From Lootere to Ae Watan Mere Watan, Here are the Top Weekly OTT Releases

This week, we have a piping hot buffet of new digital releases across genres. We have two Indian originals, post-theatrical releases, a high-budget sci-fi saga, and Marvel Studio’s hit series making a return.

One of the major releases of the week is Sara Ali Khan’s Ae Watan Mere Watan which will take you to the pre-Indepence Bombay. Khan is seen playing the celebrated freedom fighter, Usha Mehta. While the gallant leader dedicated her entire life to India, this Amazon Original will take you to the Quit India Movement, when the college-going Usha started an illegal radio station to broadcast messages from prominent leaders from various secret locations.

Next in Line is Hansal Mehta’s Lootere which will revolve around a cargo ship hijacked by Somalian pirates in Africa. The show gives a refreshing break from repetitive plotlines in crime thrillers and will keep you guessing what comes next.

Netflix’s 3 Body Problem is another big-budget release of the week. It offers an impressive cocktail of cultural, social, and scientific conundrums.

Marvel Studios also have a big release in the form of X-Men’ 97 which is a revival of sorts for the long-running hit show, X-Men: The Animated Series. However, whether the show sets the stage for other live adaptations is yet to be confirmed. Another major release by Marvel lined up for release this year is Wolverine & Deadpool.

Besides the ones listed below, Netflix’s biography film Shirley is also a good binge-watch option for the weekend, which brings from the page of American history the rivetting tale of Shirley Chisholm, the first black woman to be elected to the United States Congress.

True crime documentary enthusiasts could watch Netflix’s Homicide: New York, in which investigators, officers, and detectives discuss some of the most notorious murder cases.

With that, here are the top OTT releases of the week that we recommend.

Ae Watan Mere Watan

When: Now Streaming

Where: Prime Video

During the Quit India Movement of 1942, a young college student in Bombay recognised the power of radio and started an illegal secret radio station to broadcast messages from Mahatma Gandhi and other prominent leaders across India, with the help of a few amateur radio operators.

While this endeavour lasted only three months, it played an important role in India’s struggle for Independence.

In this biopic, Sara Ali Khan plays the college student Usha Mehta, who later emerged as an important figure in Indian history. The film will tell you in detail how the rebellious freedom fighter started and continued to operate this station from various undisclosed locations and the various challenges she faced.

The fact that she was a Gandhian and her father, a judge under the British Raj, opposed her actions is also portrayed.

Fighter

When: Now Streaming

Where: Netflix

Fighter is a visually striking patriotic drama about a few fighter pilots of the Indian Air Force who have vowed to protect their nation against all threats and dangers. Among these valiant officers are Hrithik Roshan, Deepika Padukone, Karan Singh Grover and Manushi Chillar, headed by squadron leader Anil Kapoor. Hrithik’s character is a rebel who doesn’t shy away from bending the rules when it comes to justice, an attitude that doesn’t sit well with Anil Kapoor’s squadron leader, putting the two at loggerheads with each other in almost every scene.

If you find yourself amazed at the mannerisms of a few characters coming off as too professional, that’s because those are real-life Indian Air Force cadets bringing a slice of their everyday lives to the silver screen. You’ll also find plenty of references to the 2019 Pulwama attack, the 2019 Balakot airstrike and the 2019 India–Pakistan border skirmishes.

Since Fighter has used the same cinematographic techniques as Dune and other James Bonde movies, it offers plenty of jaw-dropping aerial action sequences, some of which are likely to remind you of Tom Cruise’s Top Gun: Maverick.

Lootere

When: Now Streaming

Where: Hotstar

Hansal Mehta’s (Scam 1992) will take you to the Somalian waters where a cargo ship with an Asian crew gets hijacked by Somalian pirates. The ship is owned by Vikrant, a nicotine-addicted businessman of Indian origin who has a lot more on stake than what appears at the surface and is desperately counting on it being retrieved. Rajat Kapoor plays the captain of the ship and delivers a fine performance.

The eight-episode-long show will give you a taste of crime, corruption, and dark secrets harbouring in African waters, with a special focus on Indian businessmen established there for decades. Get ready for thrill, knotty twists, a flavour of dark murkiness of the crime world.

The first two episodes have been released, and the other eight will be out every week. Shot in Hindi, Lootere can also be streamed in Telugu, Tamil, Bengali, Marathi, Malayalam, and Kannada.

3 Body Problem

When: Now Streaming

Where: Netflix

3 Body Problem is a Sci-Fi drama adapted from Chinese engineer-author Liu Cixin’s novel of the same name, which serves as the first in the Remembrance of Earth’s Past trilogy.

The show begins with an astrophysicist witnessing her father’s public execution during the Chinese Cultural Revolution. Cut to the future, she is taken to a secret radar base by the military. Meanwhile, in the present, a lot of strange unexplained phenomena are happening – many physicists committing suicide, prominent research being discovered as wrong, and all the stars blinking on and off!

All in all, the show offers plenty of complex scientific problems, cultural challenges, extra-terrestrial dangers, and lots of suspense. The show has been adapted for television by Game of Thrones creators David Benioff, D. B. Weiss and Alexander Woo.

X-MEN ‘97

When: Now Streaming

Where: Hotstar

X-Men ’97 is a spiritual sequence to X-Men: The Animated Series, which ran on air from 1992-1995. The show picks up right after the events of the original series and introduces the viewers to a world where the X-Men leader, Professor X, is no longer in charge – leaving his proteges, Cyclops and Jean Grey, in charge.

The world still somewhat dislikes the mutant X-Men, who are anyway hell-bent on saving the world from all the dangers, irrespective of the bigotry they face on a daily basis.

Many actors from the original series have lent their voices, including Cal Dodd, Lenore Zann, George Buza, Catherine Disher, Chris Potter, Alison Sealy-Smith, Adrian Hough, Christopher Britton, Alyson Court, Lawrence Bayne, and Ron Rubin. The first two episodes have now been released, while the rest will be out every Wednesday at 12:30 pm IST.

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EXPLOSIVE: Anubhav Sinha THUNDERS: “The censor experience of Bheed and Afwaah hasn’t been great. It was almost UNFAIR. The only option to seek justice is to go to the courts. But that is an expensive and time-consuming process” : Bollywood News – Bollywood Hungama

In the first five months of 2023, Anubhav Sinha managed to release as many as three films in cinemas. Faraaz, directed by Hansal Mehta, was the first release. This was followed by his directorial venture, Bheed, based on the sufferings of the migrants in the lockdown. Afwaah, directed by Sudhir Mishra, was recently released. These films didn’t click at the box office but got massive acclaim from most moviegoers and critics. Anubhav Sinha was in a relaxed mood as he spoke exclusively with Bollywood Hungama about these films, being one of the few brave voices in the industry and a lot more.

EXPLOSIVE: Anubhav Sinha THUNDERS: “The censor experience of Bheed and Afwaah hasn’t been great. It was almost UNFAIR. The only option to seek justice is to go to the courts. But that is an expensive and time-consuming process”

Your film, Afwaah, directed by Sudhir Mishra, was released on May 5. Interestingly, I have not come across a single person who has not liked the film. It got a unanimous positive response…
It’s beautiful to know. I wish more people had gone to the theatres to see it. But people are not going to the cinemas. What to do?

Do you feel Afwaah’s release in cinemas was too limited?
Yes, it was less than what should have ideally been. But then releasing a film has become so expensive, which is a discussion for another day. So yes, it wasn’t as many shows and as many screens as I would have liked. I guess, every film has its economics.

Also, it’s not like the shows were running packed on the first day of release. If there was an encouraging response from people on the release day, then increasing the number of shows would have been a phone call away. Unlike the good old days when we had to send physical prints, now it’s easier. Sadly, the theatrical response, whether it is for Afwaah or Bheed, wasn’t as encouraging that shows could be increased from Saturday onwards.

I guess it takes time for word to spread…
That’s not practical. If a film is running with three shows on a Friday and if those films are not doing well, the exhibitor doesn’t even ask you. He’ll simply reduce the show count. It’s beyond my control.

Faraaz also didn’t do well in cinemas but got a new lease of life on Netflix. Do you think that the same would happen with Bheed and Afwaah?
I hope so, with my fingers crossed. There was so much conversation around Bheed. It received fantastic reviews and response from those who saw it. So, I am hoping it gets viewership (on OTT).

EXPLOSIVE Anubhav Sinha THUNDERS “The censor experience of Bheed and Afwaah

Post-pandemic, do you feel the box-office scenario has changed? Thappad (2020) was released just before the lockdown and it collected Rs. 30 crores, despite the conventional subject. Do you feel Bheed and Afwaah would have fared better at the box office before 2020?
I don’t know. I keep asking other people these days, ‘If we release Article 15 (2019) now, will it work the way it did in 2019?’ Nobody has the answer. No one knows what’s going on!

2 years ago, you said in an interview that the Censor Board has been kind to you…
Not lately though!

I went through the cut list of both Afwaah and Bheed. Afwaah suffered innumerable cuts. As for Bheed, its list of cuts was shocking. Words like ‘Tablighi Jamaat’, ‘Corona Jihad’ etc. were deleted though they were important to the film’s narrative. Your thoughts? 
The censor experience of Bheed and Afwaah hasn’t been great. It was almost unfair.

And now you cannot even go to the FCAT (Film Certification Appellate Tribunal) aka the tribunal…
…Because there’s no tribunal. The biggest tragedy behind removing the tribunal is that now the only option to seek justice is to go to the courts. But going to court is so expensive and time-consuming. You have no control over when the hearing will be done or when the decision will be given. Even Faraaz went through its own journey of court cases. We never used it to publicize our film. And it was awfully expensive.

Was Afwaah delayed because of the Censor process? It was supposed to be released in March…
Yes. Afwaah and Bheed were almost together at the CBFC. We had to finish one battle first and then proceed to the other.

Do these experiences stress you out? Going forward, will you still make the film you want to make?
Oh yes. I’ve been like this for 9 years!

It is said that there’s a lot of emphasis on the box office. If a film doesn’t work, it doesn’t get the respect…
I don’t agree. On the contrary, a little later in time, it absolutely ceases to matter ki film ne box office pe kitna kiya tha. Uske baad film ki izzat zinda rehti hai. Do you know how much my first film Tum Bin (2001) collected? It ran in cinemas only for a week.

EXPLOSIVE: Anubhav Sinha THUNDERS: “The censor experience of Bheed and Afwaah hasn’t been great. It was almost UNFAIR. The only option to seek justice is to go to the courts. But that is an expensive and time-consuming process”

Maybe that was a different time. I am talking about the present-day scenario…
No. During those days, films would run for 15-20 weeks. There were no theatres for us. Also, Sholay (1975) did not do well in the first week. But those were the days when the exhibitors would hold on to the film. They would wait for the audience to get a whiff of what the film is. Nowadays, it’s very instant. If the 6 o’clock show doesn’t work, the theatre might cancel the 9 o’clock show. So, the exhibition sector has to reinvent itself. We have said enough about the kinds of films being made. But we haven’t talked about the exhibition, the cost of releasing a film, the method of the exhibition and some sort of monopoly in the exhibition sector.

Recently, there were reports of challenges in the exhibition sector and PVR and Inox shutting down around 50 cinemas…
Yes. The exhibition sector will have to work with the production sector. We cannot not hold hands. We will have to hold hands.

Do you know Mulk (2018) didn’t go great at the box office? It did just about fine. But in the life of a film, the box office is the most minuscule factor that people remember. People would remember a film for its dialogue more than the box office. I have seen people say, ‘Yaar, who film mein kya dialogue tha’ or ‘Woh film mein kya gaana tha’ and not ‘Woh film ka kya box office tha’! So a little later in the life of a film, the weekend is immaterial. What’s important is how long the people will continue to relate to that film. That timelessness of an art is what matters.

What next?
I don’t know. I am working on some stories. I have been so busy. I just released Afwaah and now I will sit out and figure out

You have an anthology coming up. Will it be out in cinemas or on OTT?
Yes. It’s called Be Positive. It’ll be out on digital. It was never meant to be a theatrical release.

When will it be released?
We are figuring it out.

Do you think that in the days to come, it’ll be more difficult for filmmakers like you to have your own voice?
We’ll see. We’ll take it as it comes. Every time we move from one film to another, these talks come up. But then you can’t pre-empt a tragedy. You can only keep guessing and cross the bridge when we get there. Will I change my route to avoid the bridge? No. I would cross that bridge and then we’ll see.

Also Read: Anubhav Sinha weighs in on Theatre vs OTT debate; says audience “need to explore newer kinds of films”

More Pages: Bheed Box Office Collection

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