluma
PinkPantheress
Stephen Sanchez

THE GROUP/DUO OF THE YEAR
Dan + Shay
Fuerza Regida
Grupo Frontera
Jonas Brothers
Old Dominion
Paramore
Stray Kids (WINNER)
TOMORROW X TOGETHER

THE SONG OF THE YEAR
“Dance The Night,” Dua Lipa
“Fast Car,” Luke Combs
“Flowers,” Miley Cyrus
“Fukumean,” Gunna
“greedy,” Tate McRae
“Last Night,” Morgan Wallen
“Paint The Town Red,” Doja Cat
“Vampire,” Olivia Rodrigo (WINNER)

Olivia Rodrigo in a still from her music video of the song Vampire. 

THE ALBUM OF THE YEAR
Endless Summer Vacation, Miley Cyrus
For All The Dogs, Drake
Gettin’ Old, Luke Combs
Guts, Olivia Rodrigo (WINNER)
Mañana Será Bonito, Karol G
Nadie Sabe Lo Que Va A Pasar Mañana, Bad Bunny
One Thing At A Time, Morgan Wallen
Pink Friday 2, Nicki Minaj

THE COLLABORATION SONG OF THE YEAR
“All My Life,” Lil Durk Feat. J. Cole
“Barbie World,” Nicki Minaj & Ice Spice With Aqua (WINNER)
“Ella Baila Sola,” Eslabon Armado X Peso Pluma
“First Person Shooter,” Drake Feat. J. Cole
“I Remember Everything,” Zach Bryan Feat. Kasey Musgraves
“Seven,” Jung Kook Feat. Latto
“TQG,” Karol G, Shakira
“Un x100to,” Grupo Frontera X Bad Bunny

THE CONCERT TOUR OF THE YEAR
+–=÷x Tour, Ed Sheeran
COLDPLAY MUSIC of the SPHERES WORLD TOUR
Love On Tour, Harry Styles
Luke Combs World Tour
Morgan Wallen One Night At A Time World Tour
P!nk Summer Carnival Tour
Renaissance World Tour, Beyoncé
TAYLOR SWIFT | THE ERAS TOUR (WINNER)

Taylor Swift in a still from her film Eras Tour. 

POP CULTURE

THE SOCIAL CELEBRITY OF THE YEAR
Britney Spears
Dwayne Johnson
Kim Kardashian
Kylie Jenner
Megan Thee Stallion
Nicki Minaj
Selena Gomez
Taylor Swift (WINNER)

THE COMEDY ACT OF THE YEAR
Baby J, John Mulaney
Emergency Contact, Amy Schumer
God Loves Me, Marlon Wayans
I’m An Entertainer, Wanda Sykes
Off The Record, Trevor Noah
Reality Check, Kevin Hart
Selective Outrage, Chris Rock (WINNER)
Someone You Love, Sarah Silverman

THE ATHLETE OF THE YEAR
Coco Gauff
Giannis Antetokounmpo
LeBron James
Lionel Messi
Sabrina Ionescu
Simone Biles
Stephen Curry
Travis Kelce (WINNER)

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#Peoples #Choice #Awards #Full #List #Winners #Barbie #Wins #Big

Grammys 2024 | Winners list: Taylor Swift and Miley Cyrus win big, India’s Shankar Mahadevan, Zakir Hussain awarded

The results of the 66th Annual Grammy Awards are here. Singer Taylor Swift created history at the Grammys 2024 by becoming the first person to win Album of the Year four times, and Miley Cyrus won the award for Record of the Year. ‘The Moment’, by fusion band Shakti, featuring John McLaughlin, Zakir Hussain, vocalist Shankar Mahadevan, percussionist V Selvaganesh and violinist Ganesh Rajagopalan, won the Global Music Album. Rakesh Chaurasia also won Global Music Performance and Contemporary Instrumental Album awards taking India’s awards count to three.

Here’s the complete Grammys 2024 winners list:

Album of the year

Jon Batiste – World Music Radio

boygenius – The Record

Miley Cyrus – Endless Summer Vacation

Lana Del Rey – Did You Know That There’s a Tunnel Under Ocean Blvd

Janelle Monáe – The Age of Pleasure

Olivia Rodrigo – Guts

Taylor Swift – Midnights – WINNER

SZA – SOS

Record of the year

Jon Batiste – Worship

boygenius – Not Strong Enough

Miley Cyrus – Flowers – WINNER

Billie Eilish – What Was I Made For? from Barbie: The Album

Victoria Monét – On My Mama

Olivia Rodrigo – Vampire

Taylor Swift – Anti-Hero

SZA – Kill Bill

Best new artist

Gracie Abrams

Fred again..

Ice Spice

Jelly Roll

Coco Jones

Noah Kahan

Victoria Monét – WINNER

The War and Treaty

Song of the year

Lana Del Rey – A&W

Taylor Swift – Anti-Hero

Jon Batiste – Butterfly

Dua Lipa – Dance the Night from Barbie

Miley Cyrus – Flowers

SZA – Kill Bill

Olivia Rodrigo – Vampire

Billie Eilish – What Was I Made For? from Barbie – WINNER

Best pop vocal album

Kelly Clarkson – Chemistry

Miley Cyrus – Endless Summer Vacation

Olivia Rodrigo – Guts

Ed Sheeran – “-” (Subtract)

Taylor Swift – Midnights – WINNER

Best R&B song

Halle – Angel

Robert Glasper featuring SiR and Alex Isley – Back to Love

Coco Jones – ICU

Victoria Monét – On My Mama

SZA – Snooze – WINNER

Best country album

Kelsea Ballerini – Rolling Up the Welcome Mat

Brothers Osborne – Brothers Osborne

Zach Bryan – Zach Bryan

Tyler Childers – Rustin’ in the Rain

Lainey Wilson – Bell Bottom Country – WINNER

Best música urbana album

Rauw Alejandro – Saturno

Karol G – Mañana Será Bonito – WINNER

Tainy – Data

Best pop solo performance

Miley Cyrus – Flowers – WINNER

Doja Cat – Paint the Town Red

Billie Eilish – What Was I Made For? from Barbie

Olivia Rodrigo – Vampire

Taylor Swift – Anti-Hero

US singer-songwriter Miley Cyrus accepts the Record Of The Year award for “Flowers” on stage during the 66th Annual Grammy Awards
| Photo Credit:
VALERIE MACON

Best progressive R&B album

6lack – Since I Have a Lover

Diddy – The Love Album: Off the Grid

Terrace Martin and James Fauntleroy – Nova

Janelle Monáe – The Age of Pleasure

SZA – SOS – WINNER

Best R&B performance

Chris Brown – Summer Too Hot

Robert Glasper featuring SiR and Alex Isley – Back to Love

Coco Jones – ICU – WINNER

Victoria Monét – How Does It Make You Feel

SZA – Kill Bill

Best folk album

Dom Flemons – Traveling Wildfire

The Milk Carton Kids – I Only See the Moon

Joni Mitchell – Joni Mitchell at Newport (Live) – WINNER

Nickel Creek – Celebrants

Old Crow Medicine Show – Jubilee

Paul Simon – Seven Psalms

Rufus Wainwright – Folkocracy

Producer of the year, non-classical

Jack Antonoff – WINNER

Dernst “D’Mile” Emile II

Hit-Boy

Metro Boomin

Daniel Nigro

Songwriter of the year, non-classical

Edgar Barrera

Jessie Jo Dillon

Shane McAnally

Theron Thomas – WINNER

Justin Tranter

Best pop duo/group performance

Miley Cyrus featuring Brandi Carlile – Thousand Miles

Lana Del Rey featuring Jon Batiste – Candy Necklace

Labrinth featuring Billie Eilish – Never Felt So Alone

Taylor Swift featuring Ice Spice – Karma

SZA featuring Phoebe Bridgers – Ghost in the Machine – WINNER

Best dance/electronic recording

Aphex Twin – Blackbox Life Recorder 21f

James Blake – Loading

Disclosure – Higher Than Ever Before

Romy and Fred again.. – Strong

Skrillex, Fred again.. and Flowdan – Rumble – WINNER

Best pop dance recording

David Guetta, Anne-Marie and Coi Leray – Baby Don’t Hurt Me

Calvin Harris featuring Ellie Goulding – Miracle

Kylie Minogue – Padam Padam – WINNER

Bebe Rexha and David Guetta – One in a Million

Troye Sivan – Rush

Best dance/electronic music album

James Blake – Playing Robots into Heaven

The Chemical Brothers – For That Beautiful Feeling

Fred again.. – Actual Life 3 (January 1 – September 9 2022) – WINNER

Kx5 – Kx5

Skrillex – Quest for Fire

Best traditional R&B performance

Babyface featuring Coco Jones – Simple

Kenyon Dixon – Lucky

Victoria Monét featuring Earth, Wind & Fire and Hazel Monét – Hollywood

PJ Morton featuring Susan Carol – Good Morning – WINNER

SZA – Love Language

Best R&B album

Babyface – Girls Night Out

Coco Jones – What I Didn’t Tell You (Deluxe)

Emily King – Special Occasion

Victoria Monét – Jaguar II – WINNER

Summer Walker – Clear 2: Soft Life EP

Best rap performance

Baby Keem featuring Kendrick Lamar – The Hillbillies

Black Thought – Love Letter

Drake & 21 Savage – Rich Flex

Killer Mike featuring André 3000, Future and Eryn Allen Kane – Scientists & Engineers – WINNER

Coi Leray – Players

Best melodic rap performance

Burna Boy featuring 21 Savage – Sittin’ on Top of the World

Doja Cat – Attention

Drake and 21 Savage – Spin Bout U

Lil Durk featuring J Cole – All My Life – WINNER

SZA – Low

Best rap song

Doja Cat – Attention

Nicki Minaj and Ice Spice featuring Aqua – Barbie World from Barbie: The Album

Lil Uzi Vert – Just Wanna Rock

Drake and 21 Savage – Rich Flex

Killer Mike featuring André 3000, Future and Eryn Allen Kane – Scientists & Engineers – WINNER

Best rap album

Drake and 21 Savage – Her Loss

Killer Mike – Michael – WINNER

Metro Boomin – Heroes & Villains

Nas – King’s Disease III

Travis Scott – Utopia

Best country solo performance

Tyler Childers – In Your Love

Brandy Clark – Buried

Luke Combs – Fast Car

Dolly Parton – The Last Thing on My Mind

Chris Stapleton – White Horse – WINNER

Best country song

Brandy Clark – Buried

Zach Bryan featuring Kacey Musgraves – I Remember Everything

Tyler Childers – In Your Love

Morgan Wallen – Last Night

Chris Stapleton – White Horse – WINNER

Best song written for visual media

Barbie World from Barbie the Album, Naija Gaston, Ephrem Louis Lopez Jr. and Onika Maraj, songwriters (Nicki Minaj and Ice Spice featuring Aqua)

Dance the Night from “Barbie the Album, Caroline Ailin, Dua Lipa, Mark Ronson and Andrew Wyatt, songwriters (Dua Lipa)

I’m Just Ken from Barbie the Album, Mark Ronson and Andrew Wyatt, songwriters (Ryan Gosling)

Lift Me Up from Black Panther: Wakanda Forever — Music From and Inspired By, Ryan Coogler, Ludwig Göransson, Robyn Fenty and Temilade Openiyi, songwriters (Rihanna)

What Was I Made For? from Barbie the Album, Billie Eilish O’Connell and Finneas O’Connell, songwriters (Billie Eilish) — WINNER

Best comedy album

Trevor Noah – I Wish You Would

Wanda Sykes – I’m an Entertainer

Chris Rock – Selective Outrage

Sarah Silverman – Someone You Love

Dave Chappelle – What’s in a Name? – WINNER

Best global music album

Susana Baca – Epifanías

Bokanté – History

Burna Boy – I Told Them…

Davido – Timeless

Shakti – This Moment – WINNER

Zakir Hussain, from left, Edgar Meyer and Rakesh Chaurasia accept the award for best global music performance for ‘Pashto’ during the 66th annual Grammy Awards

Zakir Hussain, from left, Edgar Meyer and Rakesh Chaurasia accept the award for best global music performance for ‘Pashto’ during the 66th annual Grammy Awards
| Photo Credit:
Chris Pizzello

Best African music performance

Asake and Olamide – Amapiano

Burna Boy – City Boys

Davido featuring Musa Keys – Unavailable

Ayra Starr – Rush

Tyla – Water – WINNER

Best musical theater album

Kimberly Akimbo

Parade

Shucked

Some Like It Hot – WINNER

Sweeney Todd: The Demon Barber of Fleet Street

Best alternative music album

Arctic Monkeys – The Car

boygenius – The Record – WINNER

Lana Del Rey – Did You Know That There’s a Tunnel Under Ocean Blvd

Gorillaz – Cracker Island

PJ Harvey – I Inside the Old Year Dying

Best alternative music performance

Alvvays – Belinda Says

Arctic Monkeys – Body Paint

boygenius – Cool About It

Lana Del Rey – A&W

Paramore – This Is Why – WINNER

Best rock album

Foo Fighters – But Here We Are

Greta Van Fleet – Starcatcher

Metallica – 72 Seasons

Paramore – This Is Why – WINNER

Queens of the Stone Age – In Times New Roman…

Best rock song

The Rolling Stones – Angry

Olivia Rodrigo – Ballad of a Homeschooled Girl

Queens of the Stone Age – Emotion Sickness

boygenius – Not Strong Enough – WINNER

Foo Fighters – Rescued

Best metal performance

Disturbed – Bad Man

Ghost – Phantom of the Opera

Metallica – 72 Seasons – WINNER

Slipknot – Hive Mind

Spiritbox – Jaded

Best rock performance

Arctic Monkeys – Sculptures of Anything Goes

Black Pumas – More Than a Love Song

boygenius – Not Strong Enough – WINNER

Foo Fighters – Rescued

Metallica – Lux Æterna

Best country duo/group performance

Dierks Bentley featuring Billy Strings – High Note

Brothers Osborne – Nobody’s Nobody

Zach Bryan featuring Kacey Musgraves – I Remember Everything – WINNER

Vince Gill and Paul Franklin – Kissing Your Picture (Is So Cold)

Jelly Roll with Lainey Wilson – Save Me

Carly Pearce featuring Chris Stapleton – We Don’t Fight Anymore

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#Grammys #Winners #list #Taylor #Swift #Miley #Cyrus #win #big #Indias #Shankar #Mahadevan #Zakir #Hussain #awarded

From Musk and Tusk to Swift: Figures who defined 2023

From Iran to Hollywood, in the domains of space travel, football and tech, 2023 was a year shaped by strong personalities. Some inspired us, most made us reflect, and others occasionally annoyed us. As the year comes to an end, FRANCE 24 has selected some of the personalities leaving a mark on 2023.

  • Narges Mohammadi, fighting for human rights in Iran

Iranian activist Narges Mohammadi was awarded the Nobel Peace Prize “for her fight against the oppression of women in Iran and her fight to promote human rights and freedom for all”. 

The journalist plays a key role in Iran’s “Women, Life, Freedom” movement garnering global attention since the death of Mahsa Amini while in custody of Iran’s police in September 2022. The movement advocates for the abolition of mandatory hijab laws and the elimination of various forms of discrimination against women in Iran.

Arrested for the first time 22 years ago, Mohammadi has been held in Evin Prison, known for its mistreatment of detainees, since 2021.

From behind bars, where she has spent much of the last two decades on charges like “propaganda”, “rebellion”, and “endangering national security”, she continues her fight against what she terms a “tyrannical and misogynistic religious regime”.

At the Nobel Prize ceremony in Oslo, her 17-year-old twins living in exile in France since 2015 delivered her speech.

Read moreNarges Mohammadi: Iran’s defiant voice, even behind bars

  • Donald Tusk, bringing Poland back into the fold

After eight years of nationalist rule by the Law and Justice Party (PiS), Poland’s Donald Tusk is back in his country’s top job.

Already having served as prime minister from 2007 to 2014, the committed europhile and former president of the European Council (2014 – 2019) promises to put his country solidly back on democratic rails.

His priorities are clear: to restore the rule of law and rebuild Poland’s credibility within the EU. His coalition also advocates abortion in a country where the practice is only permitted in cases of rape, incest, or danger to the life or health of the mother.

However, Tusk will have to contend with Poland’s far right, which still retains meaningful political power despite losing the premiership. 

  • Taylor Swift, shining so brightly

In a world where celebrity can be fleeting, Taylor Swift has never been far from the limelight. From Nashville to New York, the 34-year-old American singer has built a romantic-pop musical empire that has captivated millions of fans, known as “Swifties”, worldwide.

Named the Person of the Year 2023 by Time magazine on December 6, Swift, who started her career more than 15 years ago, boasts a long list of world records. Her albums frequently top the charts in the United States – since she debuted in 2006, 13 of her 14 albums have reached number one in US sales.

In October, Swift released concert film, “The Eras Tour”, which went on to become the highest-grossing concert film of all time, earning $249.9 million worldwide. 

In September, the singer demonstrated her cultural force. After a short message on Instagram encouraging her 272 million followers to register to vote, the website she directed them to – the nonprofit Vote.org – recorded more than 35,000 registrations in just one day.

Committed to maintaining musical independence, the feminist icon re-recorded the tracks from her first six albums in 2019 to regain control of the rights after her former record label was acquired by music industry magnate Scooter Braun. 

  • Hollywood’s striking writers and actors, fighting and winning

In May 2023, Hollywood ignited. The industry’s writers, followed by actors in July, went on strike. The stakes in the negotiations included both base and residual pay – which actors say has been undercut by inflation and the business model of streaming – and the threat of unregulated use of artificial intelligence (AI) by studios.

The strike – the most significant since 1960 – paralysed film and series production for several months, costing the US economy at least $6 billion.

At the heart of the protest were fears that studios would use AI to generate scripts or clone the voices and images of actors without compensation. The strikers, supported by the public, refused to back down.

They chanted “When we fight, we win”, a slogan that has become the rallying cry for workers across the United States, from the automotive industry to hospitality. Prominent names in cinema join the picket lines, including actress and producer Jessica Chastain and “Breaking Bad” star Bryan Cranston.

In September, the writers reached a salary agreement with the studios which included protections relating to the use of AI. Actors finally returned to sets in November after 118 days off the job.

  • Elon Musk, genius or man-child?

Elon Musk will leave 2023 an even more divisive figure than when he entered it. With a fortune of $250 billion, Musk has grand ambitions to conquer space, roads, and social networks.

Twitter, renamed X in late July after Musk bought the company in October 2022, has had a chaotic year: mass layoffs, a showdown with the EU over misinformation, controversy over certified accounts, and plummeting advertising revenues. Its survival is now an open question after Musk told advertisers who suspended their advertising over his repost of a tweet widely deemed anti-Semitic to “Go f—k yourself”.

Beyond X, Musk’s company SpaceX has been instrumental in the war in Ukraine with its satellite internet product Starlink. It has also made progress on the Starship Rocket, which could revolutionise space transportation. However, the two launches this year didn’t go as planned, raising concerns about the project’s feasibility.

In the workshops of Tesla, his electric car company, an international strike movement that is still gaining momentum has already tarnished his image. 

Finally, his Neuralink project, which aims to develop brain implants to assist paralysed individuals or those with neurological diseases, has also faced criticism. Some experts believe the risks this project poses to are too high.

Whether you love him or hate him, it seems Musk can’t stay out of the headlines. 

  • Jennifer Hermoso, the face of change for Spanish football

Until this summer, Jennifer Hermoso was only known by football enthusiasts. But the wave of support she received after the Women’s World Cup has made her a symbol.

As the Spanish player was being crowned world champion in Sydney, she was unexpectedly kissed on the mouth by Luis Rubiales, then president of the Spanish Football Federation. The image, broadcast live on television, circled the globe and sparked outrage.

A few days later, Hermoso broke her silence and denounced an “impulse-driven, sexist, out of place act”. She filed a complaint against Rubiales, who claimed it was just a consensual “little kiss”.


<blockquote class=”twitter-tweet”><p lang=”en” dir=”ltr”>Official Announcement. August 25th,2023. <a href=”https://t.co/lQb18IGsk2″>pic.twitter.com/lQb18IGsk2</a></p>&mdash; Jenn1 Hermos0 (@Jennihermoso) <a href=”https://twitter.com/Jennihermoso/status/1695155154067087413?ref_src=twsrc%5Etfw”>August 25, 2023</a></blockquote> <script async src=”https://platform.twitter.com/widgets.js” charset=”utf-8″></script>

Ultimately forced to resign, Rubiales was charged with sexual assault by the courts and suspended for three years from any football-related activity by FIFA. The scandal led to a boycott by Spanish players of the national team for several days until the federation promised “immediate and profound changes”.

  • Mortaza Behboudi, Afghan journalist fighting for press freedom

Most of 2023 unfolded behind bars for Franco-Afghan journalist Mortaza Behboudi. His crime? Simply doing his job. 

It all started on January 7 when he was arrested on charges of espionage in Kabul by the Taliban. During his 9 months in prison, he was regularly tortured and threatened with death.

Reporters Without Borders (RSF) and its support committee, created by his wife Aleksandra Mostovaja, moved heaven and earth to secure his release. Their determination eventually paid off, and he was released on October 18.

Working for French news outlets including France Télévisions, TV5Monde, Libération, and Mediapart, he already wants to return to Afghanistan. “My fight is to give a voice to those who don’t have it,” he told FRANCE 24.

According to the annual round-up compiled by RSF, 45 journalists were killed worldwide in connection with their work (as of 1 December 2023). 

  • Rayyanah Barnawi, first Saudi woman in space

On May 21, Rayyanah Barnawi became the first Saudi woman to travel to the International Space Station. A biomedical science graduate, she dedicated her ten-day mission to the field of cancer stem cell research.

Her journey is an important symbol for Saudi Arabia, where women face restrictions. Barnawi is emblematic of a new generation of highly educated and ambitious Saudi women ready to take on important roles in the historically conservative society.

The journey is also part of the Saudi monarchy’s strategy to renew its international image.

  • Sam Altman, the father of ChatGPT

At 38, Sam Altman is one of the most prominent names in the tech world. He is the CEO of OpenAI, the San Francisco-based AI lab that created ChatGPT – a chatbot with 100 million weekly users now disrupting the technology ecosystem.

On top of being a prolific entrepreneur, Altman officially launched Worldcoin, a new cryptocurrency with an identity verification system using the human iris. Like Elon Musk, with whom he co-founded OpenAI in 2015, his grand ambition and sometimes controversial methods have earned him criticism. Some accuse him of prioritising security over innovation.

In November 2023, he was dismissed by the board of directors of OpenAI, only to be reinstated in his position after most of the company’s employees threatened to leave the group.

Watch moreSam Altman to return as OpenAI CEO after his tumultuous ouster

His activity is not restricted to entrepreneurship. In May, Altman invested $375 million in Helion, a nuclear fusion startup.

  • Barbie, a triumphant return

For better or worse, Barbie has been a icon since she first hit store shelves in 1959. The 29-centimetre doll has had an impact on generations of girls and women: long reviled by feminists, she had an image makeover in 2023.

This summer, Barbie experienced a triumphant return thanks to a film directed by Greta Gerwig starring Margot Robbie and Ryan Gosling. Released in July, the film is a critical and commercial success praised for its intelligent script, impeccable performances, and feminist message.

Gerwig created a world where Barbie is a rebellious icon fighting against gender stereotypes, surrounded by strong and independent female characters.

In the process, Gerwig became the first woman to direct a film grossing more than a billion dollars at the box office. The 40-year-old capped off her stellar year by being named jury president at Cannes 2024. 

This article is translated from the original in French. 

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A symphony of senses: The enchanting cinematic world of Taylor Swift could bring back the concert film genre

So Barbenheimer was the big ticket of 2023, not some spandex-suited meta-human fighting an overblown CGI battle in the Big Apple. Just as the bean counters seem to have figured out what draws audiences to theatres (good luck with that), comes the mass hysteria of the screening of Taylor Swift: The Eras Tour.

The film is directed by Sam Wrench, who has helmed other concert movies including Billie Eilish: Live at the O2 earlier this year and Lizzo: Live in Concert (2022). The film documents Swift’s The Eras Tour, her sixth concert tour and represents Swift’s musical journey over 10 acts.

Path-breaking journey

Taylor Swift: The Eras Tour is path-breaking in many ways. After failing to reach an agreement with studios, Swift directly went to the theatres and signed an agreement with them.

A fan takes a picture of an image of Taylor Swift as she enters a cinema to watch ‘Taylor Swift’s Eras Tour’ concert movie
| Photo Credit:
ALEXANDRE MENEGHINI

Her announcement of the movie led to the studios scrambling to reschedule their releases. There was an Exorswift (yes it does not have the ring of Barbenheimer), which brought the release date of The Exorcist: Believer forward from its multi-million-dollar campaign ready date of Friday the 13th in October.

All the pundits hold the concert movie as the new gold standard for the communal theatre going experience, and it well might be. In India, there have been limited screenings of Korean boy band’s BTS’ concert movies, which generates a kind of passion that willy-nilly sweeps one along whether one is a fan or not.

The rock concert movie gives the fan a concert experience in a theatre. Some might even say a better-than concert experience — come on are you going to say no to a 360-degree view, crisp edits, tight close ups, intimate behind the scenes sequences, good, comfortable seats, air conditioning and clean toilets?

There is an urban legend about the screening of Woodstock (1970), the Academy Award winning documentary about the iconic counter-culture festival, which counts Thelma Schoonmaker and Martin Scorsese among its editors.

The story goes that during the morning screenings (don’t ask) of the documentary in beloved theatres in Bengaluru and Hyderabad and probably elsewhere in India, the air was thick with the smell of love, peace, music and a certain herbal something.

Concert film 

Mr. Scorsese, whose historical romance Killers of the Flower Moon had its limited run release cancelled in the wake of the Swiftian juggernaut, has a long and distinguished connection with music documentaries. There is the elegant, elegiac The Last Waltz (1978) of The Band’s farewell concert with guest performers including Bob Dylan, Eric Clapton, Neil Diamond, Joni Mitchell, Van Morrison, Ringo Starr, and Neil Young.

A still from ‘The Last Waltz’

A still from ‘The Last Waltz’

This was also 2005’s Bob Dylan documentary No Direction Home, Shine a Light in 2008, on the Rolling Stones, on The Beatle, George Harrison: Living in the Material World (2011) and Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese (2019), which was more psychedelic ride than a story. 

Going to a rock concert with the attendant headbanging, air guitaring with the leads and extreme tee shirts is an experience that true-blue rockers swear by. A concert film is the next best thing. And a film of a concert in the theatres is an even better option .None of us will have the joy of watching angstridden Pink build the wall brick by brick in tune with ‘Goodbye Blue Skies’ or ‘Comfortably Numb’.

 It would be fun however to watch either Alan Parker’s movie version of the album, Pink Floyd – The Wall (1982), with Bob Geldof playing Pink and those weird surreal animation sequences of marching hammers and risqué flowers by Gerald Scarfe or The Wall – Live in Berlin with Sinéad O’Connor’s heart breaking rendition of ‘Mother’ on the big screen in Surround Sound.

Another concert movie, which will be gorgeous on the big screen would be Pink Floyd: Live at Pompeii. The 1972 film by Adrian Maben, features the painfully young Roger Waters, David Gilmour, Richard Wright and Nick Mason performing psychedelic rock classics including ‘Echoes’ Careful with That Axe, Eugene’, ‘A Saucerful of Secrets’, and ‘Set the Controls for the Heart of the Sun’ at the eerily empty ancient amphitheatre in Pompeii. The dreamlike shots of a city frozen in time by the ashes of the Vesuvius adds to the other-wordly vibe.

There is also 1976’s The Song Remains the Same, featuring Led Zepplin’s three-nights of concerts at Madison Square Garden in New York City. Billed as a “personal and private tour of Led Zeppelin” the film is directed by Peter Clifton and Joe Massot. If you can disregard all that Arthurian/Lord of the Rings costume drama, there is great music and performances in the film.

Fragile nature of life

From Jimmy Page shredding the double necked guitar—please ignore the sparkling, sequinned black bell bottoms to Robert Plant letting it rip on ‘Immigrant Song’, blue, puff-sleeved shirt and all. And if you first heard “From the midnight sun where the hot springs flow” and that primordial scream in Thor Ragnarok you have a singular treat coming.

It was heartbreaking to watch Michael Jackson’s This Is It (2009) in theatres, as the King of Pop softly cajoles his team to “do it with love” in preparation for his big comeback at the O2 arena.

Listening to Jackson rehearsing ‘Wanna be Startin’ Somethin’’, with the knowledge that the tour was not meant to be owing to his passing less than 20 days before the concert on June 25, underlines the fragility and fleeting nature of life.

The massive success of Taylor Swift: The Eras Tour might signal a renewed interest in watching concert films as a communal experience in theatres.

Instead of blankets and beer, let us all head to the theatres with popcorn and sweet, sticky drinks for a stadium-level experience with Ms Swift. The song remains the same only the way we consume it changes.

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Elon Musk May Have Given Up On Privacy For His Jet Travels, But Taylor Swift Hasn’t

Forbes got an exclusive look at the celebrities and billionaires who’ve used a federal program to hide their private-plane flights. Here’s why it’s not working.


When he bought Twitter in October 2022, Elon Musk’s to-do list included giving Jack Sweeney the boot.

Sweeney, a college student from Orlando, Florida, had been tracking Musk’s $65 million Gulfstream G650 and tweeting the whereabouts of the richest man on Earth. Musk wasn’t amused. He saw his privacy as a security issue. “I don’t love the idea of being shot by a nutcase,” he told Sweeney in a direct message.

Musk took his quest for privacy one step further. He enrolled in a free Federal Aviation Administration program called PIA that allows private-jet owners to hide their location by having their planes transmit alternative identity codes.

It didn’t work. Sweeney is still publishing the movements of Musk’s G650 in real time — he’s just switched to Instagram, BlueSky and Facebook. It was easy to crack the FAA’s privacy code, Sweeney told Forbes. “You can do it in a day.” Eventually, Musk and his crew quit trying, Sweeney said, and now Musk flies unmasked. Musk didn’t respond to requests for comment.

The FAA’s PIA program has cloaked the travels of 48 private jets this year, according to JetSpy, a subscription flight-tracking service. The Chicago-based company has been able to figure out the owners of 38 of those planes and shared those findings exclusively with Forbes. They’re a mix of the bold-faced names of celebrity gossip and billionaire masters of the tech and financial universes, with some surprising exceptions.


FREQUENT FLYERS

Here are the jet-setters who tried and failed to travel under the radar.


Despite the jet owners’ enrollments in PIA, it’s still possible to see how frequently Taylor Swift has visited her tall American boyfriend, Travis Kelce, in Kansas City; where Magic Johnson is chasing the next deal in his Gulfstream III; how many times Kenneth Griffin has visited France, or where Jeff Bezos, Sergey Brin and Evan Spiegel — or at least their planes — have taken off and landed.

The public can also follow jets owned by Walmart and employee-owned WinCo Foods as they zig-zag the country, and we’re privy to the otherwise hush-hush athlete-recruiting efforts of the University of Kansas, which has been taking flak for years from faculty over the expense of its Cessna Citation CJ4.


TRANSPONDER SIGNALS

Plane watchers follow the aircraft by tracking transponder signals that planes have been required to transmit since 2020. The transponders flash out location, altitude, speed and a unique ID code assigned by the International Civil Aviation Organization (ICAO).

The system is called Automatic Dependent Surveillance-Broadcast, or ADS-B. When it was first sketched out in the 1990s, its designers didn’t anticipate that plane-spotting enthusiasts would use inexpensive receivers to capture the signals and collaborate online to create coverage maps that track planes around the world.

Hence the FAA’s privacy program, which allows jets to send out fake codes to thwart identification by everyone except the authorities. It costs nothing to enroll in PIA — short for Privacy ICAO Aircraft Address — but it’s complicated and time-consuming for plane owners to change their codes and test whether they’re functional.

Experts told Forbes that the program isn’t working because not enough aircraft are using it — the FAA said it’s issued about 390 alternate ID codes since PIA began in 2019 — and jet owners don’t change their fake codes frequently enough.

“It’s useless,” says Martin Strohmeier, cofounder of the European crowd-sourced flight-tracking website OpenSky Network. “At worst you could even say it’s dangerous because people may believe it gives them some sort of cover, which it does not.”


TAYLOR + TRAVIS

Not that Taylor, if we can call her that, can hope for any cover. Millions of Swifties follow the pop icon’s every move. Still, flight tracking may provide special insight into her heart. Her plane has visited Kansas City three times so far in October. Just about everyone knows Swift was in the crowd at Arrowhead Stadium on October 12 to watch a football game featuring the guy whose career she made. JetSpy — and Sweeney’s Instagram account @taylorswiftjets — inform us that her jet dropped her off that day, returned home to Nashville, then came back to Kansas City on October 14. Heart-hands emoji.

Others fly to destinations for reasons unknown to outsiders. Griffin, for example. Forbes estimates his net worth at $33.5 billion; one of his firms, Citadel Securities, acts as the intermediary for more than one in three U.S. stock trades. His plane, a Bombardier Global Express (price tag: $12 million used), has notched 195 flights this year through Monday, traveling 257,000 nautical miles. According to JetSpy, the billionaire’s plane has visited France more often this year than Chicago, where Citadel was headquartered until last year (it moved to Florida) and where it still has a big presence.

Though we have no special insight into Griffin’s heart — he didn’t respond to requests to talk about his air travel — we can surmise that he, like Musk, has security reasons for wanting his jet to fly under the radar. For instance, Griffin’s whereabouts are tracked on Reddit by retail stock investors who blame him for the controversial 2021 halt in GameStop trading on the Robinhood platform, which helped big trading houses dig out from under billions of dollars in losses while hurting many of the trade-at-home folks. Griffin denied involvement.

“I’ve seen my clients deal with threats to their safety because of people that were tracking them,” Dan Drohan, CEO of Solairus Aviation, a company that manages over 300 private jets for their owners but has no connection to Griffin, told Forbes. “It’s most upsetting for the ones that have kids.”

Sweeney, who Musk allowed to set up a new account on X (nee Twitter) tracking Musk’s jet as long as he waits 24 hours to announce its location, defends cracking the PIA codes and publicizing what he finds. “This account has every right to post jet whereabouts,” he tweeted in 2022 before he was banished. The transmissions of planes’ locations are public information, he said, and “every aircraft in the world is required to have a transponder, even AF1,” a reference to Air Force One, the U.S. president’s plane.

Another reason for the jet set’s touchiness: environmental advocates have used plane-tracking to measure the harm that private jets cause to the world’s climate and to shame their owners. For instance, the average American produces 16 tons of carbon dioxide a year. By comparison, Griffin’s jet, in the first nine-plus months of 2023, has emitted about 12 million tons.


LEGAL ESPIONAGE

Tracking also allows for corporate espionage of the legal variety. Brad Pierce, who owns Restaurant Equipment World, told Forbes that the sales calls he makes in his Cirrus SR-22 have enabled him to expand his Florida-based business. He said it’s also allowed a large competitor that he won’t name to monitor his travels and then drop in on the potential customers he’s been pitching. He said that the sources for that information are the company’s executives themselves, who’ve confessed to him at industry conventions. “They said, ‘We have one guy in our office who is just nonstop trying to track where you are so we can send our own people in afterward,’” Pierce told Forbes.

Gaining an edge in business is a selling point for subscription jet-tracking sites like JetSpy, Quandl and JetTrack.

For PIA to work, aircraft owners should ideally change their fake identity codes for every flight, according to Strohmeier of OpenSky Network.

Right now that’s impossible, said Rene Cervantes, operations vice president for aircraft manager Solairus Aviation, which has a handful of clients who use PIA. Changing the code requires the transponder manufacturer to produce a software update on a compact disc, of all things, which can take a month. Many owners interested in the program don’t follow through after hearing what’s involved, Cervantes told Forbes.

Some PIA enrollees appear to have given up. Among those who haven’t flown under an alternate address since last year are Kim Kardashian, Mark Zuckerberg and the private-equity giant Blackstone Group, led by billionaire Stephen Schwarzman.

French billionaire Bernard Arnault has given up, too. But he’s taken it one step further. Last year, after the CEO of luxury conglomerate LVMH came under fire from a Twitter account looking to shame him over his carbon-dioxide emissions, he sold the company jet.

Arnault, whose $187.6 billion fortune Forbes said this month makes him the second-wealthiest person in the world, is now a renter, not an owner.

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Taylor Swift’s ‘The Eras Tour’ dances to No. 1 at the box office, eyeing ‘Joker’ film record

Movie theaters turned into concert venues this weekend as Swifties brought their dance moves and friendship bracelets to multiplexes across the country. The unparalleled enthusiasm helped propel “Taylor Swift: The Eras Tour” to a massive, first place debut between $95 million and $97 million in North America, AMC Theatres said Sunday.

It’s easily the biggest opening for a concert film of all time, and, not accounting for inflation, has made more than the $73 million “Justin Bieber: Never Say Never” earned in 2011. In today’s dollars, that would be around $102 million. And if it comes in on the higher end of projections when totals are released Monday, it could be the biggest October opening ever. The one to beat is “Joker,” which launched to $96.2 million in 2019.

A unique experiment in distribution, premium pricing, star power and loose movie theater etiquette—more dancing and shouting than a Star Wars premiere—have made it an undeniable hit. Compiled from Swift’s summer shows at Southern California’s SoFi Stadium, the film opened in 3,855 North American locations starting with “surprise” Thursday evening previews. Those showtimes helped boost its opening day sum to $39 million – the second biggest ever for October, behind “Joker’s” $39.3 million.

Fans receive a photograph of Taylor Swift as they enter a cinema to watch Taylor Swift’s ‘Eras Tour’ concert movie
| Photo Credit:
ALEXANDRE MENEGHINI

Internationally, it’s estimated to have earned somewhere between $31 to $33 million, bringing its global total in the range of $126 million to $130 million.

“This is a phenomenal number,” said Paul Dergarabedian, the senior media analyst for Comscore. “To have a blockbuster style opening weekend for a concert film is unprecedented.”

Swift, who produced the film, went around the Hollywood studio system to distribute the film, making a deal directly with AMC, the largest exhibition company in the United States. With her 274 million Instagram followers, Swift hardly needed a traditional marketing campaign to get the word out.

Beyoncé made a similar deal with the exhibitor for “ Renaissance: A Film By Beyoncé, ” which will open on Dec. 1. The two superstars posed together at the premiere of “The Eras Tour” earlier this week in Los Angeles. It was a needed injection of star power with Hollywood actors over 90 days into a strike that has left most red carpets void of glamourous talent and resulted in several high-profile films being pushed to next year.

“The Eras Tour,” directed by Sam Wrench, is not just playing on AMC screens either. The company, based in Leawood, Kansas, worked with sub-distribution partners Variance Films, Trafalgar Releasing, Cinepolis and Cineplex to show the film in more than 8,500 movie theatres globally in 100 countries.

The spotlight on Swift has been especially intense lately as a result of her relationship with Kansas City Chiefs tight end Travis Kelce. The two made separate surprise appearances on “Saturday Night Live” this weekend and were also photographed holding hands in New York.

A fan takes a picture of an image of Taylor Swift as she enters a cinema to watch Taylor Swift’s ‘Eras Tour’ concert movie

A fan takes a picture of an image of Taylor Swift as she enters a cinema to watch Taylor Swift’s ‘Eras Tour’ concert movie
| Photo Credit:
ALEXANDRE MENEGHINI

It led to some hyperbolic projections going into the weekend, with some analysts predicting that “The Eras Tour” could make over $125 million. Dergarabedian said it’s common for outsized expectations to be attached to massive brands like Swift. There’s also no precedent for something like “The Eras Tour” and a celebrity of Swift’s stature.

“The laws of gravity don’t apply to Taylor Swift,” Dergarabedian said.

The film scored well with both critics and audiences, who gave it an A+ CinemaScore, a metric that typically signals a film will continue to do well after its first weekend.

Elizabeth Frank, the executive vice president of worldwide programming and chief content officer for AMC Theatres, said in a statement that they are grateful to Taylor Swift.

“Her spectacular performance delighted fans, who dressed up and danced through the film,” Frank said. “With tremendous recommendations and fans buying tickets to see this concert film several times, we anticipate ‘Taylor Swift: The Eras Tour’ concert film playing to big audiences for weeks to come.”

The stadium tour, which continues internationally, famously crashed Ticketmaster’s site and re-sale prices became astronomical. Pollstar projects that it will earn some $1.4 billion. The concert film offered fans both better seats and a much more affordable way to see the show for the first or fifth time. Prices are higher than the national average, at $19.89, which references her birth year and 2014 album, and ran closer to $29 a pop for premium large format screens like IMAX. Even so, they are significantly less than seat at one of the stadium shows.

Showtimes are also more limited than a standard Hollywood blockbuster, but AMC is guaranteeing at least four a day on Thursdays, Fridays, Saturdays, and Sundays at all AMC locations in the U.S. Many locations also specified that there are no refunds or exchanges. And fans will have to wait a while for “The Eras Tour” to be available on streaming — part of the AMC deal was a 13-week exclusive theatrical run.

Michael O’Leary, CEO of the National Association of Theater Owners said in a statement the moment was, “Another landmark weekend for cinemas.”

“This year has been marked by unprecedented experiences for movie lovers in theaters across this nation,” O’Leary continued in a statement. “The ‘Eras Tour’ debut proves, yet again, that fans are eager to share other experiences in a communal way, with theater owners working creatively to build memorable moments in their cinemas.”

O’Leary said that a survey of 6,000 people by his organization and The Cinema Foundation found that 72% want to see more concert films on the big screen.

“The Eras Tour” accounted for over 70% of the total weekend box office grosses. “The Exorcist: Believer” placed a very distant second in its second weekend with $11 million, followed by the “Paw Patrol” movie in third with $7 million. Rounding out the top five was “Saw X” with $5.7 million and “The Creator” with $4.3 million.

“This is great news for theaters,” Dergarabedian said. “’The Eras Tour’ wasn’t even on our radar in mid-August. You take this out of the equation and it would have been a totally different weekend.”

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