‘Crew’ Review: Tabu, Kareena Kapoor & Kriti Sanon’s Fun Film Sticks the Landing

Tabu, Kareena Kapoor Khan, and Kriti Sanon might seem like an unlikely trio on paper but on screen it fits perfectly. Rajesh A Krishnan’s Crew gives us some of the most delightfully funny versions of these actors – and it’s all neatly packaged in a buddy comedy/ heist film. 

Tabu, Kareena Kapoor, Kriti Sanon in a still from Crew. 

(Photo Courtesy: YouTube)

Tabu plays Geeta Sethi, a former beauty queen, who dreams of opening a restaurant in Goa with her husband Arun (Kapil Sharma). While Arun runs a cloud kitchen from their house, Geeta is waiting for her PF to be handed to her. Kareena Kapoor plays Jasmine Kohli. Jasmine wants to become a successful CEO but she is struggling to find sponsors. However, her real expertise is in sleight of hand. 

Then there’s Kriti Sanon’s character, often referred to as ‘Divya Rana from Haryana’ who dreams of becoming a pilot but, like Geeta and Jasmine, is a flight attendant with Kohinoor Airlines. The ‘inspiration’ is clear – the chairman is Vijay Wallya (Saswata Chatterjee). 

'Crew' hit theatres on 29 March.

Kriti Sanon in a still from Crew.

(Photo Courtesy: YouTube)

For the first quarter, the primary conflict in the film is that none of them have received their salaries in 6 months and rumours about the airline going bankrupt have been flying around. Management, naturally, is no help. In their crew is also a woman trying to save money for a wedding in the family and a single mother whose son’s admission hangs in the balance. 

A freak accident presents an opportunity. Geeta, Divya, and Jasmine enter the world of crime – they have to use their access to the skies to smuggle gold. In this world, they run into two new characters – Trupti Khamkar’s sub-inspector Mala who is hot on their tail and Diljit Dosanjh’s Jay. Jay has personal stakes in the operation – he is attempting to rekindle his romance with Divya. 

'Crew' hit theatres on 29 March.

Trupti Khamkar in a still from Crew.

(Photo Courtesy: YouTube)

To their credit, the chemistry between Diljit Dosanjh and Kriti Sanon is sizzling, for lack of a better word. The chemistry itself is enough to sell the romance (one could say Jay has impeccable rizz). But speaking of chemistry, the real chemistry someone needs to capitalise on (and soon) is that between Tabu and Kareena Kapoor. They’d be perfect for a I Care a Lot (dir. J Blakeson) spin-off (only better and funnier). 

In Crew, the performances, writing (Nidhi Mehra and Mehul Suri), and casting go hand-in-hand – all three characters seem tailor-made for the actors. Kareena Kapoor is back with her 2000s sass and effortless comic timing; the screen seems to actually light up when she’s in the frame. Even a bothersome gag like a character constantly breaking into the same song is salvaged. And there is no hiding the fact that I’m a massive Tabu fan (honesty and integrity are cornerstones of my profession) and she doesn’t disappoint. 

Geeta Sethi does come across feeling a little superficially written – for instance, the fact that she lives with (I’m assuming) anxiety is touched upon but isn’t adequately explored. Yet, Tabu plays the character with such expertise that Geeta is elevated beyond her writing. A resilient, caring woman who just wants to give her and her husband the life they deserve, Geeta could’ve been Crew’s most powerful character and she almost gets there, in Tabu’s hands. 

'Crew' hit theatres on 29 March.

Tabu, Kareena Kapoor, and Kriti Sanon in a still from Crew. 

(Photo Courtesy: YouTube)

Kriti Sanon’s Divya also grapples with a similar fate but is, again, saved by the actor’s performance. She’s the feisty one – the one who frequently puts people in headlocks – and also the one who freaks out easily because she is, after all, a junior dealing with monumental stakes. Her adorable evolving love story with Jay aside, Kriti plays Divya with the gusto the character needs. Geeta and Divya’s interactions might be some of my favourite moments from the movie. 

It is, however, a pity that Saswata Chatterjee feels rather underutilised especially in a role he would’ve excelled in. Diljit Dosanjh and Kapil Sharma both give decent performances – they primarily exist to be green flag men supporting the women they love and I am here for it! Crew would also not be the film that it is without its supporting cast. 

Crew is fun. And I’d missed fun. It feels like our movies have been oversaturated with the same kind of movies, some boring, some harmful. So, in that crowd, a film like Crew feels like a breath of fresh air. Most of the comedy lands (and lands well) and it’s refreshing to see women get to do the more ‘raunchy’ brand of comedy that was usually viewed through a male gaze.

That being said, the male gaze does tend to seep in in places but rarely. Also, some of the more crass jokes don’t work – not because they’re crass but mostly because they aren’t written well enough for that genre. 

'Crew' hit theatres on 29 March.

Tabu and Kareena Kapoor in a still from Crew.

(Photo Courtesy: YouTube)

By the time the film reaches its interval, you’re still hooked but that’s when the movie runs into some turbulence. In the middle, the film almost feels a little dull and perhaps that is because the heist is so basic. A heist as basic (and convenient as this) needed much more punches to land but that didn’t happen. While I like the way everything ends, the middle being lackluster takes away from some of the movie-watching fun. 

The film is also often loud for the sake of being loud and that isn’t always necessary, even with slapstick comedy. One of the most well-written comic bits is actually one where little to nothing is said – Jasmine simply can’t drug someone because they’re a picky eater (I don’t condone their behaviour though if that isn’t obvious). But the cast’s physical comedy plays off the set up so well.

'Crew' hit theatres on 29 March.

Tabu, Kareena Kapoor, and Kriti Sanon in a still from Crew.

(Photo Courtesy: YouTube)

And then there are the brand placements that truly prove that subtlety is an art form – they feel way too fake. The camerawork, too, was a bit of a letdown. For a film that’s dabbling with the heist genre, the camerawork needs to complement the scale. Some of the shots, however, feel too basic to justify their place in the second half. The music isn’t exactly memorable though I will admit that I absolutely loved ‘Ghagra’ and I didn’t hate the ‘Choli Ke Peeche’ remix like I thought I would. But the trio seems to be having the time of their lives so it takes away the sting a bit. 

Crew isn’t by any measures a bad film though – the performances alone are enough to seal the deal. It just feels like a plane that takes off well but struggles to stick the landing because of the turbulence mid-flight. 

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Loki Season 2 to OMG 2: Top Movies and TV Series to Watch This Weekend

We’re just a week into October, and our binge list is filled to the brim with new content. No one likes wasting time scrolling through OTT apps for hours, and therefore, we’re returned with an updated list of films and shows that’ll keep you entertained this weekend. Loki season 2 leads the pack of new releases this week, as we follow the God of Mischief’s time-hopping adventures and his encounter with alternate versions of beloved characters. In a similar multiversal vein, Spider-Man: Across the Spider-Verse is finally available to stream on Netflix, tasking a young Miles Morales with solving a major conspiracy involving countless Spider-People.

It’s going to be a busy weekend, as Akshay Kumar’s OMG 2 also debuts Sunday, October 8, on Netflix — less than two months since its theatrical release. Oh, and let’s not ignore its box office competitor Gadar 2, starring Sunny Deol in the lead, which drops today on Zee5. With that, here’s a guide on what to stream this weekend:

Khufiya

When: Now streaming
Where: Netflix

Hardened R&AW operative Krishna Mehra (Tabu) is tasked with tracking down a mole within the organisation — one whose actions have led to an undercover spy’s death. Ali Fazal plays the suspect in question, often seen photocopying documents from his workplace and taking them back home, presumably to feed India’s defence secrets to enemy nations. Through 24/7 surveillance and bugs placed in his home, Agent KM and team relentlessly pursue him — across countries — all the while ensuring his innocent wife (Wamiqa Gabbi) and child remain safe. Directed by Vishal Bhardwaj, Khufiya also stars Ashish Vidyarthi (Kuttey).

Khufiya to Killers of the Flower Moon: The Biggest Movies Releasing in October

Tabu in a still from Vishal Bhardwaj’s Khufiya
Photo Credit: Netflix

Spider-Man: Across the Spider-Verse

When: Now streaming
Where: Netflix

A fledgling Miles Morales (Shameik Moore) is catapulted into the multiverse and trapped among an elite army of Spider-People in the hopes of saving its very existence. Joined by Gwen Stacy (Hailee Steinfeld) and the rebellious Spider-Punk (Daniel Kaluuya), he encounters the leader Miguel O’Hara/ Spider-Man 2099 (Oscar Isaac), a traumatised, driven, and almost vampiric leader of the Spider society, who believes the ends justify the means — no matter how severe. But when a choice is offered to prioritise the safety of every multiversal world over one person, Miles rejects it, spawning a wild goose chase where he must fight off and escape all kinds of Spider-Men.

Bear in mind that Spider-Man: Across the Spider-Verse is only part 1 of a two-part story, and it also brings in a clumsy new villain, The Spot (Jason Schwartzman). The animated film is also available to buy as VOD across multiple platforms.

Spider-Man: Across the Spider-Verse Review

Loki season 2

When: October 6 (Now streaming)
Where: Disney+ Hotstar

Lost and confused in an alternate timeline where no TVA members recognise him, the God of Mischief Loki (Tom Hiddleston) is forced to navigate uncharted timelines with a new Mobius M. Mobius (Owen Wilson). His goal is to be reunited with his original team, but his body won’t let him do so by randomly distorting and plopping him into past and future timelines. Things are getting wild and even the TVA archivist OB (Ke Huy Quan) has no solutions to the time slipping. What he does have, however, is some specialised equipment that’s meant to help out our heroes — presumably, with multiversal travel. In Loki season 2, Sylvie is now a McDonald’s employee, Hunter B-15 is a doctor, and Kang the Conqueror appears to be a stage magician?

OMG 2

When: October 8
Where: Netflix

Following a scandal involving his son, Kanti Sharan Mudgal (Pankaj Tripathi), a concerned citizen and strong devotee of Lord Shiva, requests the court to mandate sex education in his school’s courses, spawning an amusing courtroom drama. But his journey there was filled with tragedy, ranging from judgemental jeers from the neighbourhood to his son’s attempted suicide — all of which are subtly prevented by a mysterious messenger (Akshay Kumar) sent by the three-eyed god himself. Amit Rai (Road to Sangam) directs OMG 2, which also stars Yami Gautam as an opposing lawyer.

Choona

When: Now streaming
Where: Netflix

Jimmy Sheirgill stars in this heist comedy series as a corrupt politician obsessed with astrology, planning to overthrow the government. Unfortunately, he’s got a quirk — his day-to-day activities are carefully planned based on whether the stars and planets align in his favour. In his meteoric rise to the top, he’s created a bunch of enemies, all of whom thirst for revenge and conjure a strategy to steal Rs. 600 crore from under the politician’s nose. The location is a little tricky though: a heavily fortified party office teeming with 10 armed police officers, over 100 goons, and CCTV cameras at every corner. The team in Choona includes a rebel (Aashim Gulati), a shape-shifting informer (Namit Das), a mute man (Chandan Roy), an astrologer (Atul Srivastava), and a demoted police officer (Gyanendra Tripathi).

Watch the Trailer for Choona, Starring Jimmy Sheirgill

choona ott releases this week choona ott releases this week

Jimmy Shergill (centre) in a still from Choona
Photo Credit: Netflix

Gadar 2

When: October 6 (Now streaming)
Where: Zee5

When Tara Singh (Sunny Deol) goes missing during a skirmish in Pakistan and is believed to be captured, his now fully-grown son Jeete sets out to rescue him, entering uncharted territories from which they both must escape. Ameesha Patel reprises her role as Tara’s wife Sakeena Ali Singh, who’s now in shambles upon hearing about her husband’s disappearance, constantly reciting prayers for his and Jeet’s safety. An interesting thing to note here is that the child actor who played Charanjeet in the original 2001 film is the same person playing the adult version in Gadar 2.

Mumbai Diaries season 2

When: October 6 (Now streaming)
Where: Amazon Prime Video

Dr. Kaushik Oberoi (Mohit Raina) and his team of medics are served with a new set of challenges when a series of torrential rainfalls threaten to submerge Mumbai. The medical thriller continues to focus on the resilience of the crisis doctors, despite limited resources, lack of sleep, and fighting personal battles — some of which is remnant trauma from dealing with the 26/11 attacks. Much of the original cast returns in Mumbai Diaries season 2, including Konkana Sen Sharma, Tina Desai, and Natasha Bharadwaj.


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‘Khufiya’ movie review: Vishal Bhardwaj conjures up a soulful human drama in the guise of a spy thriller

One of the few Indian filmmakers who are not letting art be reduced to content, Vishal Bhardwaj once again employs his command over multiple art forms to generate an immersive experience that turns out to be less than the sum of its parts. In his bid to capture the soul of spooks, Vishal loses grip on the body of the film. He beguiles with the mood and melody but fails to sustain the spell till the end.

Spy novels usually read well on page but on screen, they always run the risk of the audience complaining that nothing is happening. Those who have read Amar Bhushan’s Escape To Nowhere, the literary source of Khufiya, would agree that the fictional account of the real story of an Indian intelligence agent who, despite being under surveillance, disappeared into thin air possibly with the help of American support, is hard to cinematise. The novel has no third act that would trace the Indian response to the embarrassment. Vishal and co-writer Rohan Narula have flipped the gender of characters, invented new players, and spiced up dry portions to suit the Indian palate that seeks to romanticise its spooks and bring the offenders home, at least in films.

Set at a time when some extremist forces in Bangladesh were allegedly falling to the designs of Pakistan’s ISI to create a terror network on India’s eastern border — it is dealt with in detail in Bhushan’s other racy read The Zero Cost Mission — the film follows how a team of Indian intelligence agents led by Krishna Mehra (Tabu) seeks to work with democratic forces in Dhaka to destabilise the then-hardline Bangladeshi government with the help of a local agent (Bangladeshi actor Azmeri Haque Badhon).

The operation is allegedly compromised by an Indian intelligence officer Ravi (Ali Fazal), ostensibly working for the Americans who need to mollycoddle Pakistan to win the great game in Afghanistan. Ravi is already under the scanner but Krishna’s boss Jeevnathan (Ashish Vidyarthi) is not interested in just the puppet. He wants to catch the puppeteer as well. Will the political leadership take on a superpower that seems eager to forge a strategic partnership with India?

Coming at a time when India is locked into a diplomatic row in Canada with the role of American intelligence agencies once again under the scanner, there are passages in Khufiya that will give those interested in geopolitics goosebumps.

But Khufiya is not just a game of cat and mouse played out in South Block and the lanes of Delhi and Dhaka as Vishal loves to transcend from external to internal probe. The title that means secret in Urdu doesn’t stand only for the labour intelligence agencies put in keeping a watch on their targets. It is about the secrets we carry in the crevices of our hearts and the lids we put on our true identity.

Khufiya (Hindi)

Director: Vishal Bhardwaj

Cast: Ali Fazal, Tabu, Wamiqa Gabbi, Ashish Vidyarthi, Azmeri Haque Badhon, Navnindra Behl

Run-time: 158 minutes

Storyline: Ravi, an Indian intelligence officer, comes under the scanner of his superiors, setting off a complex game of surveillance and counter-espionage

Known for writing strong female characters in a man’s world, after Omkara, Vishal ensures that the three female characters take our breath away and the fourth one leaves us choked. By now we know how Tabu can tease our senses under Vishal’s direction but now he has a new muse in Wamiqa Gabbi. A perceptive actor who marries ethereal grace with steely resolve, it is hard to take our eyes off Wamiqa’s Charulata even when Tabu is around. As the conscientious wife of Ravi, she is the moral centre of the film who questions the cold-blooded work ethic of the intelligence apparatus and takes a stand. Equally enchanting is the performance and character arc of Badhon, the enterprising agent torn between the personal and the professional.

Once again, Vishal collaborates with Gulzar to create melancholy in what seems like a harsh, pragmatic space. Only Gulzar could express deep thoughts through a whimsical line like ‘Kachchi neend jagana ho to mat aana’. Only Vishal could describe a woman as shrouded like a sin, conspicuous like a requital, and unreasonable like fate. Like many things in the film, the word ‘mole’ also has a double meaning.

Also Read | ‘Kuttey’ movie review: Aasmaan Bhardwaj’s crime caper is electric in parts, but lacks bite

A master of the slow burn even before the phrase became routine, Vishal uses the painstaking work of surveillance to reveal the complex identity of his characters. Sometimes, it is as boring as watching paint dry, and at others, it threatens to turn the agents into a voyeur as Krishna discovers when she watches Charu’s striptease to Nahin Nahin Abhi Nahi, the classic teasing-to-please song from Jawani Deewani (1972). The song is not just an interesting device to capture the transformation of Charu but it also projects the upheaval inside Krishna who seems to have struggled to come to terms with her sexuality and when she does, she is not in a position to tell the truth to her teenaged son who asks his father (Atul Kulkarni) what made him let go of such a ‘beauty’.

Similarly, on the surface, Ravi appears to be a shrewd double agent but deep inside he is grappling with the curse of being a mama’s boy. The mother essayed by seasoned theatre actor Navnindra Behl is the surprise package in the spy universe of Khufiya. Perhaps the only fully realised character in the film, she makes you chuckle and fill with dread as well as most of us have lived with old women who are products of centuries of patriarchy and skewed spirituality.

With code names like Brutus and Ghalib, Vishal’s literary influences are sprinkled all over the spy tale. The use of the whistling effect, sarangi, and the everyday sounds in the background score adds a lyrical heft to the thriller. At the same time, he uses the verses of Kabir and Rahim to make a sharp comment on the state of affairs.

On the flip side, there are passages where the plot feels disjointed which gives the feeling of watching a match on a two-paced pitch. In his effort to showcase women with self-belief, the film reduces Ravi to a cliché. And as always Vishal struggles to close out the match. The narrative meanders in its final leg and the final outcome is underwhelming but for a change here is a film that doesn’t feel like running on an algorithm.

Khufiya is currently streaming on Netflix

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Trade expects Rohit Shetty’s Cirkus to open in double digits and even gain entry into the Rs. 100 crore club, despite underwhelming advance ticket sales :Bollywood Box Office – Bollywood Hungama

The last big film of 2022, Cirkus, is all set to be released on December 23. A lot of expectations are riding on this film as it reunites actor Ranveer Singh and director Rohit Shetty after the blockbuster Simmba (2018). Though the ticket sales haven’t been encouraging, the trade experts are hopeful that Cirkus can work big time, provided the audience gives the film thumbs up.

When asked about the advance booking, trade analyst Atul Mohan said, “The advance booking is not up to the mark. The trailer has not worked as intended.”

Trade veteran Taran Adarsh emphasized, “The advance is not in sync with the names attached to the film, be it Rohit Shetty or Ranveer Singh. The majority of Rohit’s films have worked. He’s a hit machine but somehow, the advance of this film hasn’t been too good. But then, the advances weren’t opened till the last minute for his last film, Sooryavanshi (2021). That film relied on spot bookings. It took a fantastic opening of Rs. 26.29 crores despite 50% occupancy. Rohit Shetty, hence, has a loyal audience and it can help the film to open well”

When asked the reason for not-so-good advance booking, Taran Adarsh answered, “There are multiple reasons. Firstly, the trailer invoked mixed reactions. The buzz that should have been created with the trailer was missing. Secondly, the Avatar wave is also there.”

Raj Bansal, the owner of Entertainment Paradise in Jaipur, agreed, “Avatar: The Way Of Water will definitely affect Cirkus. Its collections are excellent. To collect Rs. 125 crores in 3 days is a feat.”

Raj Bansal continued, “The advance is very poor as people haven’t been excited by the trailer.” Girish Johar, producer and film business analyst, opined, “The audiences were expecting a little more grandeur and larger-than-life scale as well as a laugh riot kind of stuff from Rohit Shetty. The ticket sales are a little underwhelming. But the advance booking usually picks up from Wednesday or Thursday. The same happened with Drishyam 2 as well.”

Price factor

The makers have adopted a unique price strategy for Cirkus. Film exhibitor and distributor Akshaye Rathi explained, “The three bands for the multiplexes are regular, premium and blockbuster. Cirkus rates are somewhere between regular and premium.”

He further explained, “The ticket prices are not in the blockbuster category as the film caters to the aam junta. The idea is to make it financially accessible to as wide an audience as possible. Having said that, it’s a premium product as it’s a Rohit Shetty movie. Rather than going for blockbuster rates, the pricing is between regular and premium so that the higher number of footfalls can be targeted rather than squeeze out more money from fewer number of people”

Raj Bansal believes such kind of pricing is a “mistake”. He opined, “One of the biggest reasons for Drishyam 2’s success is fair pricing. Also, the content was strong. No wonder the film became a blockbuster”

He continued, “Cirkus rates should have been at par with Drishyam 2Aap audience ko theatre mein aane toh do. So many people keep away from cinemas seeing the ticket rates.”

Trade expects Rohit Shetty’s Cirkus to open in double digits and even gain entry into the Rs. 100 crore club, despite underwhelming advance ticket sales

Opening day prediction

When asked to predict the opening day numbers, Raj Bansal said, “Rs. 8.50-9 crores. A double digit opening looks difficult. If reports are positive, we can expect spot bookings.”

Atul Mohan feels the first-day collection of Rs. 10 crores plus is still possible, “It all will depend on how the film is and public reports. If word of mouth is positive, it stands a huge chance.”

Taran Adarsh also agreed, “It should open at double digits as the film is riding on high expectations. If it doesn’t, then it’ll be a shocker.” Girish Johar, meanwhile, predicted that Crikus can open in the range of Rs. 12-15 crores.

All is not lost yet

The trade experts feel that the advance can still pick up, especially in the last 24 hours, translating into a healthy day 1 number. Taran Adarsh said, “There are 2-3 days remaining for the film to release. The advances can pick up but as of now, it’s not looking good.”

He also believes that Cirkus can see a huge jump on Saturday considering how last month, Drishyam 2 too jumped from Rs. 15.38 crores on day 1 to Rs. 21.59 crores on day 2. Taran Adarsh said, “It can jump on Saturday. In fact, I don’t rule out a huge turnout on day 1 also. Moreover, this is a festive week with Christmas Eve on Saturday and Sunday being the Christmas holiday. The holiday season continues till Sunday, January 1 not just in India but worldwide.”

Raj Bansal exulted, “The film can even jump 1 ½ time on Saturday if word of mouth is encouraging. Even Sunday can be strong, more so because it’s Christmas.”

Girish Johar also is kicked about Cirkus’s growth from day 2, more so after Drishyam 2’s trends. Moreover, with no major film releasing till Pathaan on January 25, Cirkus can get a clean five-week window. On this, Girish Johar cautioned, “Nowadays, it’s all about strong content. If the film works, then even 4 weeks are not sufficient and if it’s not good enough, then it’ll be out in a day. This dynamic has changed. Mediocrity is not working at the box office.”

Can Cirkus cross the Rs. 100 crores and Rs. 200 crores milestones?

When asked if Cirkus can get an entry into the Rs. 100 crore and Rs. 200 crore clubs, Atul Mohan said, “Why not? If word of mouth is positive, then anything is possible.” Taran Adarsh said he hopes to see Cirkus go past the Rs. 200 crore mark, “Ideally, it should. Sooryavanshi fell short of Rs. 200 crores but that was due to the pandemic restrictions”

Raj Bansal, however, predicted, “I have my doubts about Rs. 100 crores, looking at the advance trends.”

To conclude

Akshaye Rathi signed off on an optimistic note, “Cirkus is a film by Rohit Shetty, who caters to the lowest common denominator of the social strata, which is 80% of India’s audience. That is the audience that prefers to stand in serpentine queues outside the box office on the day of the release. I am pretty hopeful; in Rohit Shetty, we trust. Time and again, he has delivered at the box office irrespective of reviews and critical responses to his films. That man knows the pulse of India’s audience and I am pretty confident that this Friday, he shall deliver yet again with Cirkus.”

Also Read: Cirkus star Ranveer Singh reveals why he decided to work on his singing career

More Pages: Drishyam 2 Box Office Collection , Drishyam 2 Movie Review

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