‘Crew’ Review: Tabu, Kareena Kapoor & Kriti Sanon’s Fun Film Sticks the Landing

Tabu, Kareena Kapoor Khan, and Kriti Sanon might seem like an unlikely trio on paper but on screen it fits perfectly. Rajesh A Krishnan’s Crew gives us some of the most delightfully funny versions of these actors – and it’s all neatly packaged in a buddy comedy/ heist film. 

Tabu, Kareena Kapoor, Kriti Sanon in a still from Crew. 

(Photo Courtesy: YouTube)

Tabu plays Geeta Sethi, a former beauty queen, who dreams of opening a restaurant in Goa with her husband Arun (Kapil Sharma). While Arun runs a cloud kitchen from their house, Geeta is waiting for her PF to be handed to her. Kareena Kapoor plays Jasmine Kohli. Jasmine wants to become a successful CEO but she is struggling to find sponsors. However, her real expertise is in sleight of hand. 

Then there’s Kriti Sanon’s character, often referred to as ‘Divya Rana from Haryana’ who dreams of becoming a pilot but, like Geeta and Jasmine, is a flight attendant with Kohinoor Airlines. The ‘inspiration’ is clear – the chairman is Vijay Wallya (Saswata Chatterjee). 

'Crew' hit theatres on 29 March.

Kriti Sanon in a still from Crew.

(Photo Courtesy: YouTube)

For the first quarter, the primary conflict in the film is that none of them have received their salaries in 6 months and rumours about the airline going bankrupt have been flying around. Management, naturally, is no help. In their crew is also a woman trying to save money for a wedding in the family and a single mother whose son’s admission hangs in the balance. 

A freak accident presents an opportunity. Geeta, Divya, and Jasmine enter the world of crime – they have to use their access to the skies to smuggle gold. In this world, they run into two new characters – Trupti Khamkar’s sub-inspector Mala who is hot on their tail and Diljit Dosanjh’s Jay. Jay has personal stakes in the operation – he is attempting to rekindle his romance with Divya. 

'Crew' hit theatres on 29 March.

Trupti Khamkar in a still from Crew.

(Photo Courtesy: YouTube)

To their credit, the chemistry between Diljit Dosanjh and Kriti Sanon is sizzling, for lack of a better word. The chemistry itself is enough to sell the romance (one could say Jay has impeccable rizz). But speaking of chemistry, the real chemistry someone needs to capitalise on (and soon) is that between Tabu and Kareena Kapoor. They’d be perfect for a I Care a Lot (dir. J Blakeson) spin-off (only better and funnier). 

In Crew, the performances, writing (Nidhi Mehra and Mehul Suri), and casting go hand-in-hand – all three characters seem tailor-made for the actors. Kareena Kapoor is back with her 2000s sass and effortless comic timing; the screen seems to actually light up when she’s in the frame. Even a bothersome gag like a character constantly breaking into the same song is salvaged. And there is no hiding the fact that I’m a massive Tabu fan (honesty and integrity are cornerstones of my profession) and she doesn’t disappoint. 

Geeta Sethi does come across feeling a little superficially written – for instance, the fact that she lives with (I’m assuming) anxiety is touched upon but isn’t adequately explored. Yet, Tabu plays the character with such expertise that Geeta is elevated beyond her writing. A resilient, caring woman who just wants to give her and her husband the life they deserve, Geeta could’ve been Crew’s most powerful character and she almost gets there, in Tabu’s hands. 

'Crew' hit theatres on 29 March.

Tabu, Kareena Kapoor, and Kriti Sanon in a still from Crew. 

(Photo Courtesy: YouTube)

Kriti Sanon’s Divya also grapples with a similar fate but is, again, saved by the actor’s performance. She’s the feisty one – the one who frequently puts people in headlocks – and also the one who freaks out easily because she is, after all, a junior dealing with monumental stakes. Her adorable evolving love story with Jay aside, Kriti plays Divya with the gusto the character needs. Geeta and Divya’s interactions might be some of my favourite moments from the movie. 

It is, however, a pity that Saswata Chatterjee feels rather underutilised especially in a role he would’ve excelled in. Diljit Dosanjh and Kapil Sharma both give decent performances – they primarily exist to be green flag men supporting the women they love and I am here for it! Crew would also not be the film that it is without its supporting cast. 

Crew is fun. And I’d missed fun. It feels like our movies have been oversaturated with the same kind of movies, some boring, some harmful. So, in that crowd, a film like Crew feels like a breath of fresh air. Most of the comedy lands (and lands well) and it’s refreshing to see women get to do the more ‘raunchy’ brand of comedy that was usually viewed through a male gaze.

That being said, the male gaze does tend to seep in in places but rarely. Also, some of the more crass jokes don’t work – not because they’re crass but mostly because they aren’t written well enough for that genre. 

'Crew' hit theatres on 29 March.

Tabu and Kareena Kapoor in a still from Crew.

(Photo Courtesy: YouTube)

By the time the film reaches its interval, you’re still hooked but that’s when the movie runs into some turbulence. In the middle, the film almost feels a little dull and perhaps that is because the heist is so basic. A heist as basic (and convenient as this) needed much more punches to land but that didn’t happen. While I like the way everything ends, the middle being lackluster takes away from some of the movie-watching fun. 

The film is also often loud for the sake of being loud and that isn’t always necessary, even with slapstick comedy. One of the most well-written comic bits is actually one where little to nothing is said – Jasmine simply can’t drug someone because they’re a picky eater (I don’t condone their behaviour though if that isn’t obvious). But the cast’s physical comedy plays off the set up so well.

'Crew' hit theatres on 29 March.

Tabu, Kareena Kapoor, and Kriti Sanon in a still from Crew.

(Photo Courtesy: YouTube)

And then there are the brand placements that truly prove that subtlety is an art form – they feel way too fake. The camerawork, too, was a bit of a letdown. For a film that’s dabbling with the heist genre, the camerawork needs to complement the scale. Some of the shots, however, feel too basic to justify their place in the second half. The music isn’t exactly memorable though I will admit that I absolutely loved ‘Ghagra’ and I didn’t hate the ‘Choli Ke Peeche’ remix like I thought I would. But the trio seems to be having the time of their lives so it takes away the sting a bit. 

Crew isn’t by any measures a bad film though – the performances alone are enough to seal the deal. It just feels like a plane that takes off well but struggles to stick the landing because of the turbulence mid-flight. 

Published: 

Source link

#Crew #Review #Tabu #Kareena #Kapoor #Kriti #Sanons #Fun #Film #Sticks #Landing

Timeline: How Kapil Sharma And Sunil Grover Reunited After Infamous Fight On Flight

Kapil Sharma shared this image (courtesy: kapilsharma)

New Delhi:

Comedians Kapil Sharma and Sunil Grover are finally reuniting for the Netflix project The Great Indian Kapil Show. Sunil Grover previously featured in Kapil Sharma’s shows such as Comedy Nights With Kapil and The Kapil Sharma Show. However, Sunil Grover left the show following an alleged incident where Kapil Sharma reportedly mistreated him during a flight from Melbourne in 2017. Since then, the two have not worked together. On Tuesday, Kapil Sharma and Sunil Grover were together at Netflix’s event titled “Next on Netflix: Blockbuster Entertainment Ka Next Level.” 

Here’s a recap of the journey from Kapil Sharma and Sunil Grover’s conflict to reconciliation:

1. Fight on the flight and Sunil’s exit from the show

In March 2017, during a flight back to Melbourne, Australia, to India, Kapil Sharma had allegedly verbally abused Sunil Grover. Following this incident, Sunil chose not to return to The Kapil Sharma Show. Subsequently, other co-stars such as Ali Asgar and Chandan Prabhakar also left the show. However, Chandan later decided to return to the show after a few weeks.

In a 2017 interview with Bollywood Hungama, Kapil Sharma opened up about the flight incident. He had said, “I admit there was a problem. And I’ve paid a heavy price for it. But what was reported was grossly exaggerated and almost entirely fabricated. It was said that I asked that food be served to me first on the flight and that I got angry and I threw a shoe at Sunil. All these stories of shoe-throwing and tantrums were started in a section of the digital media.”

2. Kapil Sharma’s apology 

After Sunil Grover stopped appearing on the show, Kapil Sharma publicly apologised on X (formerly known as Twitter). The star wrote, “Paji Sunil Grover sorry if I hurt you unintentionally. You know very well how much I love you. I am also upset. love and regards always:)” 

After that, Kapil also posted a detailed note on Facebook. He wrote, “Hi.. good morning friends .. was celebrating my best time n suddenly I heard a news about me n sunil paji fighting.. first of all see where it is coming from.. what r the intentions behind this.. if I fought with him in the flight then who saw it n informed u.. is he trustworthy..? Some people enjoy these kind of stuff.. we eat together .. we travel together… I meet my brother once in a year.. n spending almost everyday with my team.. specially sunil .. I love him.. I respect him.. yes I had a argue with him.but r we not normal people..?I shouted at him first time in 5 years .. itna to chalta hai bhai. we will sit n talk that where is the problem.. I love him as a artist as a human being.. he is like my elder brother.. why so much negativity all the time.. I respect our media.. there r some other serious issues which we need to focus. Is me n sunil’s issue is so important n realted with the security of my country ..? We spend a lot of time together rather then our families .. n sometime it happens in family.. its our family matter.. we will sort this out.. zyada maze mat liya karoo.”

3. Sunil Grover’s response to Kapil Sharma’s apology

While responding to Kapil Sharma’s apology, Sunil Grover shared a note on X. He said, “Bha ji! Yes, You hurt me deeply. Working with you has been a learning experience. Just one advice start respecting human beings also apart from animals. All are not as successful as you are. All are not as talented as you are. But if they all are talented like you, who will value you. So, have some gratitude towards their existence. And also, If someone is correcting you, don’t abuse that person.” 

“Refrain from using foul language In front of women who have nothing to do with the stardom you carry, they are by chance just travelling with you. Thanks for making me realise it was your show and you have power to throw out anybody, anytime. You are the wittiest, and the best in your field. But don’t act like a ‘God’. Take good care of yourself. Wish you lot more success and fame,” Sunil Grover added.

4. Kapil Sharma’s birthday wish for Sunil Grover

In August 2017, on Sunil Grover’s 40th birthday, Kapil Sharma posted a note on X (then Twitter). The message read, “Wish you a very happy birthday Sunil Grover paji…May god bless you with all the happiness of this world. Lots of love always :).”

5. Kapil Sharma’s statement about how he “didn’t fight at all” with Sunil Grover

In October 2017, at the trailer launch of Firangi, Kapil Sharma clarified that he never actually fought with Sunil Grover. He stated, “When you move with such a huge team, you have to manage a lot of things and I am really bad at it, I will say that much. Touchwood, we have been working together for many years and I would like to repeat it one more time, I didn’t actually fight with Sunil Grover at all. It didn’t happen.”

Kapil went on to explain that he did have an altercation with Chandan Prabhakar. He elaborated, “When we reached Australia, since the first day, my mood was really bad. I was juggling so many things, I was shooting the show and for other things. During that time, my film’s artiste died. I was so nervous and turned so negative. I wanted to cancel the Australia show but couldn’t and before the show, a girl came to me complaining about a guy who happens to be my childhood friend, Chandan. I scolded him. I had to perform for one and a half hours and that girl and boy artiste had 10-minute stints. My whole thing was, ‘You are bothering me with this when I have such a long performance ahead’. I am a little impulsive. Chandan went missing for five days. I wanted to meet him and apologize because I didn’t listen to his side of the story. I saw him one hour before the Australia flight and I lost it again and I used cuss words again”.

6. Sunil Grover on not getting Kapil Sharma’s call

In March 2018, Sunil Grover, on X (then Twitter), shared a note expressing that he had not received any call from Kapil Sharma for his show. He mentioned, “Bhai aap jaise kuch aur log bhi mujhse same poochte hain. Lekin mujhe iss show ke liye KOI call nahin aaya. Mera phone number bhi same hai. Intezar kar Ke ab maine kuch aur sign kar liya kal. Aap logon ki duaon se ek achhe project Ke sath juda hoon. Jaldi aapke samne Aata hoon. [Brother, a few others have asked me the same question. But I didn’t receive any call for this show. My phone number is the same. After waiting, I have signed on for something else yesterday. With your blessings, I am associated with a good project. I will come in front of you soon.]”

However, Kapil Sharma commented, stating that he had called Sunil Grover “more than 100 times.” Click here to read all about it. 

7. Reunited at a wedding

In March 2020, Kapil Sharma and Sunil Grover were seen together at a wedding celebration. Kapil posted a glimpse of the event showing the duo sharing the stage alongside singer Mika Singh. In his tweet, Kapil wrote, “It was such a special and beautiful evening paji. Thanks for all the love and warmth. God bless the beautiful couple and congratulations to whole kumria family and friends.”

8. Sunil Grover’s birthday message for Kapil Sharma

In April 2020, Sunil Grover posted a birthday wish for Kapil Sharma. The comedian wrote, “Happy birthday pah ji. Wish you a long and happy life. Keep giving the world this medicine called laughter.”

9. Kapil Sharma on Sunil Grover’s surgery 

In February 2022, Sunil Grover underwent bypass surgery, which left Kapil Sharma deeply shocked and concerned. In an interview with E-Times, Kapil expressed, “I was totally shocked and I am extremely concerned about Sunil’s health. I had sent him a message but obviously he just got discharged yesterday, so I can’t expect a message back from him. He had to undergo a heart surgery at a very young age, but he will be fine soon. I have inquired about his health from our common friends. Working in the industry for such a long time, we have many friends and they regularly update me about his well-being and health.”  

10. Reunion for Netflix

In December 2023, Netflix India announced the on-screen reunion of Kapil Sharma and Sunil Grover. Sharing a video of the cast, Netflix wrote, “Dil thaam ke baithiye, jis ghadi ka intezar tha, vo aagayi hai! [Hold your heart, for the moment you’ve been waiting for, it has arrived!] Kapil Sharma and Sunil Grover BACK TOGETHER, coming soon, only on Netflix!”

Are you also super excited to watch the duo together again?



Source link

#Timeline #Kapil #Sharma #Sunil #Grover #Reunited #Infamous #Fight #Flight

Indian Film Festival of Melbourne 2023 nominations revealed: Darlings, Kantara, Agra, and more take the lead; check the list here : Bollywood News – Bollywood Hungama

The Indian Film Festival of Melbourne (IFFM) has announced the nominations for its highly anticipated 14th edition. As the largest Indian film festival outside of Indian soil, IFFM continues to captivate audiences worldwide. This year, the festival proudly welcomes a new addition to its esteemed jury panel, the Oscar-winning Australian filmmaker Bruce Beresford, renowned for directing acclaimed films such as Driving Miss Daisy and The Contract

Indian Film Festival of Melbourne 2023 nominations revealed: Darlings, Kantara, Agra, and more take the lead; check the list here

IFFM is the only Indian film festival outside of the Indian soil that is backed by the government of another country and with that IFFM stands as a remarkable celebration of Indian cinema and cultural exchange. With its finger on the pulse of the industry, the festival has embraced the changing landscape of film consumption by introducing the OTT Awards in 2021. Now in its third year, the OTT Awards will honor outstanding achievements in three categories.

The IFFM advisory committee after meticulous consideration of hundreds of films and series from across Indian cinema, have finalized the nominations of films and series which have released between 1st June 20222 to 31st May 2023. Leading the pack in the film categories, including Best Film, Best Actor, and Best Actress, are notable productions such as Darlings, Monica O My Darling, Ponniyin Selvan, and Kantara. These films have captivated audiences with their stellar performances, engaging storytelling, and artistic excellence. The nominations reflect the diversity and richness of Indian cinema, acknowledging the blockbusters and the indie gems on the same platform.

In the OTT category, series such as Trial By Fire, Jubilee, and Delhi Crime Season 2 have garnered the highest number of nominations. These exceptional series have made a significant impact with their compelling narratives, outstanding performances, and remarkable production values. For OTT nominations, only series on platforms which are available to be streamed in the Australian market have been considered.

The Indian Film Festival of Melbourne has consistently pushed boundaries and showcased the best of Indian cinema to a global audience. With the support of its dedicated jury and industry professionals, the festival continues to champion innovation, creativity, cultural diversity and inclusivity.

Here is the complete list of nominees:

Best Film

Bhediya – Hindi

Brahmastra – Hindi

Darlings – Hindi

Jogi – Punjabi

Kantara – Kannada

Monica, O My Darling – Hindi

Pathaan – Hindi

Ponniyin Selvan 1 and 2 – Tamil

Sita Ramam – Telugu

Best Indie Film

Aatma Pamphlet – Marathi

Agra – Hindi

All India Rank – Hindi

Family – Malayalam

Gulmohar – Hindi

Hadinelentu (Seventeeners) – Kannada

Joram – Hindi

Pine Cone – Hindi

The Storyteller – Hindi

Tora’s Husband – Assamese

Zwigato – Hindi

Best Director

Anant Mahadevan – The Storyteller

Anurag Kashyap – Kennedy

Ashish Avinash Bende – Aatma-Pamphlet (Autobio-Pamphlet)

Devashish Makhija – Joram

Don Palathara – Family

Kanu Behl – Agra

Mani Ratnam – Ponniyin Selvan 1 and 2

Nandita Das – Zwigato

Prthivi Konanur – Hadinelentu (Seventeeners)

Rima Das – Tora’s Husband

Siddharth Anand – Pathaan

Vasan Bala – Monica, O My Darling

Best Actor (Male)

Dulquer Salmaan – Sita Ramam

Kapil Sharma – Zwigato

Manoj Bajpayee – Joram

Manoj Bajpayee – Gulmohar

Mohit Agarwal – Agra

Paresh Rawal – The Storyteller

Rajkummar Rao – Monica, O My Darling

Rishab Shetty – Kantara

Shah Rukh Khan – Pathaan

Vijay Varma – Darlings

Vikram – Ponnyin Selvan 1 and 2

Best Actor (Female)

Aishwarya Rai Bachchan – Ponniyin Selvan 1 and 2

Akshatha Pandavapura – Koli Esru

Alia Bhatt – Darlings

Bhumi Pednekar – Bheed

Kajol – Salaam Venky 

Mrunal Thakur – Sita Ramam

Neena Gupta – Vadh 

Rani Mukherjee – Mrs Chatterjee Vs Norway

Sai Pallavi – Gargi

Sanya Malhotra – Kathal 

Best Series

Dahaad

Delhi Crime Season 2

Farzi

Jubilee

SHE Season 2

Suzhal: The Vortex

The Broken News

Trial By Fire

Best Actor (Male) –  Series

Abhay Deol – Trial By Fire

Abhishek Bachchan – Breathe – Into The  Shadows Season 2 

Aparshakti Khurana – Jubilee

Prosenjit Chatterjee – Jubilee

Shahid Kapoor – Farzi

Sidhant Gupta – Jubilee

Vijay Sethupathi – Farzi

Vijay Varma – Dahaad

Best Actor (Female) – Series

Rajshri Deshpande – Trial By Fire

Rasika Dugal – Delhi Crime Season 2

Shefali Shah – Delhi Crime Season 2

Shriya Pilgaonkar – The Broken News

Sriya Reddy – Suzhal: The Vortex

Tillotama Shome – Delhi Crime Season 2

Wamiqa Gabbi – Jubilee

Best Documentary

Against The Tide

Dharti Latar Re Horo – (Tortoise Under The Earth)

Fatima

Kucheye Khoshbakht (And, Towards Happy Alleys)

To Kill A Tiger

While We Watched

The winners of the prestigious IFFM 2023 Awards will be announced during the festival, at their annual gala night on 11th August 2023 which is set to be hosted at the iconic Hamer Hall in Melbourne, one of the world’s most sophisticated concert halls.

Also Read: R Balki directorial Ghoomer starring Abhishek Bachchan and Saiyami Kher set for world premiere at Indian Film Festival of Melbourne 2023

More Pages: Kantara Box Office Collection , Kantara Movie Review

BOLLYWOOD NEWS – LIVE UPDATES

Catch us for latest Bollywood News, New Bollywood Movies update, Box office collection, New Movies Release , Bollywood News Hindi, Entertainment News, Bollywood Live News Today & Upcoming Movies 2023 and stay updated with latest hindi movies only on Bollywood Hungama.

Source link

#Indian #Film #Festival #Melbourne #nominations #revealed #Darlings #Kantara #Agra #lead #check #list #Bollywood #News #Bollywood #Hungama

Zwigato Review: A Contemporary Portrait Of The Gig Economy And Its Pitfalls

Kapil Sharma in Zwigato. (courtesy: nanditadasofficial)

Cast: Kapil Sharma and Shahana Goswami

Director: Nandita Das

Rating: Three and a half stars (out of 5)

(Nandita Das’ Zwigato had its national premiere at the 27th International Film Festival of Kerala)

In tone and tenor, Nandita Das’ third directorial outing is a clear departure: a contemporary portrait of the gig economy and its pitfalls. In many ways, however, Zwigato is part of the creative continuum that began with Firaaq, a commentary on the turn-of-the-millennium communal riots that shook Gujarat, and Manto, a richly layered biopic that held up a mirror to times past and present.

Zwigato, which had its national premiere as part of the Kaleidoscope sidebar of the 27th International Film Festival of Kerala (IFFK), addresses the deleterious impact of an unsustainable model of development on those that are either left out of it altogether or are granted only a marginal presence in its folds.

Produced by Applause Entertainment and Nandita Das Initiatives, Zwigato lays bare the plight of a migrant couple struggling to make ends meet in the rapidly developing city of Bhubaneswar. The film does not adopt miserabilist methods to drive home its point – the two principal characters are individuals who hold on to their dignity despite the uncertainties that surround them.

What Zwigato does very well is present a story of strife and struggle in a nation and a society that thinks nothing of heaping indignities upon those that have been pushed to the margins.

The male protagonist is Manas Mahto (Kapil Sharma cast in a role that one would hardly believe is cut out for him), a food delivery boy who strays into the profession after losing the job of a factory floor supervisor. His soul-crushing routine hinges on numbers, timings and ratings that, as Manas laments, has reduced him to a machine.

His wife, Pratima (Shahana Goswami, who, as always, slips into the skin of the character with minimum effort), who has to take care of their two children as well as his infirm mother, does her best to ease matters. But nothing seems to ever go right for her and her earnest husband.

Manas does not drink or smoke and is committed heart and soul to providing for his family in an economy that has devised ways to trap the likes in a constant cycle of exploitation that may, at first flush, appear to be a means of self-employment. That Manas’ job is anything but is evident in his constant battle to tot up the numbers.

Manas Mahato is like everybody else of his ilk – he wants to make an honest living in the face of never-ending challenges, but those that control the levers of economic power are loath to creating an equitable system that would give everyone a fair shot at a chance to claw their way out of financial instability.

Working for a food delivery app is akin to serving an invisible master who steadily gnaws away at the riders’ sense of self-worth, already severely undermined by their inability to secure more stable jobs. The government does not make things any easier. Its poorly publicised employment schemes – one of which finds repeated mention in Zwigato – raise false hopes but deliver next to nothing.

Malik dikhai nahin deta par ghulami poori hai, an exasperated Manas says to fellow food delivery riders. In response to a placard that reads Mazdoor hai tabhi majboor hai, he quips, Majboor hai tabhi mazdoor hai. He should know. He has left his home state of Jharkhand in search of greener pastures but all that he has found is a precarious existence on the edge of persistent privation.

It isn’t only the predicament of migrants struggling to find a foothold in an alien and apathetic environment that Zwigato deals with. It also touches upon gender roles within a family – Pratima’s success in finding a job that might bring in more money than Manas’ delivery rounds on his motorcycle causes just a hint of friction between the two.

Nandita Das and Samir Patil’s screenplay finds angles in Manas Mahto’s story for references to caste and class prejudice, sectarian divides, and corporate whimsicalities. Zwigato presents a sharply delineated picture of progress that leaves large swathes of the population behind as it trundles down its merry ways that allow some to enjoy the perks of their wealth without the slightest sense of responsibility towards those that they exploit and demean with impunity.

Zwigato has three cameos that represent disparate faces of the situation on the ground for the likes of Manas Mahto and his wife. Swanand Kirkire is Govind Raj, a political activist who gives voice to the aspirations of the oppressed working class.

Gul Panag plays a marketing head of an electric motorcycle company that promises to help the food delivery boys do away with high fuel costs. And Sayani Gupta turns up in a single scene as an unbending Zwigato zonal head who flies down from Kolkata and gives Manas a hearing that ends badly.

In one scene, Pratima, an occasional masseur, visits a highrise apartment. As she is about to approach the elevator, a lady with a dog instructs her to use the service lift. The canine pet is clearly better off than Pratima: he has access to the main elevator on account of who he belongs to. That is no surprise given that housing complexes prohibit the use of lifts by delivery boys.

In a society in which discrimination is normalised, is it any surprise that a food delivery boy named Aslam hesitates to step into a temple from where he has received an order? The Zwigato script also factors in a relevant footnote about another Muslim boy, a student leader, who lives in fear of the police cases that might be foisted on him to intimidate him into abandoning the path of dissent.

All of this, and more, is woven into the unpretentious but unfailingly pertinent picture that Zwigato paints of a world where the indigent and the weak are allowed no chance at all to better their lot in a meaningful manner.

The pace and rhythm of Zwigato hinges on the flow of the life that it portrays. But unlike a food delivery boy whose future in this line of work relies heavily on pleasing customers and receiving five-star ratings, Nandita Das does not overly sugar-coat the film’s central message.

She refrains from grandstanding and unnecessary flourishes. With the production design on point, the Bhubaneswar ambience captured to perfection and the cinematography by Ranjan Palit giving the inner and outer worlds of the migrant protagonist the angularities that it needs, Zwigato hits home with equal measures of power and pathos.



Source link

#Zwigato #Review #Contemporary #Portrait #Gig #Economy #Pitfalls