2022: The Year of the Angry Woman on-screen

Mia Goth as Pearl in ‘Pearl’
| Photo Credit: A24

After a gruelling couple of years lost to the pandemic, cinema made a comeback in 2022, and how! We saw the larger-than-life heroes return to the screens with jaw-dropping action sequences, and space was made for fables on imperfect parents and their misguided efforts at expressing love; we had the movies to turn to during our recovery for a good laugh.

But the anxieties and horrors of the economic slowdown, an impending climate crisis, and the questions of existentialism that the pandemic birthed still lurk in the dark crevices of our minds. Cinema has justifiably absorbed these sensibilities and reflected them on the screen for all of us to gaze at, while looking within ourselves. We had the  Jaws-inspired Jean Jacket monster in Nope that revels in feeding on people, and, in the process, swallowing the lives they’ve built for themselves. Then, we also were witness to the cruel monsters lurking underneath our smiles in Smile. But one thing the horror slashers and cathartic dark comedies this year had in common was the sheer number of women championing our anxieties.

While it is interesting and encouraging to see women occupy space on our screen, the reason they fit into the roles perfectly is a tad complicated. A  BBC analysis of the World Gallup Poll points to a widening rage gap. In 2012 both men and women reported anger and stress at similar levels; however, nine years later, women are angrier by a margin of six percentage points with the pandemic playing a very significant role.

The pandemic was disproportionately cruel to women — they were driven out of the workforce and forced to tend to childcare duties and household responsibilities, putting a strain on their economic independence. A global study found that women did three times more childcare duties than men. 2022 also gave women a lot to be angry about: women in the United States of America lost their right to abortion with the overturning of  Roe v. Wade, the Taliban in Afghanistan banned women from universities and kept the corridors of learning out of their reach, and the regime in Iran lynched women for participating in the anti-regime protests triggered by the killing of Mahsa Amini.

Women in cinema are amplifying the shared anxieties and anger of being a woman in the contemporary world in their own ways.

Do you know a woman who has been asked to smile by a stranger on the street? Do you wish to silence that stranger? Maybe Smile is your best bet. Starring Sosie Bacon, this tale explores mental health and generational trauma that daughters inherit from their mothers, a theme Natasha Lyonne explored through the character of Nadia Vulvokov, another infamous grumpy female protagonist, in the second season of  Russian Doll.

A still from Apple TV+’s ‘Bad Sisters’

A still from Apple TV+’s ‘Bad Sisters’
| Photo Credit:

Kith and kin united to shower rage over a misogynist man in  Apple TV+’s  Bad Sisters. The sisters plotted to kill their sister’s abusive husband and their imagination in all its gore and violence made its way to the screen, supplemented with dark comedy, pushed the audience to root for their erroneous antics.

Rage has largely been considered a masculine emotion, and women were forced to only express secondary emotions and consequences of a man’s rage. Watching women own their rage without facing brutal and unjustified consequences was indeed refreshing.

Armed with a stellar cast, Halina Reijn’s Bodies Bodies Bodies dared to turn the virginal final girl trope on its head by killing off men in the very beginning and keeping the highly sexual, morally-complicated female characters alive. The girls who survive the stormy night are rich brats to whom self-awareness does not come easy. Watching flawed female characters survive in a horror film makes me think of the famous internet phrase, “I support women’s rights but more importantly, I support women’s wrongs.”

A sanitised portrayal of women on-screen has haunted women in real life as it paints an inaccurate picture of womanhood which often strips them of their needs, wants and desires. They are left to the mercy of a man’s story, and most of their emotions are secondary. Acknowledging women’s missteps without disproportionately punishing them goes a long way in understanding the women around us.

Call Me By Your Name filmmaker Luca Guadagnino also seems to have taken supporting women’s wrongs a little too seriously in his film  Bones and All by letting Maren Yearly (Taylor Russell) feast on men. She’s often drenched in their blood and enjoys the human flesh while also being capable of empathy, friendship and love. On that note, cannibalism has served as a metaphor for a lot of socio-political and psychological commentary this year, with Mimi Cave’s  Fresh drawing lessons on class and patriarchy through the act of eating human flesh.

The mother of all horror films in 2022 (pun intended), Barbarian, manifests the generations of rape and incest as a supernatural female who lives in the basement of a house in Detroit and goes after men who hurt women, a sordid tale of female solidarity if you may. Watching Lib Wright (Florence Pugh) gives the finger to religion and patriarchy in The Wonder by lying and burning down a house for a girl she has known only for two weeks compels us to cheer for her misdeeds.

Mia Goth as Pearl

Mia Goth as Pearl
| Photo Credit:

However, Ti West’s  and  Pearl starring Mia Goth take the cake with their portrayal of a rural American girl who dreams, and pushes back when she is deprived of the means to pursue them. Letting the titular anti-heroine dream of vanity without punishing her makes the  series stand out.

One positive side to the phenomenon of depicting violent female rage is that it makes way for women to express anger, an emotion even toddlers, until today, associated with male faces. With the influx of anti-heroines, we now have female characters as symbols of rage.

73 years after Simone de Beauvoir wrote in her book  The Second Sex — “He is the Subject, he is the Absolute – she’s the Other,” we might just be taking baby steps to remedy the stories we tell about women and give agency to the Other.

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Defiant Iranians protest violent crackdown and killings of youths

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Iranians took to the streets around the country again on Friday to protest against the killings of youths in a widely documented crackdown on demonstrations sparked by Mahsa Amini’s death.

The clerical state has been gripped by six weeks of protests that erupted when Amini, 22, died in custody after her arrest for an alleged breach of Iran’s strict dress rules for women.

Security forces have struggled to contain the women-led protests, that have evolved into a broader campaign to end the Islamic republic founded in 1979.

Videos widely shared online showed people rallying Friday across Iran, including in Mahabad, the flashpoint western city where a rights group said security forces had killed at least four people in the past two days.

The demonstrations came despite a crackdown that the Oslo-based Iran Human Rights group said Friday had killed at least 160 protesters, an increase of 19 since its last toll on Tuesday, and including more than two dozen children.

IHR called for “diplomatic pressure” on Iran to be stepped up, with its head Mahmood Amiry-Moghaddam warning of a “serious risk of mass killings of protesters which the UN is obligated to prevent”.

At least another 93 people were killed during separate protests that erupted on September 30 in the southeastern city of Zahedan over the reported rape of a teenage girl by a police commander, IHR says.

Automatic gunfire

Violence erupted in Zahedan again on Friday “when unknown people opened fire” killing one person and wounding 14 others, including security forces, the official IRNA news agency reported.

IHR said security forces opened fire at protesters in the southeastern city, with deaths reported “including a 12-year-old boy”.

The Norway-based Hengaw organisation added that two more people were killed Thursday in Baneh, another city near Iran’s western border with Iraq.

The bloodshed in Mahabad came as mourners paying tribute to Ismail Mauludi, a 35-year-old protester killed on Wednesday night, made their way from his funeral towards the governor’s office, Hengaw said.

“Death to the dictator,” protesters yelled, using a slogan aimed at Iran’s supreme leader Ayatollah Ali Khamenei, as the governor’s office burned, in an online video verified by AFP.

Other verified footage showed clashes outside the western city of Khorramabad near the grave of Nika Shahkarami, a 16-year-old killed by security forces, where dozens of people were marking the end of the traditional 40-day mourning period.

“I’ll kill, I’ll kill, whoever killed my sister,” they were heard chanting, in a video posted online by the US-based Human Rights Activist News Agency (HRANA).

Dozens of men were seen hurling projectiles under fire as they drove back security forces.

At least 20 security personnel have been killed in the Amini protests, rights groups say, and at least another eight in Zahedan, according to an AFP tally based on official reports.

Local media meanwhile quoted a joint statement from Iran’s intelligence ministry and the Revolutionary Guards accusing the United States’ Central Intelligence Agency of plotting against the Islamic republic.

The CIA was conspiring with spy agencies in Israel, Britain and Saudi Arabia, “to spark riots” in Iran, the statement said.

>> ‘People of Iran need Europe’, former Iranian TV host Ehsan Karami says

‘More killing would encourage protesters’

The latest Amini protests were held in defiance of warnings from Khamenei and ultra-conservative President Ebrahim Raisi, who appeared to try to link protests to a mass shooting Wednesday at a key Shiite Muslim shrine in the southern city of Shiraz after prayers, that state media said killed at least 15 worshippers.

But the protests triggered by Amini’s death on September 16 show no signs of dwindling, inflamed by public outrage over the crackdown that has cost the lives of many other young women and girls.

The Iranian authorities have had to quell the protests through various tactics, possibly in a bid to avoid fuelling yet more anger among the public.

They staged rallies on Friday in Tehran and other cities to denounce the Shiraz attack, which was claimed by the Islamic State group.

“I doubt that the security forces have ruled out conducting a larger-scale violent crackdown,” said Henry Rome, an Iran expert at the Washington Institute.

For now, they “appear to be trying other techniques” including “arrests and intimidation, calibrated internet shutdowns, killing some protesters, and fuelling uncertainty”, Rome said.

“They may be making the calculation that more killing would encourage, rather than deter, protesters — if that judgement shifts, then the situation would likely become even more violent,” he added.

An official Iranian medical report concluded Amini’s death was caused by illness, due to “surgery for a brain tumour at the age of eight”, and not police brutality.

Lawyers acting for her family have rejected the findings and called for a re-examination of her death.


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