Despite weather glitch, Paris Olympics flame lit at the Greek cradle of ancient games

The flame that is to burn at the Paris Olympics has been kindled at the site of the ancient games in southern Greece.

Cloudy skies frustrated Tuesday’s efforts to produce the flame in the customary fashion, when an actress dressed as an ancient Greek priestess uses the sun to ignite a silver torch.

Instead, a backup flame was used that had been lit on the same spot Monday, during the final rehearsal.

The flame will next be carried from the ruined temples and sports grounds of Ancient Olympia by a relay of torchbearers. The 11-day journey through Greece culminates with the handover in Athens to Paris 2024 organizers.

What to know about the flame-lighting ceremony in Greece for the Paris Olympics

A priestess prays to a dead sun god in front of a fallen Greek temple. If the sky is clear, a flame spurts that will burn in Paris throughout the world’s top sporting event. Speeches ensue.

Performer acting as Priestess during the flame lighting ceremony for the Paris 2024 Olympics at the Ancient Olympia, Greece on April 16, 2024.
| Photo Credit:
Reuters

On April 16, the flame for this summer’s Paris Olympics will be lit at the birthplace of the ancient Olympic Games in southern Greece in a meticulously choreographed ceremony.

It will then be carried through Greece for more than 5,000 kilometers (3,100 miles) before being handed over to French organizers at the Athens venue used for the first modern Olympics in 1896.

Here’s a look at the workings and meaning of the elaborate ceremony held among the ruins of Ancient Olympia ahead of each modern Olympiad.

Couldn’t the French just light it in Paris?

Couldn’t the Academy Awards just be announced in a conference call? The pageantry at Olympia has been an essential part of every Olympics for nearly 90 years since the Games in Berlin. It’s meant to provide an ineluctable link between the modern event and the ancient Greek original on which it was initially modelled.

Once it’s been carried by any means imaginable to the host city — it’s been beamed down by satellite, lugged up Mount Everest and towed underwater — the flame kindles a cauldron that burns in the host Olympic stadium until the end of the games. Then it’s used for the Paralympics.

So how’s it lit?

An actor playing an ancient Greek priestess holds a silver torch containing highly combustible materials over a concave mirror. The sun’s rays bounce off every inch of the burnished metal half-globe and come together at one extremely hot point, which ignites the torch.

Actress Mary Mina, playing high priestess lights a torch during the official ceremony of the flame lighting for the Paris Olympics, at the Ancient Olympia site, Greece, on April 16, 2024.

Actress Mary Mina, playing high priestess lights a torch during the official ceremony of the flame lighting for the Paris Olympics, at the Ancient Olympia site, Greece, on April 16, 2024.
| Photo Credit:
AP

This happens inside the archaeological site at Olympia, before the ancient temple of Hera — wife of Zeus, king of the Greek gods, whose own ruined temple lies close by.

The flame is eventually used to light the first runner’s torch — champagne-colored this year for France — and a long relay through Greece leads to the April 26 handover at the Panathenaic stadium in Athens.

Need it be so complicated?

Flames and sandals make for an impressive spectacle, and while the priestess’ largely tongue-in-cheek prayer to Apollo might not be answered, the parabolic mirror works well.

The idea was the result of Greek-German cooperation ahead of the 1936 Olympics in Nazi Germany, which were heavy on fanfare — and swastikas. It was based on a mechanism mentioned by ancient writers in a non-Olympic context, and served the desire to blend the games of antiquity with the modern revival.

The 1936 innovations included a torch relay all the way to Berlin, and have been followed, with modifications, ever since. An initial idea to do the relay flame in hollow plant stalks — a nod to the Greek myth of Prometheus who stole fire from the gods — was ditched as impractical.

Did this happen at the ancient games?

No. But then modern athletes don’t compete naked, or, when victorious, receive olive wreaths and the right to a marble statue in their name — and, for three-times winners, in their actual likeness.

Also, there’s no brief cessation of warfare to allow the modern games to go ahead, women not only attend but compete as well, and rich sponsors — or heads of state — don’t reap the glory for their chariot teams’ wins.

According to ancient Greek tradition, the games of antiquity, held every four years in honor of Zeus, started in 776 B.C. They were the most important of the major Greek sporting festivals, where events included running, wrestling and horse racing. Up to 40,000 spectators could attend.

Like in most preindustrial societies, life in ancient Greece was deeply physical and a well-exercised body was seen as the mark of a gentleman.

The games continued, with minor blips, until the new Christian authorities in Greece banned them as part of the reprehensible pagan past, in A.D. 393.

Could anything spoil the show?

Rain. Heavy cloud cover. Then the mirror wouldn’t work. But ceremony organizers in Olympia hold several rehearsals in the days leading up to the official lighting, which provide a backup flame should the big day prove sunless.

Paris 2024 Olympics - Olympic Flame Lighting Ceremony - Ancient Olympia, Greece - April 16, 2024
Performers acting as Priestess during the flame lighting ceremony for the Paris 2024 Olympics REUTERS/Alkis Konstantinidis

Paris 2024 Olympics – Olympic Flame Lighting Ceremony – Ancient Olympia, Greece – April 16, 2024
Performers acting as Priestess during the flame lighting ceremony for the Paris 2024 Olympics REUTERS/Alkis Konstantinidis
| Photo Credit:
ALKIS KONSTANTINIDIS

Potential protests are a worse headache. Twice this century — during the lighting ceremonies for the Beijing Summer and Winter Games — human-rights activists disrupted the ceremony inside the fenced and heavily guarded archaeological site. Even after the embarrassment of the first incident in 2008, Greek police were unable to anticipate and prevent the second, 14 years later.

The flame-lighting, with its broad TV coverage — although the official stream shies from showing any form of protest — is a magnet for activists who want to grab headlines. And even if ancient Olympia can, in theory at least, be efficiently guarded, the route of the torch relay through Greece is too long to be protest-proof.

The 2008 incidents at Olympia and abroad led to the scrapping of torch relays outside Greece and the host country.

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Aussie breakdancers struggling for support ahead of sport’s Olympic debut

The inside of a shopping centre isn’t normally where you would find an athlete training for the Olympics.

It’s cold and the concrete is unforgiving but Melbourne B-girl Fauntine Lariba AKA ‘Fontz’ boosts the volume on her portable speaker, puts her hoodie on and dances with her crew.

“It makes me feel alive and like a child. You get this feeling that comes over you of just pure joy and excitement when you get something right,” the long-time breaker explains.

An osteopath by day, and a B-girl — or breakdancer — by night, Fontz is breaking for gold, using public spaces to work on her craft as part of a rigorous training regimen.

“There’s the Olympics coming up and I would love to be a part of that and represent, and bring what this city and country has to the table to the world stage. That would be a huge honour,” Fontz said.

An osteopath by day and a dancer by night, Melbourne B-girl ‘Fontz’ has been breaking for about 11 years.()

“It’s a dream. Being a professional athlete is something I’ve always wanted and so this is a great reason to really go for it.”

Breaking is a style of dance that originated in the US in the 1970s.

It’s making its Olympic debut in Paris 2024, as part of a push to broaden the appeal of the games.

“It is absolutely huge that breaking is going to be in the Olympics for the first time,” says Dr Rachael Gunn, Australia’s top-ranked female B-girl.

“It’s not something that breakers ever expected because of course it was put forward by the World Dancesport Federation, which is a ballroom organisation.”

“In Australia it’s significant because I think that many people still think that breaking is a bit of a joke… and this is something that people dedicate hours and hours of their work for 10, 20 years. They are athletes, they are artists.

“So having breaking in the Olympics really gives an opportunity for some legitimisation around the dance and hopefully some respect.”

Australia wants to send a B-boy and a B-girl.

Dr Rachael Gunn AKA ‘Raygunn’ is Australia’s top-ranked female B-girl.()

Sydney’s Dr Gunn, who is known by the breaking name ‘Raygunn’, is going head-to-head with Fontz for a spot.

“I am training hard with the hope of representing Australia in Paris at the Olympics next year,” says Raygunn, who researches breaking and street dance culture at Sydney’s Macquarie University.

“My training schedule is pretty intense. It’s a mix of actual breaking … but it’s also conditioning, stamina training, flexibility, cardio, it’s a whole regime and I don’t think people really understand the level, the dedication it takes to excel in breaking.

Fontz trains with her crew in public places because they don’t have a formal space to dance.()

“My journey to Paris is I’m just going to continue to work as hard as I can and rep as hard as I can at every competition I get the chance to but we just don’t know what’s going to happen in terms of this region,” she says.

Fontz and Raygunn’s hard work might be in vain.

The problem is money. Local organisers need more cash to host a championship event in Sydney for the Oceania region.

Without that, Australia’s chances of qualifying for Paris are slim to none.

“Our rough budget for the Oceania event is around the 200k mark,” says Australian Breaking Association President Lowe Napalan, who is spearheading the country’s quest to send breakers to Paris.

“I guess from a maybe business or corporate perspective it’s not really much but from our perspective, that is a lot of money.”

Sydney B-boy Lowe Napalan started the Australian Breaking Association from the ground up.()

Their hopes hinge on a corporate sponsor stepping in to provide a lifeline.

“If we simply don’t have the funds we won’t be able to run it,” he says.

“I’d say I’m definitely overworked in trying to organise this Olympic Games stuff with the breaking community but I am loving it.

I did take this position knowing it was going to be more than a handful … but I did want to try.”

Breakers say would be devastated to miss out on a golden opportunity.

“We really need support in order to hold an Oceania qualifier. It’s going to cost a lot of money. We have to fly a number of international judges over to Australia,” Raygunn says.

Melbourne B-girl ‘Fontz’ says becoming a professional athlete is a long-held dream.()

“Breaking requires a complex judging system.”

“I’d be gutted if we weren’t able to hold the qualifier … Australia hasn’t historically had a lot of respect for breakers, for dancers and so I think this would be just another punch in the guts.”

Even if Australia makes it to Paris its breakers face an even bigger battle to gain respect and recognition from the Australian Olympic Committee (AOC) and the wider community.

The breaking scene receives a small amount of funding from the AOC as the fledgling sport tries to establish itself ahead of Paris.

“I do think the AOC could provide more support but at the same time I kind of understand (why they don’t),” Lowe said. 

“It is based more on medal contention so if a sport is highly likely to obtain a medal it makes sense to put more money towards them.

“Although I do think it is great that they do have a minimum funding support for all sports. Without it we would struggle more than we are now.”

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