‘Crew’ Review: Tabu, Kareena Kapoor & Kriti Sanon’s Fun Film Sticks the Landing

Tabu, Kareena Kapoor Khan, and Kriti Sanon might seem like an unlikely trio on paper but on screen it fits perfectly. Rajesh A Krishnan’s Crew gives us some of the most delightfully funny versions of these actors – and it’s all neatly packaged in a buddy comedy/ heist film. 

Tabu, Kareena Kapoor, Kriti Sanon in a still from Crew. 

(Photo Courtesy: YouTube)

Tabu plays Geeta Sethi, a former beauty queen, who dreams of opening a restaurant in Goa with her husband Arun (Kapil Sharma). While Arun runs a cloud kitchen from their house, Geeta is waiting for her PF to be handed to her. Kareena Kapoor plays Jasmine Kohli. Jasmine wants to become a successful CEO but she is struggling to find sponsors. However, her real expertise is in sleight of hand. 

Then there’s Kriti Sanon’s character, often referred to as ‘Divya Rana from Haryana’ who dreams of becoming a pilot but, like Geeta and Jasmine, is a flight attendant with Kohinoor Airlines. The ‘inspiration’ is clear – the chairman is Vijay Wallya (Saswata Chatterjee). 

'Crew' hit theatres on 29 March.

Kriti Sanon in a still from Crew.

(Photo Courtesy: YouTube)

For the first quarter, the primary conflict in the film is that none of them have received their salaries in 6 months and rumours about the airline going bankrupt have been flying around. Management, naturally, is no help. In their crew is also a woman trying to save money for a wedding in the family and a single mother whose son’s admission hangs in the balance. 

A freak accident presents an opportunity. Geeta, Divya, and Jasmine enter the world of crime – they have to use their access to the skies to smuggle gold. In this world, they run into two new characters – Trupti Khamkar’s sub-inspector Mala who is hot on their tail and Diljit Dosanjh’s Jay. Jay has personal stakes in the operation – he is attempting to rekindle his romance with Divya. 

'Crew' hit theatres on 29 March.

Trupti Khamkar in a still from Crew.

(Photo Courtesy: YouTube)

To their credit, the chemistry between Diljit Dosanjh and Kriti Sanon is sizzling, for lack of a better word. The chemistry itself is enough to sell the romance (one could say Jay has impeccable rizz). But speaking of chemistry, the real chemistry someone needs to capitalise on (and soon) is that between Tabu and Kareena Kapoor. They’d be perfect for a I Care a Lot (dir. J Blakeson) spin-off (only better and funnier). 

In Crew, the performances, writing (Nidhi Mehra and Mehul Suri), and casting go hand-in-hand – all three characters seem tailor-made for the actors. Kareena Kapoor is back with her 2000s sass and effortless comic timing; the screen seems to actually light up when she’s in the frame. Even a bothersome gag like a character constantly breaking into the same song is salvaged. And there is no hiding the fact that I’m a massive Tabu fan (honesty and integrity are cornerstones of my profession) and she doesn’t disappoint. 

Geeta Sethi does come across feeling a little superficially written – for instance, the fact that she lives with (I’m assuming) anxiety is touched upon but isn’t adequately explored. Yet, Tabu plays the character with such expertise that Geeta is elevated beyond her writing. A resilient, caring woman who just wants to give her and her husband the life they deserve, Geeta could’ve been Crew’s most powerful character and she almost gets there, in Tabu’s hands. 

'Crew' hit theatres on 29 March.

Tabu, Kareena Kapoor, and Kriti Sanon in a still from Crew. 

(Photo Courtesy: YouTube)

Kriti Sanon’s Divya also grapples with a similar fate but is, again, saved by the actor’s performance. She’s the feisty one – the one who frequently puts people in headlocks – and also the one who freaks out easily because she is, after all, a junior dealing with monumental stakes. Her adorable evolving love story with Jay aside, Kriti plays Divya with the gusto the character needs. Geeta and Divya’s interactions might be some of my favourite moments from the movie. 

It is, however, a pity that Saswata Chatterjee feels rather underutilised especially in a role he would’ve excelled in. Diljit Dosanjh and Kapil Sharma both give decent performances – they primarily exist to be green flag men supporting the women they love and I am here for it! Crew would also not be the film that it is without its supporting cast. 

Crew is fun. And I’d missed fun. It feels like our movies have been oversaturated with the same kind of movies, some boring, some harmful. So, in that crowd, a film like Crew feels like a breath of fresh air. Most of the comedy lands (and lands well) and it’s refreshing to see women get to do the more ‘raunchy’ brand of comedy that was usually viewed through a male gaze.

That being said, the male gaze does tend to seep in in places but rarely. Also, some of the more crass jokes don’t work – not because they’re crass but mostly because they aren’t written well enough for that genre. 

'Crew' hit theatres on 29 March.

Tabu and Kareena Kapoor in a still from Crew.

(Photo Courtesy: YouTube)

By the time the film reaches its interval, you’re still hooked but that’s when the movie runs into some turbulence. In the middle, the film almost feels a little dull and perhaps that is because the heist is so basic. A heist as basic (and convenient as this) needed much more punches to land but that didn’t happen. While I like the way everything ends, the middle being lackluster takes away from some of the movie-watching fun. 

The film is also often loud for the sake of being loud and that isn’t always necessary, even with slapstick comedy. One of the most well-written comic bits is actually one where little to nothing is said – Jasmine simply can’t drug someone because they’re a picky eater (I don’t condone their behaviour though if that isn’t obvious). But the cast’s physical comedy plays off the set up so well.

'Crew' hit theatres on 29 March.

Tabu, Kareena Kapoor, and Kriti Sanon in a still from Crew.

(Photo Courtesy: YouTube)

And then there are the brand placements that truly prove that subtlety is an art form – they feel way too fake. The camerawork, too, was a bit of a letdown. For a film that’s dabbling with the heist genre, the camerawork needs to complement the scale. Some of the shots, however, feel too basic to justify their place in the second half. The music isn’t exactly memorable though I will admit that I absolutely loved ‘Ghagra’ and I didn’t hate the ‘Choli Ke Peeche’ remix like I thought I would. But the trio seems to be having the time of their lives so it takes away the sting a bit. 

Crew isn’t by any measures a bad film though – the performances alone are enough to seal the deal. It just feels like a plane that takes off well but struggles to stick the landing because of the turbulence mid-flight. 

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Recap 2023: Kareena Kapoor To The Archies, The Year’s Big Debuts

Kareena Kapoor in Jaane Jaan, The Archies cast. (courtesy: YouTube)

New Delhi:

It is never too late to start something new seems to be the mantra of some of the brightest talents in Indian cinema. 2023 saw a bunch of actors making their debut, across formats and platforms. While stars like Kareena Kapoor and Shahid Kapoor made a seamless transition from the big screen to OTT platforms, several new talents chose to make their big acting debut with streaming projects. We also saw actors like Nayanthara and Vijay Sethupathi transcend the boundaries of language and make their blockbuster Bollywood debuts. Movies and long-form web series were equally popular with performers – both, old and new – making for a packed list of debuts in 2023.

Here are 21 debuts that you just cannot afford to miss: 

1. Kareena Kapoor Khan in Jaane Jaan (Digital)

It has often been said that Bollywood’s quintessential superstar Kareena Kapoor Khan was born for the big screen. But Kareena proved she is just as effective in the digital space when she made her OTT debut with the mystery thriller Jaane Jaan. In it, Kareena played the role of a single mother caught up in a gruesome murder. Kareena’s performance in the film and her chemistry with co-stars Jaideep Ahlawat and Vijay Varma garnered lots of love and appreciation.

2. Nayanthara in Jawan (Bollywood)

Referred to as Lady Superstar in south Indian films, Nayanthara – who made her debut in Malayalam cinema in 2003 and swiftly became one of the biggest names in the Tamil industry –  made a splash with her Bollywood debut in the year’s biggest film Jawan. In it, Nayanthara is paired opposite Shah Rukh Khan and plays a no-nonsense NSG officer Narmada Rai.

3. Prosenjit Chatterjee In Jubilee (Digital)

Bengali stalwart Prosenjit Chatterjee also made his big OTT debut with Vikramaditya Motwane’s Jubilee, a web series that taps into the history of Bollywood. The show’s timeline starts a month before Indian independence and centres around the power struggle between film studios and the superstars they help create. Prosenjit plays Srikant Roy, a studio head, who while being passionate about cinema is also a ruthless businessman.

4. Shahid Kapoor in Farzi (Digital)

Shahid Kapoor proved that he is a superstar even on OTT when the actor headlined Farzi. The thriller was directed and produced by Raj and DK and featured Shahid as a disillusioned artist who steps over to the dark side. In particular, Shahid’s chemistry with legendary Amol Palekar – who played his grandfather in the series – was appreciated.

5. Karishma Tanna in Scoop (Digital)

Karishma Tanna, a familiar face in Indian households thanks to her extensive work on television, had her breakout role on OTT in 2023. She headlined Scoop, a Netflix original based on the life of journalist Jigna Vora, who was accused of being involved in the murder of journalist Jyotirmoy Dey. The Hansal Mehta directorial is the adaptation of Jigna Vora’s book Behind The Bars In Byculla: My Days in Prison.

6. Sonakshi Sinha in Dahaad (Digital)

Sonakshi Sinna’s filmography largely includes commercial potboilers. But she made a marked departure from her regular choices with Dahaad. In it, she plays an ambitious police officer from an oppressed community, often sidelined and belittled due to her caste identity. But Sonakshi’s Anjali Bhaati is proud of who she is and where she comes from, making the character inspiring in more ways than one.

7. Tara Sutaria in Apurva (Digital)

Tara Sutaria, known for her stellar looks and screen presence, made her OTT debut with Apurva, a violent survival story. In it, Tara plays a young woman who has been kidnapped by a dacoit gang in Chambal and tortured. The film is a tough watch given its violence but Tara’s performance has earned her rave reviews.

8. Naga Chaitanya in Dhootha (Digital)

Naga Chaitanya, one of Telugu cinema’s most popular names, made his OTT debut with Dhootha. In the series, he plays a much-loved journalist whose life changes one fateful night. What follows is a series of tragedies that alter his life forever. The supernatural thriller has earned the actor massive praise.

9. Dimple Kapadia in Saas Bahu Aur Flamingo (Digital)

Veteran actress Dimple Kapadia never ceases to surprise. In Saas Bahu Aur Flamingo, Dimple Kapadia plays the role of a matriarch who operates the largest drug cartel in South Asia. Yes, you read that right. Her team involves her two daughters-in-law and daughter. Speak about girl power!

10. Rana Daggubati in Rana Naidu (Digital)

Rana Daggubati, best known for his role in the Baahubali franchise, made his big OTT series debut with Rana Naidu, the Indian adaptation of Ray Donovan. The series features the star as a “fixer of the stars,” whose seemingly good life is toppled by the return of his estranged father.

11. Venkatesh Daggubati in Rana Naidu (Digital)

Remember the estranged father who wreaks havoc in the life of Rana Daggubati in Rana Naidu. That character was played to perfection by Telugu superstar Venkatesh Daggubati, who is also Rana’s uncle in real life. Venkatesh Daggubati, who has played the good-natured superstar hero to perfection for several decades, is seen mouthing expletives and playing the ruffian with the ease of a veteran.

12. Cast of Archies (Digital)

The Indian adaptation of the iconic comic The Archies has six young actors making their big debut. The Netflix film, which was a fun, frothy coming-of-age drama, had Suhana Khan [daughter of Shah Rukh Khan], Agastya Nanda [grandson of Amitabh Bachchan], Khushi Kapoor [ Sridevi’s daughter], Aditi Dot, Vendang Raina and Yuvraj Menda making their debuts.

13. Trinetra Haldar in Made In Heaven 2 (Digital)

After making history as one of India’s first transgender content creators, Dr Trinetra Haldar Gummaraju made her acting debut with Made In Heaven season 2. Dr Trinetra impressed fans with her acting prowess as Meher Chaudhry, one of the few voices of reason on the show, set in the glitzy world of Indian weddings.

14. Maniesh Paul in Rafuchakkar (Digital)

After wowing fans with his impeccable comic timing on stage for years, Maniesh Paul made his OTT debut with Rafuchakkar. In the comedy-heist TV series, Maniesh plays a conman with a bunch of tricks up his sleeve.

15. Cast of Class (Digital)

Like The Archies, Netflix’s Class also saw a bunch of young actors making their debut. The series is set in a fictional elite high school in Delhi, the show deals with issues such as caste and class inequality, homophobia, and religious discrimination, among other issues. The lead cast included fresh faces such as Piyush Khati, Madhyama Segal, Cwaayal Singh, Zeyn Shaw, Chintan Rachchh, Ayesha Kanga, Moses Koul and Chayan Chopra. 

16. Alizeh Agnihotri in Farrey (Big Screen)

Salman Khan’s niece and Atul Agnihotri’s daughter Alizeh made her big screen debut with Farrey, another film that follows high school students with dark secrets. The heist thriller film is a remake of the Thai hit Bad Genius. The film, which screened at 54th International Film Festival of India before hitting the theatres, earned Alizeh great reviews.

17. Rajveer Deol in Dono (Big Screen)

Rajveer Deol, the son of superstar Sunny Deol and grandson of Bollywood legend Dharmendra, made his big Bollywood debut with Dono. The film, directed by Avnish S. Barjatya [son of Sooraj R. Barjatya], features Rajveer as Dev, a charming man nursing a broken heart when love comes knocking.

18. Paloma Dhillon in Dono (Big Screen)

Paloma Dillon joined Rajveer Deol in Dono, where she played the female lead Meghna. Paloma’s Meghna is a woman who knows what she does not want when it comes to a romantic relationship. Paloma is the daughter of popular Bollywood actress Poonam Dhillon.

19. Palak Tiwari In Kisi Ka Bhai Kisi Ki Jaan (Big Screen)

Palak Tiwari, daughter of Indian television icon Shweta Tiwari, made her Bollywood debut as part of the ensemble cast in Salman Khan’s 2023 film Kisi Ka Bhai Kisi Ki Jaan. Despite being one among many stars, Palak managed to hold her own in the film.

20. Shehnaaz Gill In Kisi Ka Bhai Kisi Ki Jaan (Big Screen)

National heartthrob Shehnaaz Gill also made her big Bollywood debut with Salman Khan’s Kisi Ka Bhai Kisi Ki Jaan. In her role, Shehnaaz Gill managed to fill the screen with her effervescent charm, leaving fans asking for more.

21. Vijay Sethupathi in Mumbaikar (Digital), Jawan (Big Screen)

One of the most prolific actors of Tamil cinema, Vijay Sethupathi made his Bollywood debut across platforms in 2023. Mumbaikar, which premiered on Jio Cinema, features Vijay Sethupathi as a man desperate to make it big as a gangster in Mumbai. While you will have to watch the film to see if Vijay Sethupathi made it as a gangster in Mumbaikar, in his big screen debut, Jawan, Vijay Sethupathi played one of the world’s top weapon dealers, a menacing villain posing as SRK’s nemesis.

Tell us whose debut performance, you liked best

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Jaane Jaan Review: Kareena Kapoor Conveys Wide Gamut Of Emotions In Mystery Thriller

Kareena Kapoor in Jaane Jaan. (courtesy: netflix_in)

Be it a retaliatory, spur-of-the-moment act or a pre-planned strike aimed at eliminating a threat, a murder is a murder. But when the principles of mathematics are employed to either disclose or obfuscate the truth, can a killer escape the noose? That is the question that writer-director Sujoy Ghosh’s deftly crafted, superbly acted mystery thriller Jaane Jaan answers.

The Netflix film hinges on a single mother and her 13-year-old school-going daughter who are drawn into a calculated but risky cover-up attempt and a police investigation that hits a trail that nearly goes cold.

A taut script, spiffy dialogues (by Ghosh and Raj Vasant), first-rate performances and a keen sense of place serve to enhance the mystery that surrounds a lonesome math teacher who goes about his daily chores with mechanical detachment and a woman who moves in next door and becomes an object of silent, obsession for the reclusive man.

Based on the third novel of Keigo Higashino’s Detective Galileo series, The Devotion of Suspect X, Jaane Jaan takes only a few minutes to deliver the watershed moment from which everything else in the plot flows.

The suspense stems from the chain of events that are set in motion by an unfortunate incident that tests the math teacher’s genius and puts his neighbour’s future under a cloud.Jaane Jaan is a genre-bending police procedural that dissects the minds of three characters rather than play out like a standard whodunit (in any case, we know who from the very outset).

Maya D’Souza (Kareena Kapoor in her OTT debut) has escaped an unhappy past and settled into a stable life that revolves around her daughter and a thriving cafe in Kalimpong. Naren Vyas (Jaideep Ahlawat) is in love with mathematics more than with anything else in the world.

Mumbai Police detective Karan Anand (Vijay Varma), sent to Kalimpong on a mission, is the only one who puts all his cards on the table. He is in search of a wanted man. With no emotional or psychological baggage weighing him down, he gets down to work with a local policeman, Sub-inspector Sundar Singh (Karma Takapa, who loses no opportunity to make his presence felt).

When Maya’s past returns to hound her, the well-being of her daughter Tara (Naisha Khanna) becomes her priority. She finds an unlikely ally in Naren, who is awkwardly trying to find a life beyond math and his evening jujitsu sessions.

It transpires that Karan and Naren were classmates. As the two men probe each other’s susceptibilities, the cop is under increasing pressure from his boss to find a corrupt policeman and hawala racket kingpin, Ajit Mhatre (Saurabh Sachdeva in a terrific cameo), who was last seen in Kalimpong.

The precise world building and the measured dialogues – a Hindi crime drama for once steers clear of cuss words – make the battle of wits between the two men consistently gripping and intriguing despite the fact that the audience is in the know of what is being sought to be swept under the carpet.

Love or, to be precise, infatuation that inches dangerously close to stalking, finds an exceedingly strange way of expressing itself in Naren’s case, while a hint of lust colours Karan’s exchanges with Maya, his prime suspect. Obsession, jealousy and anguish are all at play as the trio tread on ethically slippery ground.

The wall around the uncommunicative math teacher, an inscrutable enigma locked in an unbreakable shell, is like the mist that hangs over f Kalimpong. It hides a great deal even as it constantly shifts to reveal hitherto hidden nooks and vistas. Karan nearly gives up on the case, having hit his head against the wall a few times.

Maya has to hold her ground through it all in the face of the dichotomies that confront her. Her assistant Prema (Lin Laishram) claims that their cafe makes the best momos in town. But it isn’t for the dumplings that Naren makes his way to the eatery every day.

The staid, painfully shy Naren has a receding hairline, looks older than he is and walks like a man who would rather let time pass him by. He plays chess with himself and sets question papers so tough that the school authorities request him to take it easy. But he has his reasons. Pull yourself higher, the world will not descend to your level, Naren tells a student.

Jaane Jaan explores the debilitating isolation of a man lost in his own world as well as the pitfalls in the way of a woman determined to put her troubled past behind her. Multiple dualities – protector-predator, victim-perpetrator, friend-foe and genius-oddball – are central to the twisted plot.

The title, which might suggest that this is a story with an undercurrent of romance, comes from one of the rare cabaret numbers that Lata Mangeshkar sang (Intaqam, 1969, filmed on Helen). The song plays in a karaoke bar and provides a fleeting glimpse of Maya’s back story.

Jaane Jaan is laced with a slew of retro songs from other decades of Hindi film music. Some of them play so faintly that they are almost inaudible. Anirban Sengupta’s sound design and the background score by Shor Police (Clinton Cerejo and Bianca Gomes) add appreciable allure to the film’s soundscape.

The choice of songs may seem a tad arbitrary, but they together hark back to an era of perennially popular Hindi film music even as it points to – at least a handful of the numbers do – what the female protagonist of Jaane Jaan is running away from.

Editor Urvashi Saxena creates crisp and aptly complex patterns as she intercuts scenes into each other all through the film. Cinematographer Avik Mukhopadhyay locates the mystique of Kalimpong in everyday settings without resorting to any obtrusive means.

Kareena Kapoor’s conveys a wide gamut of emotions in a performance marked by remarkable restraint. Jaideep Ahlawat makes light work of an extremely demanding character, capturing the man’s interiority and body language to stunning effect.

Vijay Varma, who has to work the hardest because his policeman is bereft of the layers that the single mother and the math teacher have, lifts the character well above the ordinary by imparting to it the subtlest of behavioural nuances.

Jaane Jaan stays true to the text it is based on (but for minor tweaks here and there and a major departure from how the novel ends) – and to its genre – but it consciously and intelligently waters down the conventional crime drama tropes.

With the writer-director, the technicians, the music team and the actors at their very best, Jaane Jaan is an all-round triumph.

Cast:

Kareena Kapoor, Jaideep Ahlawat, Vijay Varma and Saurabh Sachdeva

Director:

Sujoy Ghosh



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