Loki Season 2 to OMG 2: Top Movies and TV Series to Watch This Weekend

We’re just a week into October, and our binge list is filled to the brim with new content. No one likes wasting time scrolling through OTT apps for hours, and therefore, we’re returned with an updated list of films and shows that’ll keep you entertained this weekend. Loki season 2 leads the pack of new releases this week, as we follow the God of Mischief’s time-hopping adventures and his encounter with alternate versions of beloved characters. In a similar multiversal vein, Spider-Man: Across the Spider-Verse is finally available to stream on Netflix, tasking a young Miles Morales with solving a major conspiracy involving countless Spider-People.

It’s going to be a busy weekend, as Akshay Kumar’s OMG 2 also debuts Sunday, October 8, on Netflix — less than two months since its theatrical release. Oh, and let’s not ignore its box office competitor Gadar 2, starring Sunny Deol in the lead, which drops today on Zee5. With that, here’s a guide on what to stream this weekend:

Khufiya

When: Now streaming
Where: Netflix

Hardened R&AW operative Krishna Mehra (Tabu) is tasked with tracking down a mole within the organisation — one whose actions have led to an undercover spy’s death. Ali Fazal plays the suspect in question, often seen photocopying documents from his workplace and taking them back home, presumably to feed India’s defence secrets to enemy nations. Through 24/7 surveillance and bugs placed in his home, Agent KM and team relentlessly pursue him — across countries — all the while ensuring his innocent wife (Wamiqa Gabbi) and child remain safe. Directed by Vishal Bhardwaj, Khufiya also stars Ashish Vidyarthi (Kuttey).

Khufiya to Killers of the Flower Moon: The Biggest Movies Releasing in October

Tabu in a still from Vishal Bhardwaj’s Khufiya
Photo Credit: Netflix

Spider-Man: Across the Spider-Verse

When: Now streaming
Where: Netflix

A fledgling Miles Morales (Shameik Moore) is catapulted into the multiverse and trapped among an elite army of Spider-People in the hopes of saving its very existence. Joined by Gwen Stacy (Hailee Steinfeld) and the rebellious Spider-Punk (Daniel Kaluuya), he encounters the leader Miguel O’Hara/ Spider-Man 2099 (Oscar Isaac), a traumatised, driven, and almost vampiric leader of the Spider society, who believes the ends justify the means — no matter how severe. But when a choice is offered to prioritise the safety of every multiversal world over one person, Miles rejects it, spawning a wild goose chase where he must fight off and escape all kinds of Spider-Men.

Bear in mind that Spider-Man: Across the Spider-Verse is only part 1 of a two-part story, and it also brings in a clumsy new villain, The Spot (Jason Schwartzman). The animated film is also available to buy as VOD across multiple platforms.

Spider-Man: Across the Spider-Verse Review

Loki season 2

When: October 6 (Now streaming)
Where: Disney+ Hotstar

Lost and confused in an alternate timeline where no TVA members recognise him, the God of Mischief Loki (Tom Hiddleston) is forced to navigate uncharted timelines with a new Mobius M. Mobius (Owen Wilson). His goal is to be reunited with his original team, but his body won’t let him do so by randomly distorting and plopping him into past and future timelines. Things are getting wild and even the TVA archivist OB (Ke Huy Quan) has no solutions to the time slipping. What he does have, however, is some specialised equipment that’s meant to help out our heroes — presumably, with multiversal travel. In Loki season 2, Sylvie is now a McDonald’s employee, Hunter B-15 is a doctor, and Kang the Conqueror appears to be a stage magician?

OMG 2

When: October 8
Where: Netflix

Following a scandal involving his son, Kanti Sharan Mudgal (Pankaj Tripathi), a concerned citizen and strong devotee of Lord Shiva, requests the court to mandate sex education in his school’s courses, spawning an amusing courtroom drama. But his journey there was filled with tragedy, ranging from judgemental jeers from the neighbourhood to his son’s attempted suicide — all of which are subtly prevented by a mysterious messenger (Akshay Kumar) sent by the three-eyed god himself. Amit Rai (Road to Sangam) directs OMG 2, which also stars Yami Gautam as an opposing lawyer.

Choona

When: Now streaming
Where: Netflix

Jimmy Sheirgill stars in this heist comedy series as a corrupt politician obsessed with astrology, planning to overthrow the government. Unfortunately, he’s got a quirk — his day-to-day activities are carefully planned based on whether the stars and planets align in his favour. In his meteoric rise to the top, he’s created a bunch of enemies, all of whom thirst for revenge and conjure a strategy to steal Rs. 600 crore from under the politician’s nose. The location is a little tricky though: a heavily fortified party office teeming with 10 armed police officers, over 100 goons, and CCTV cameras at every corner. The team in Choona includes a rebel (Aashim Gulati), a shape-shifting informer (Namit Das), a mute man (Chandan Roy), an astrologer (Atul Srivastava), and a demoted police officer (Gyanendra Tripathi).

Watch the Trailer for Choona, Starring Jimmy Sheirgill

choona ott releases this week choona ott releases this week

Jimmy Shergill (centre) in a still from Choona
Photo Credit: Netflix

Gadar 2

When: October 6 (Now streaming)
Where: Zee5

When Tara Singh (Sunny Deol) goes missing during a skirmish in Pakistan and is believed to be captured, his now fully-grown son Jeete sets out to rescue him, entering uncharted territories from which they both must escape. Ameesha Patel reprises her role as Tara’s wife Sakeena Ali Singh, who’s now in shambles upon hearing about her husband’s disappearance, constantly reciting prayers for his and Jeet’s safety. An interesting thing to note here is that the child actor who played Charanjeet in the original 2001 film is the same person playing the adult version in Gadar 2.

Mumbai Diaries season 2

When: October 6 (Now streaming)
Where: Amazon Prime Video

Dr. Kaushik Oberoi (Mohit Raina) and his team of medics are served with a new set of challenges when a series of torrential rainfalls threaten to submerge Mumbai. The medical thriller continues to focus on the resilience of the crisis doctors, despite limited resources, lack of sleep, and fighting personal battles — some of which is remnant trauma from dealing with the 26/11 attacks. Much of the original cast returns in Mumbai Diaries season 2, including Konkana Sen Sharma, Tina Desai, and Natasha Bharadwaj.


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How To Break The Box Office: Be Sunny Deol – A Timeline Of Gadar 2’s Milestones

Image was shared on X. (courtesy: taran_adarsh)

New Delhi:

Sunny Deol’s Gadar 2 is inching closer to the coveted club of ₹ 500 crore after crossing the glorious 400 crore mark on day 12 of its box office collection. Ever since the movie’s release on August 11, this cross-border story has remained an unstoppable force at the box office. As per trade analyst Taran Adarsh’s report, the movie surpassed the lifetime business of Dangal on Monday and emerged as the “fourth highest-grossing Hindi film”. On Wednesday, Taran Adarsh asserted with confidence that Gadar 2 is set to cross ₹ 500 crore and challenge Baahubali 2 Hindi and Pathaan, both in India.  

Taran Adarsh wrote on X, “‘GADAR 2′ TO CHALLENGE ‘BAAHUBALI 2′, ‘PATHAAN’…

#Gadar2 continues to surprise and shock the naysayers… Has crossed ₹ 400 cr and I am confident, it will cross ₹ 500 cr as well and challenge #Baahubali2 #Hindi and #Pathaan, both in #India.”

He also posted the film’s benchmark earnings till now. Take a look: 

Gadar 2 benchmarks…

Crossed ₹ 50 cr: Day 2

₹ 100 cr: Day 3

₹ 150 cr: Day 4

₹ 200 cr: Day 5

₹ 250 cr: Day 6

₹ 300 cr: Day 8

₹ 350 cr: Day 10

₹ 400 cr: Day 12

See his full tweet here: 

But before it enters the Rs 500 crore mark, let’s take a look at the film’s magnificent milestone timeline.

 Gadar 2 Crosses Rs 100 Crore Mark

In the opening weekend, as Taran Adarsh puts it, “Gadar 2 created Gadar at the box office.” The film had an opening of ₹ 40.10 crore on its first day, followed by an earning of ₹ 43 crore the next day. By the end of its first weekend, Gadar 2‘s total box office collection had breached the 100 crore mark with ease and stood at ₹134.88 crore.

Sharing the updates, Taran Adarsh said, “Tara Singh smashes the #BO with his sledgehammer… #Gadar2 creates #Gadar at the #BO… The GLORIOUS opening weekend proves, yet again, that *well-made* desi entertainers will never go out of fashion… All eyes on #IndependenceDay: Picture abhi baaki hain… Fri 40.10 cr, Sat 43.08 cr, Sun 51.70 cr. Total: ₹134.88 cr. #India biz.” Taran Adarsh further added, “It’s crystal clear by now – if #Gadar2 was a solo release, NOT clashing with another #Hindi film – it would’ve easily added another ₹ 30 cr in its *weekend total*.” For context, Gadar 2 clashed with Akshay Kumar’s OMG 2 at the box office.

See the post here:

Gadar 2 scripts history on Independence Day

The film created “history” after emerging as the highest grosser ever on Independence Day. The movie earned over ₹ 55 crore on August 15, the highest business a movie has ever registered on Independence Day, according to Bollywood trade analyst Taran Adarsh. Needless to say, with this massive feat, Gadar 2 entered the coveted club of ₹ 200 crore within day 5 of its release.  

Taran Adarsh’s post read, “CREATES HISTORY ON INDEPENDENCE DAY… Highest-ever biz on *15 August*… Yes, #Gadar2 hits the ball out of the stadium on #IndependenceDay… Fri 40.10 cr, Sat 43.08 cr, Sun 51.70 cr, Mon 38.70 cr, Tue 55.40 cr. Total: ₹ 228.98 cr. #India biz… BLOCKBUSTER RUN continues,” tweeted Taran Adarsh. He added, “#Gadar2 faced capacity issues – not just at single screens, but also at multiplexes – on #IndependenceDay… The demand is clearly more than supply in this case since #OMG2 has taken away a substantial number of screens, shows, footfalls and revenue… Just imagine the potential of #Gadar2 if it was a solo release.”

Take a peek:

Gadar 2 Not Out at Rs Crore 300

Gadar 2 continued its dream run at the box office by crossing the ₹ 300 crore mark within a week of its release. The film managed to collect a whopping ₹ 20.50 crore on its second Friday. Taran Adarsh, sharing the film’s box office collections on X (formerly called Twitter), wrote, “300 not out… Gadar 2 continues to roar… Mass pockets are in an altogether different league.” Taran Adarsh stated in his post that a large chunk of the film’s stellar box office success could be attributed to its collections in tier 2 and tier 3 cities. Taran Adarsh added in his tweet, “Also, the contribution from Tier 2 and Tier 3 sectors will set a new benchmark… Expect a big jump on (second) Sat and Sun… (Week 2) Fri 20.50 cr. Total: ₹ 305.13 cr. India biz. Box office.”

Read Taran Adarsh’s post here:

Gadar 2‘s Monster Box Office earning breaks another record 

Gadar 2 had a ₹ 90 crore Weekend 2, reported trade analyst Taran Adarsh. The film had accumulated an earning of over Rs 375 till day 10 of its box office run. This set a “new benchmark” for Hindi cinema with the film now leaving the Weekend 2 numbers of Pathaan, Dangal, Sanju and the Hindi versions of Baahubali: The Conclusion and KGF: Chapter 2 in its wake.

“Gadar 2 goes on a rampage, creates history in Weekend 2. Yes, it’s the highest Weekend 2 of Hindi cinema. The colossal weekend numbers are a new benchmark. All time blockbuster. (Week 2) Friday 20.50 crore, Saturday 31.07 crore, Sunday 38.90 crore. Total: ₹ 375.10 crore. India biz,” Taran Adarsh posted.

See his post:

Sunny Deol and Ameesha Patel reprise their roles as Tara Singh and Sakeena in Gadar 2, a sequel to 2001’s Gadar: Ek Prem Katha. Anil Sharma returns to the director’s seat. Additions to the cast include Utkarsh Sharma as Tara-Sakeena’s son and Simrat Kaur as his love interest.



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Gadar 2 Review: Strictly For Sunny Deol Fans

Sunny Deol in Gadar 2. (courtesy: zeestudiosofficial)

Producer-director Anil Sharma is still stuck at the turn that his career took twenty-two years ago. His fossilised cinematic sensibility is evident in every frame of his sequel to 2001’s Gadar. The film serves up dollops of nostalgia that is bolstered by harking back to two of the original film’s most popular songs, Ghar aaja pardesi and Main nikla gaddi leke..

Monty Sharma’s background score and the acting style – obstreperous and melodramatic – adds to the retro feel that the film exudes. But no matter what, the world has moved on. Gadar 2 appears to be oblivious of the changes that have swept away much of what once defined Bollywood movies.

The strident and exhausting Gadar 2, set in the year of Bangladesh’s war of liberation, sends intrepid truck driver Tara Singh back into Pakistan to rescue his son from the clutches of a villainous Pakistani general who is foresworn to wiping India off the face of the earth.

The bad guy has a reason for the vitriol that he spews – his parents were killed by a mob in the Partition riots. His angry rhetoric turns him into a grotesque caricature deserving of the comeuppance that he is going to receive in good time at the hands of Sunny Deol’s invincible hero. Not one word that escapes the man’s mouth sounds sane.

Tara Singh launches a precision strike inside Pakistan and lands, in the nick of time at that, exactly where his son, Charanjeet “Jeete” Singh (Utkarsh Sharma, who at age 7 played Tara Singh and Sakeena’s child in Gadar), is about to be stoned to death.

A massive crowd is on the verge of lynching the young man but Tara Singh’s reputation as the slayer of 40 Pakistani soldiers back in the immediate post-Partition years precedes him. His advent not only stops the gathering in its tracks but also allows the unwelcome visitor to break into a slanging match with General Hamid Iqbal (Manish Wadhwa).

Everything in Gadar 2 is exactly as it was in the film that it is a follow-up to. The Pakistani general hurls a challenge at Tara Singh that harks back to the latter’s handpump-wielding avatar that has remained etched in the minds of Hindi movie fans. He says: “Dekhte hain aaj yeh kya ukhadta hai“.

The protagonist responds to the dare with befitting enthusiasm. He pulls out a bullock-cast wheel from its pivot and hurls it at his foes like Lord Krishna’s Sudarshan chakra while a shloka from the Bhagavad Gita plays on the soundtrack.

Tara Singh follows that eye-popping feat up with a couple of others. One has him lifting and swinging a massive hammer in the manner of a baseball bat and causing serious damage to many a body and limb. He then uses an entire horse carriage as an offensive shield against a mob of attackers.

When Tara Singh aims hammer blows at the men in his way, his dhaai kilo ka haath inevitably comes into play and makes the weapon much more powerful than it would be in lesser hands. For all this to work, the audience has to be in tune with Bollywood storytelling codes of an era long gone. Those that can manage to make the leap back in time might actually enjoy parts of what Gadar 2 has on offer.

Not to forget, the handpump does make an appearance in the film but stays rooted to the ground this time around. Much water has flown down the Beas and Chenab in the past two decades, but the dread of Tara Singh’s prowess still persists.

Witness this: a marauding bunch of bloodthirsty, sword-wielding men chases him. But they freeze when they spot a handpump. It is within Tara’s reach and they know what he can do with it. He does not even have to pull it out. The mob, suitably petrified, beats a hasty retreat.

These action high points are all reserved for the second half. The first half of the nearly three-hour film is devoted to setting up the big, extended showdown in Lahore that is to come. Sunny Deol fills up the screen, does a good job of hollering and hectoring, be it in anger or despair, and the Pakistanis who are in pursuit have a healthy respect for the havoc that the one-man army is capable of wreaking.

Backtracking a bit, as the war clouds gather in the border area where Tara lives with his wife (Ameesha Patel) and his son. The boy bunks classes and furtively rehearses for a theatre production of Sohni Mahiwal. His heart is set on becoming a movie actor. His father will have none of it. Tempers fly between the two men.

A skirmish erupts on a hill that separates India and Pakistan. Tara Singh leads a group of truckers into the battlefield to aid the Indian army at the behest of Colonel Devendra Rawat (Gaurav Chopra). Eight men, including three civilians, are captured by the Pakistan army. Tara Singh disappears.

Sakeena is distraught. Her son decides to act. Assuming a fake identity, Jeete reaches Lahore to look for his father. Another love story begins to take shape when he meets Muskaan Khan (Simrat Kaur), daughter of a man in whose household he finds employment as a cook. Like Jeete, Muskaan is a Hindi movie enthusiast. She is an inveterate Rajesh Khanna fan.

Her entry scene is heralded by the opening riff of a song from Aradhana. Jeete plays along and does an imitation of a cross between Rajesh Khanna and Dev Anand. Muskaan is floored by his charms.

Eid is round the corner. The girl tells Jeete that she will make her feelings for him public on the auspicious day. Jeete develops cold feet because he isn’t in Pakistan to find a match for himself. His mission is to figure out where his father is and take him back to India.

In the moments leading up to the intermission, the tables turn. It is now Tara Singh’s turn to assume the mantle of rescuer. Because of who he is, when he makes his intentions known, that audience has nothing more to know. The rest of Gadar 2 centres on the adventures of Tara Singh and his son in Pakistan.

Gadar 2 loses no opportunity to play up the us-versus-them binary, with the guys across the border generally coming across as fiends without human feelings. But occasionally, in a perfunctory balancing act, the film develops the sense to throw in a stray benefactor here and a do-gooder there as the father and son pair try to get out of Pakistan in one piece.

Gadar 2 is strictly for three categories of people: Sunny Deol fans, those that miss the unbridled excesses of Bollywood of yore, and those that believe that “hate thy neighbour” is an axiom worth cheering for in a movie theatre. The film has enough to please them all – and then some.

Cast:

Sunny Deol, Ameesha Patel, Utkarsh Sharma, Manish Wadhwa, Gaurav Chopra, Luv Sinha, Simrat Kaur

Director:

Anil Sharma

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Trade experts are ecstatic with the advance booking of Gadar 2; predict an opening of Rs. 35 crores and entry into the Rs. 200 and even Rs. 300 crore club :Bollywood Box Office – Bollywood Hungama

The Sunny Deol-Ameesha Patel starrer Gadar 2 is all set to release in a few days and the advance booking has spread cheer among the industry and exhibition sector. Bollywood Hungama spoke to ecstatic trade experts and exhibitors on this aspect.

Trade veteran Taran Adarsh said, “The advance booking is phenomenal across the board.” Trade analyst Atul Mohan added, “The film will get a huge opening. There’s a lot of enquiry in the mass belts. People are excited. It will depend on how the film is and whether the audience accepts the film. Uske baad hi pata chalega ki film asli mein Gadar machayegi ya nahin!”

Girish Johar, producer and film business analyst, agreed, “The advance is simply outstanding. I had anticipated this the very moment Gadar 2 was announced as Sunny Deol has a huge untapped potential. Gadar (2001) was one of his memorable performances. Whatever material we have seen of Gadar 2 so far has been exciting. The buzz is at a different level. It can create hysteria at the box office.”

Raj Bansal, the owner of Entertainment Paradise in Jaipur, revealed, “The advance booking is happening in single screens and in theatres where there are masses, as in labour, students etc. In comparison, the advance booking in high-end multiplexes is very less. But overall, the advance booking is phenomenal and unheard of.”

When asked if it is as much as Shah Rukh Khan’s blockbuster Pathaan (2023), Raj Bansal replied, “It’s nowhere close to Pathaan. That film was at another level. With Gadar 2, one didn’t expect such demand. It’s unbelievable.”

Vishek Chauhan, the owner of Roopbani Cinema in Bihar, explained, “If I had to rank it post COVID, it is number 3 in my cinema after Pathaan and KGF – Chapter 2 (2022).” He added, “Even in other theatres of smaller towns, the enquiries are tremendous.”

But Kiritbhai T Vaghasia, who runs The Friday Cinema multiplex in Surat, said, “The response is as good as it was in Pathaan”. He explained, “Spot bookings usually happen in my theatre, that too 5 or 10 minutes before the show. Yet, it’s commendable that so many tickets of Gadar 2 have got sold that too 3 days before release. The night shows are fast-filling.”

Return of mass cinema

Atul Mohan remarked, “Some people might not agree but there’s a lot of difference between mass and class cinema. Unfortunately, we don’t take mass cinema seriously. We focus on the high-gentry audience and how to impress them. South is mainly mass cinema. When the audience starts to copy the swag or hairstyle of a hero, that is a sign that a film has been accepted. Unfortunately, that happens rarely in Hindi films.” He gave an example, “The ‘Chinta Ta Chita’ dance step (from Rowdy Rathore) had caught on big time. Bachha bacha kar raha tha.”

Taran Adarsh emphasized, “Gadar is an emotion. The moment this film was announced, people were looking forward to it. The two-decade gap between the first and second part makes no difference if you look at the advance booking. Some people rued that ‘Itna late leke kyun aaye film ko’. But what difference does it make? The love for Tara Singh and Sakeena is as strong as it was earlier. When you go beyond metros, especially the single screens and multiplexes of mass circuits, response aisa hai ki main kya bolun aapko. The shows are getting full or turning orange in no time. These are the centres where advance booking happens rarely. It usually happens for big films like Pathaan. But the fact that it’s happening for Gadar 2 proves that it’s an event film.”

Vishek Chauhan exulted, “Gadar is such an iconic film that the older generation has passed it down. After Sholay (1975), Gadar is one of the most loved films in the history of Indian cinema. So, it is not a usual brand. Even Top Gun: Maverick (2022) worked after 36 years. Gadar 2 comes 22 years after the first part. These brands are very huge and deeply etched in public memory.”

In agreement, Girish Johar said, “The good part is that this is a mass-oriented cinema. The numbers will be coming from single screens, which are in dire need of a hit film. Recent releases like Satyaprem Ki Katha, Rocky Aur Rani Kii Prem Kahaani, Tu Jhoothi Main Makkaar etc were urban multiplex films. Single-screen theatres were breathing on borrowed air with these films. But Gadar 2 is a film solely meant for them. And they are waiting to explode.”

Trade experts are ecstatic with the advance booking of Gadar 2; predict an opening of Rs. 35 crores and entry into the Rs. 200 and even Rs. 300 crore club

Day 1 predictions

When asked to predict the first-day figures, Taran Adarsh said, “I am confident that the first-day collections will be around Rs. 35 crores. This film is something else in mass circuits. There are capacity issues in such places but at the same time, these theatres are 800 or 900 seaters. The mass circuits and Hindi belts still rule.”

He also said, “If the content matches the hype for the film, then a Rs. 100 crore weekend is a surety. This is not including the Independence Day weekend. August 15 ko toh bhagwan hi jaane kya hoga!”

Girish Johar said, “Friday, August 11 is not a holiday. Yet, it is poised to take a stupendous start. I’ll be happy if the film opens anywhere around Rs. 25 crores. It can even have a fantastic weekend. Having said that, there’s a section of the audience which has not liked the trailer. But it’s a minuscule section. However, if the film doesn’t get accepted by the target audience, it can come down on day 1 itself.”

Raj Bansal predicted, “The film will open at minimum Rs. 20-22 crores. It can go higher. The collections of Saturday and Sunday will depend on the content of the film.”

Atul Mohan, however, said, “It’ll open in the range of Rs. 15 and 20 crores.”

Manoj Desai, executive director, G7 Multiplex and Maratha Mandir Cinema is happy with the bookings at his theatre, “Friday night show at Gaiety is nearly full. Sunday shows are also almost sold out. We hope after Pathaan, this turns out to be yet another blockbuster”. But he cautioned, “Whether it works depends on the public. There’s a long weekend starting from August 11 to August 16. All the hill stations near Mumbai are packed. This can affect Gadar 2.”

Will Gadar 2 cross Rs. 200 crore mark?

When asked if Gadar 2 can enter the Rs. 200 or even the Rs. 300 crore club, Taran Adarsh answered, “Yes. It all depends on the reports on the first day. In the worst-case scenario, it’ll easily collect Rs. 150 crores. The advantage here is that log ek baar toh Gadar 2 dekhna chahenge. After all, it’s a people’s film. It doesn’t have stunning locations or glamorous songs. It’s a very desi film. And desi films will never go out of touch.”

Girish Johar also doesn’t rule out the possibility, “If the audience accepts it, it can go anywhere. Did anybody even imagine in their wildest dreams that a verbose, drama, high-end, super-intelligent film like Oppenheimer will become the biggest Hollywood hit of 2023?”

Raj Bansal disagreed, “I doubt. But it’ll do fantastic if the content is strong.”

Coming soon: Khalnayak 2?

Raj Bansal signed off by saying that Gadar 2 can have a profound effect, “It can start a trend of having sequels of successful action-oriented films of the 90s and early 2000s like Ghatak, Khalnayak etc. The Khalnayak sequel, if rightly made, can do wonders at the box office.”

More Pages: Gadar 2 Box Office Collection

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Explained: The Complicated Deol Family Dynamic

Dharmendra with family. (courtesy: imkarandeol)

New Delhi:

It is the late 1960s and Dharmendra – an actor in his thirties – is the heartthrob of the nation. He has got the looks, the swagger and the acting chops and the next two decades only cement his position as one of the most popular stars in India. In 1980, the actor goes on to marry Hema Malini, a superstar known among cinema lovers as the ultimate “Dream Girl.” The couple has been loved and admired by fans for their chemistry and work together in several iconic films. While this may sound no different from many of Bollywood’s fairytale romances that have led to marriage – there is a catch. Dharmendra was already married and had four children.

Dharmendra married Prakash Kaur in 1954 at the age of 19 before he joined films. The couple even welcomed four children together – Sunny, Bobby Vijeeta and Ajeeta. The actor also has two daughters – Esha and Ahana – with Hema Malini. Sunny Deol and Bobby Deol are movie stars and so is Esha Deol. 

Dharmendra did not separate from Prakash Kaur following his marriage to Hema Malini. As a result, the blended family and their dynamics have often been the cynosure of all eyes. Now, weeks after the wedding of Dharmendra’s grandson – and Sunny Deol’s son – Karan, the Deol family is making headlines once again.

Hema Malini and her daughters’ absence at Karan Deol’s wedding further confirmed the notion that the two arms of Dharmendra’s family keep each other at a safe distance.

Karan Deol’s wedding and Hema Malini’s absence

More lenses were trained on the Deol family when days after the wedding, Dharmendra shared a rather cryptic note addressing Hema Malini and his daughters. Posting an image with daughter Esha Deol, the actor said, “Esha, Ahana, Hema and all my darling kids …loving Takhtani’s and Vohra’s l love you and respect you all from the core of my heart…age and illness is telling upon me I could have spoken personally to you…but…” For context, Esha Deol is married to Bharat Takhtani, and Ahana Deol is married to Vaibhav Vohra.

In response, Esha Deol shared a post for her father. Sharing an image from her wedding, she wrote, “Love you papa. You are the best. Love you unconditionally and you know that . Cheer up and always be happy and healthy. Love you.”

In order to understand the Deol family dynamics, let us take a look at the members of the family and how their relationship has played out over the years.

Dharmendra, Prakash Kaur and Hema Malini

Needless to say, Dharmendra’s wedding to Hema Malini was mired in controversy due to the presence of his first family. As the issue played out in the media, Prakash Kaur – who is a notoriously private person and seldom caught on camera – reportedly spoke up in her husband’s defence. As per an India Today report, she said, “Why only my husband, any man would have preferred Hema to me. How dare anyone call my husband a womaniser when half the industry is doing the same thing? All the heroes are having affairs and getting married a second time…He may not be the best husband, though he is very good to me, but he is certainly the best father. His children love him a lot. He never neglects them.”

Meanwhile, Hema Malini also spoke about her equation with Prakash Kaur on an episode of Rendezvous With Simi Garewal.When asked if she ever felt jealous of Dharmendra’s first wife, she said, “Not at all. That’s why I am the happiest person today. In love, you are only supposed to give and not demand things. You love the person so much and you have got so much love from the person, so how can you torture your person for these small petty things?”

Several decades later, at Karan Deol’s wedding earlier this month, images of Dharmendra and the usually recluse Prakash Kaur went viral on social media. Take a look:

Sunny Deol and Bobby Deol

Dharmendra’s two sons – Sunny Deol and Bobby Deol – followed in their father’s footsteps and became actors. The two stars have also kept their personal life protected from the media glare. 

Sunny Deol, in particular, is rarely seen with his wife Pooja Deol in public. Therefore, fans were in for a treat when the couple was caught on camera together at their son Karan Deol’s wedding. Like her mother-in-law, Pooja Deol too is rarely caught on camera.

Sunny Deol and Pooja have two sons together, Karan and Rajveer. Karan Deol made his debut as an actor in 2019. Bobby Deol is married to Tanya Deol and the couple are a regular fixture on the actor’s Instagram timeline. They have two sons named Aryaman Deol and Dharam Deol. Sunny and Bobby’s sisters Ajeeta and Vijeeta have lived an extremely personal life, away from media attention. 

“Cordial relationship with Sunny Deol”: Hema Malini

The Deol brothers – despite being in the same industry –  have rarely spoken about Hema Malini and seldom have they been clicked together by paparazzi. However, when asked about her dynamics with Sunny Deol at the launch of her biography, Hema Malini said, “Everyone wonders what kind of a relationship we (Sunny and I) are having. It is very beautiful and cordial. Whenever it is necessary, he (Sunny) is always there, along with Dharamji, especially when this accident happened,” referring to an accident she sustained in 2015. “He (Sunny) was the first person to come and see me at home and he saw that the right doctor was there for the stitches that were done on my face. I was really taken aback to see him showing so much interest. That shows what kind of a relationship we are having.”

Esha Deol

Esha Deol, Hema Malini’s daughter, also pursued a career in films and was a part of successful projects such as Dhoom. The actress has also maintained that she has a cordial relationship with her half-brothers. In Hema Malini’s biography Hema Malini: Beyond the Dream Girl, Esha Deol even shared that she ties a rakhi to Sunny and Bobby and explained that she looks up to Sunny as a “father figure.” As per an Indian Express report, she was quoted as saying, “I don’t need to tell the world about the relationship between myself and my half-brothers. I know the world talks about our relationships in different ways. But the Deol family members do not want to show off their relationships.”

However, fans speculated that things were far from perfect when both Sunny Deol and Bobby Deol were a no-show at Esha and Ahana’s weddings.

While Esha Deol has responded to her father’s most recent Instagram post, the Deol brothers have been tight-lipped about Hema Malini’s absence at Karan Deol’s wedding.



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#Explained #Complicated #Deol #Family #Dynamic

26 Years of ‘Border’: Gen-Z Watches (And Cries Through) This Cult Classic

The cult classic Border opens with a sequence that could put probably Top Gun to shame if it was also made in the late 1990s. The next scene is that of a superior telling Jackie Shroff’s character Wing Commander Anand Bajwa something along the lines of “Ladhaai ke baadal kabhi bhi baras sakte hai”. 

It’s a foreshadowing of sorts to how dramatic the rest of the film is going to be and to add to that, it’s just short of 3 hours long in runtime. For someone who can only reluctantly get through an one-hour episode, that’s a lot. 

Me finding out content over an hour exists.

A little background…

Border by JP Dutta uses the Battle of Longewala as a backdrop to tell the highly personal stories of a few soldiers deployed at India’s borders because of the high probability of an attack from Pakistan. The Battle in itself is an exemplary story of courage and a true underdog story in the face of war; 120 Indian soldiers stood against thousands.

But lord, would that imagery be more effective if the film wasn’t so hammy. 

Meet the Cast

Firstly, I never knew that Tabu was in this film; I would’ve watched it sooner (I have watched the film earlier but I think it was before I could actually understand what was going on). Secondly, everyone you imagine would be in this film, is in it: Sunny Deol, Jackie Shroff, Sunil Shetty, Akshaye Khanna, Sudesh Berry, Puneet Issar and Kulbhushan Kharbanda, and they’re all in the poster. 

Sunny Deol plays the role of Major Kuldip Singh Chandpuri named after the person who actually commanded the Punjab Regiment. Deol’s character is always two steps away from calling someone a ‘simp’ because they might feel anything close to empathy. 

Sunny Deol in Border.

He threatens to divorce his wife and says he doesn’t care about his child because his one true love is the country and that’s it. I am so glad and borderline relieved that a lot of war films have moved away from the idea that you can only love your country properly if you let go of every other thing in your life.

There has to be a middle ground somewhere. 

Speaking of a middle ground…

Spoiler: No middle ground.

Say what you will about the man but if you hear Sunny Deol’s voice from anywhere, you’ll know it’s him. If you hear a mimicry artist trying out their best Sunny Deol impression, you’ll know what they’re doing. I can still hear some of his dialogues ringing in my head. 

I find it very difficult to believe that someone constantly loudly screaming at his soldiers in the battlefield bodes well during a covert war situation. 

I appreciate that the film ends with an anti-war message, especially after getting us so attached to each and every character and their loved ones (the visual of Akshaye Khanna’s character Dharamvir’s mother walking across the battlefield with a sehra broke me).

But on the other hand, the melodrama is constantly dialed up to a 100 and the film’s jingoistic message has been criticised for a long time. 

The hypermasculinity is dialed up so high that the women in the film are almost invisible. One of the female characters receives threats of divorce at her husband’s whim and is somehow portrayed as the person in the wrong. The other barely dodges a plane that flies above her head because the man commandeering the plane is upset that she ‘doesn’t bow down to anyone’.

Some people might argue that this criticism doesn’t make sense for a film made in the 90s but it’s still being watched in 2023, so it’s fair game I’d say. 

To add to that, when I talk about the film being hammy, I refer mostly to the dialogues that are so loud that they had me backing away from my own screen as a reflex because I felt like people were yelling directly at me. Border tried 4DX before it was cool. 

Me watching ‘Border’ in 2023; colourised. 

I get what the hoopla is about

The makers purportedly used real artillery provided by the Indian Army and Air Force in the film and that shows because of how authentic the film comes across visually. Despite the fact that prosthetic technology hadn’t reached the heights it has today, Border’s second half is as gripping as it is loud. 

The audience is right in the heart of the action and feels the high stakes, the loss, the grief, the determination and courage. And it’s really a feather to the film’s cap that it could create such an investment while telling a story deeply rooted in a historical event. 

A still from Border.

I also completely get why people loved Akshaye Khanna in this film; he is as endearing as he is conflicted and that leads to an impressive outcome. The Battle of Longewala is naturally a tale that deserved telling on the big screen and, to its credit, Border was a pioneer when it came to large scale war films in India. 

By giving a glimpse into the camaraderie of the soldiers at the front and the lives they had to leave behind, the film creates a sense of palpable grief that perfectly bolsters its anti-war messaging. Every member of the cast was given a brief and they fulfilled it completely. 

And I am heartbroken over Ratan Singh and Bhagiram not getting to build their restaurant. I really was invested in that friendship. 

But the film’s best part (you can disagree, I refuse to change my mind) is the music sequence for ‘Sandese Aate Hain’. Javed Akhtar’s lyrics are so poignant that I am convinced this is one of the best songs we have. I love some Dua Lipa and Selena Gomez and I would listen to practically all of Sneha Khanwalkar’s work, but if ‘Sandese Aate Hain’ plays somewhere, I will sing along.

I mean, someone just wrote lines like, “Kisi ke kajre ne, kisi ke gajre ne; mehakti subahon ne, machalti shaamon ne; akeli raaton mein, adhoori baaton ne, tarasti baahon ne; aur poochha hai tarsi nigaahon ne; ke ghar kab aaoge?” and we just let them get away with it. 

At the end of the day, while I was horrified when someone tried to fly a plane directly at a woman they loved (and later married), I cried throughout the second half and this one song swayed me over to the film’s side. 

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#Years #Border #GenZ #Watches #Cries #Cult #Classic