Actors Shanthnu and Prithvi Rajan on ‘Blue Star’ and learning to play the unorthodox cricket of the ‘90s

For those who spent their youth playing cricket in the streets and public grounds in the late ‘90s and early 2000s, the game meant something different. Thanks to television, advertisements and a phenomenon called Sachin Tendulkar, the frenzy for the game had started to hold a firm grip on the youth, birthing a unique street cricket culture. This was a cricket before rubber balls were introduced and cork balls were in practice; when you don’t cover-drive a juicy half-volley, but loft it over the bowler’s head instead. It was an unorthodox form of cricket that belonged to that era and was lost with modernisation, change in cricketing gear, and reduced space for playing due to gentrification. However, that long-gone era is the period to which filmmaker S Jayakumar wishes to take you with his upcoming film, Blue Star, set to release in theatres this Friday.

Produced by Pa Ranjith’s Neelam Productions, and starring Ashok Selvan, Shanthnu, Keerthi Pandian, Prithvi Rajan and Dhivya Duraisamy among others, Blue Star is a sports drama that explores the lives of a bunch of cricket-frenzy youngsters in Arakkonam, Chennai, in the 1990s. For actors like Shanthnu and Prithvi, who witnessed the boom of street cricket in the old days, Blue Star was quite the experience. “Going back to Arakkonam, playing that form of cricket, wearing a pad on just one leg, and running in just slippers is something I miss right now — not because I used to play in that fashion in the 90s — but that’s how fun it was to play like that while shooting,” says Shanthnu.

Apart from being a sports drama, the film is also a political drama that draws parallels between sports and life. “It speaks of the politics between two teams or between players of the same team, and how the politics from outside disrupts things on the ground, and so on. All of these themes can be related to what’s happening in society as well. Moreover, it also speaks about the politics behind why so many talented cricketers end up not getting the opportunities they rightfully deserve,” says Shanthnu.

When cinema falls in love with cricket

One can draw a fascinating parallel between cricketing personalities and actors; like how cricketers have to soak in the pressure and perform, even amidst one lakh eager spectators in a stadium, actors need to drain out all the internal and external noises on a movie set. For that aspect, Shanthnu is in awe of the nerves of steel that former Indian captain Mahendra Singh Dhoni displayed over the years. Prithvi, on the other hand, is inspired by something ace off-spinner Ravichandran Ashwin said in a recent interview, “Someone asked him about being dropped from the squad during some marquee matches of the 2023 World Cup, and he said, ‘No matter what, my passion is cricket. Even if I don’t get to play, I get to watch cricket up close, free of cost, with free accommodation, good facilities and so on. So, I am alright because I know my time to enter the ground will come again.’ That was really inspiring.”

However, Shanthnu points out one major difference between the kind of pressure that actors and cricketers face. “Cricketers face enormous pressure because they are representing a nation. No matter who says what, they have to be responsible for an entire country.”

On the flip side, the pressure of having to be both the actor and the character at a point in time is something cricketers wouldn’t have to deal with, he adds. “That is, Shanthnu has to be both Shanthnu as well as the character he plays. So when I get into the skin of the character so deeply, I have to still be aware of what’s going on around me, the instructions being given, the changes in the ambience and so on, and I have to do that without disturbing the face of the character. That’s unique for sure.”

Shanthnu in a still from ‘Blue Star’
| Photo Credit:
Special Arrangement

Shanthnu on playing Rajesh and why Prithvi’s Sam is his favourite character in the film

In Blue Star, Shanthnu plays Rajesh, a young man who takes on Ashok’s character, Ranjith, on the playground. “From Ranjith’s point of view, Rajesh is negative, and vice-versa, but they are both good people in their own ways. The way Jayakumar had written the graph for Rajesh was truly impressive.” Shanthnu has no qualms in saying that though he likes Rajesh, his favourite character in Blue Star is the one played by Prithvi. “He plays Sam, Ranjith’s younger brother, and it is based on the character of Jayakumar himself; Ranjith is based on Jayakumar’s elder brother. This is a role that is going to work out well for Prithvi in his career,” says Shanthnu.

Prithvi Rajan in a still from ‘Blue Star’

Prithvi Rajan in a still from ‘Blue Star’
| Photo Credit:
Special Arrangement

“Sam is a nice guy who just speaks and does things out of impulse without thinking much. Also, whatever he does in the film, even though he does with serious intentions, would look a bit funny to the audience,” says Prithvi, adding that the siblinghood between Ranjith and Sam will surely become a talking point after the release. “They are the kind of brothers who wouldn’t express their love for each other outwardly but would never give up on each other.” In fact, Sam has a romantic track that would garner as much attention as that between Ashok and Keerthi’s characters, he says.

Training to play an unorthodox form of cricket

Though both Shanthnu and Prithvi are trained in professional cricket — both of them have displayed their skills in the many editions of Celebrity Cricket League — pulling off a cricket film like Blue Star was no cakewalk. Firstly, to look like young boys in their early 20s, the three male leads had to reduce almost 10 kgs in a short period. “Prithvi and I used to run from Nungambakkam to Guindy every morning, and on some days, even touch the 10-kilometre mark. We kept doing this for three months every day apart from maintaining our diet. Then came aspects like growing our hair, changing our look, adding a tan to our skin, and so on.”

Prithvi had to learn fast bowling. “I am a wicket-keeper batsman in real life, but Sam is a complete fast bowler who can slog with the bat if needed. In fact, we had to find a unique bowling action for Sam.” Apart from all this, the actors also socialised with young boys who continue to play this form of street cricket to observe how they go about it.

Ashok Selvan and Shanthnu in a still from ‘Blue Star’

Ashok Selvan and Shanthnu in a still from ‘Blue Star’
| Photo Credit:
Special Arrangement

Team spirit, on and off the camera

Shanthnu and Prithvi share a decades-long friendship, thanks to how close their families are. Shanthnu is the son of veteran actor-director K Bhagyaraj while Prithvi is the son of ace actor-filmmaker Pandiarajan, someone who started as an assistant director to Bhagyaraj. And Shanthnu is happy to see how Prithvi aced the role of Sam. “We have been brothers and family friends since childhood and I could always see the pain he has gone through to be known as his father’s son because the current generation of audiences is wary of star kids.” Blue Star is the third film in which both the actors share the screen, after Vaaimai and Kasada Thapara. “We have played a lot of cricket together and I am happy that cricket has once again brought us together,” says Prithvi.

Up next, Shanthnu is set to star in a web series alongside a big star. “That is produced by a well-renowned filmmaker and we are yet to announce the project. I completed shooting for a film with director Thiru, in which I star alongside Jai, Varalaxmi Sarathkumar and Vani Bhojan; it should be ready for release in April or May.” Meanwhile, Prithvi is playing a pivotal role in filmmaker Mysskin’s Train. “I want to become a dependable actor, someone who directors can confidently say would do things differently and stand out. I’m waiting to see where the reception for Blue Star takes me.”

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My hopes for 2024: What Chennai personalities look forward to in the New Year

Asal Kolaar, Rapper and musician

With every year, I strive to be better. This was a year that I could see some growth in myself. My visibility increased twofold. My recent songs in the latter half of the year, ‘Naa Ready’ from Leo and ‘Kotha Raja’ from King of Kotha wrapped up the year on a high. 

After my stint on Big Boss 2022, I had received a lot of brickbats on social media. It was difficult to handle but has also made me tougher. I started immersing myself in my work. It used to hurt me initially, but now I know how to handle it. This was my biggest takeaway from 2023. 

I always try to experiment with the lyrics or flow of my music and aspire to evolve constantly with my sound. I believe that this will reflect on some of the independent tracks that are slated for next year. Tamil independent music does not have an identity like say reggaeton, drill music or Afro beat. A lot of the independent music is now mixed with commercial cinema music. I want to try and bring a specific, identifiable sound to Tamil independent music. I hope to see a new wave in 2024 with many young independent artistes coming up. This music should be recognised globally. 

I do not usually make New Year resolutions but consistency is something that I will concentrate on in 2024. It will also be the year I produce my own videos and music and not associate with a label. Expectations for 2024? (Laughs) Nothing much, a lot of money should come my way, that is all.  

(As told to Gowri S)

Asal Kolaar
| Photo Credit:
special arrangement

Ashok Selvan, Actor

It has been a phenomenal year.. a year which I will not forget. I got married to the love of my life and Por Thozhil (2023) gave me the hope to pursue my dreams relentlessly. After its release, a producer came up to me and asked how I chose to play this character (DSP K Prakash) as he is not a typical hero in the film. It was a bet which paid off. This was my first ₹50 crore film and it has given me the confidence to play the characters I like. There is no need to play it safe.

There was a persistent duality with respect to fame earlier. I never sought it when I was young. A part of me wondered if I should silently leave everything (in cinema) while another part wanted me to rule the world. A saint however told me that my soul must experience fame even though I never asked him the question. This has given me some clarity too. Next year, I want to be more adventurous with my film choices.

Aside from my career, Keerthi (Pandian) and I are living under the same roof now. We are both trying to fit into one world and understand each others’ personal space. I just had my film’s release (Saba Nayagan) last week and found myself washing vessels. (Laughs) I am enjoying this phase too. Our schedules are haywire and we are both running around. To find time, we have started the practice of keeping our cell phones out of the bedroom. We have an emergency number which is only known to our parents. This has also helped.

I will be in Yercaud during New Year’s. I am shooting there and she (Keerthi) will be joining me.

(As told to Sanjana Ganesh)

Ashok Selvan

Ashok Selvan
| Photo Credit:
special arrangement

Aryamba Sriram, Dancer

Personally, 2023 was a huge milestone year for me since I got engaged to be married. Artistically, the year has been enriching. Working with my teachers and the Spanda Dance Company (in Chennai) has been a huge eye opener because I have begun to find my voice, what kind of an artiste I want to be, and what it is that gives me solace in taking up this art. This year’s takeaway would be finding joy in the discipline of practice and preparation for performances.

The December seasonthis year seems to be extremely rewarding, for all the work we have been doing over the past year. The journey towards these programmes and performances during the season is what is interesting. The year 2023 has been all about preparing, and this has taken the focus.

A lot of inspiration has kicked in this year, that I am hoping to take into 2024. I just got back from the Serendipity Arts Festival (in Goa), and the kind of work I saw people putting in has been extremely inspiring. I am looking forward to creating work that means something to me, that is honest and reflects my voice. I am keen to see what unfolds for me in 2024.

(As told to S Poorvaja)

Aryamba Sriram

Aryamba Sriram

Ezhilan Naganathan, MLA, Thousand Lights Assembly Constituency

Every year, there are new challenges and newer dimensions opening up. It is all about our attitude towards these challenges. I hope that 2024 is disaster-free and that the community at large remains unaffected.The efforts taken for flood mitigation this year were a challenge and a learning experience. Being a coastal city, Chennai bears the brunt of climate change. This new year, people should address climate change, at the policy level as well as at the community level throughorientation and awareness. We should have an environmental, eco-friendly approach in every aspect of life, and need to leave behind a reasonable place to live for our future generations. I believe we shouldtake this message forward.

When the 2021 floods occured, Thousand Lights, a low-lying area, was affected and we had water inundation in 46 places. Apart from the flood mitigation work, we had to set up a coordination team between various departments in the constituency. This year, through a planned, synchronised approach, we were able to restore the area during the floods. When you have a structural approach one can find a way forward in addressing these kinds of disasters. The lessons learnt in 2023, will definitely be carried over to 2024. I am part of the State Planning Commission as well, and we are looking at synchronised efforts in disaster management.

MLA Ezhilan Naganathan surveys his assembly constituency during cyclone Michaung

MLA Ezhilan Naganathan surveys his assembly constituency during cyclone Michaung

 The lessons learnt in 2023, will definitely be carried over to 2024. I am a part of the State Planning Commission as well, and we are looking at synchronised efforts in disaster management.

(As told to S Poorvaja)

R Vaishali, Chess Grandmaster

My 2023 can be divided into two halves; one abysmal and the other euphoric. Though I had lots of opportunities in tournaments in the first few months of the year, things were not going my way.

In the second half of the year, the tide turned. I started faring well in a few tournaments. This December has been a special month for me. It started off with me getting the GM (Grandmaster Title), something that I have dreamt of since I was a child. Subsequently, I was also selected for the Arjuna Award, something that gave me great joy.

All this is happening while my brother, Praggnanandhaa, is scaling newer heights in chess. Having witnessed his hardwork from close quarters, I am very proud of him. However, the spotlight has been entirely on him in the last few years and I am afraid that I did not handle that well. I have overcome that feeling now, and am now in a much better frame of mind. I keep telling myself that he (Praggnananda) is a chess prodigy and that our paths with respect to the sport are different.

R Vaishali

R Vaishali
| Photo Credit:
DEBASISH BHADURI

I hope 2024 turns out well for me. The start indeed looks good. In January, even as I receive my Arjuna Award, my chess coach, RB Ramesh, will bag the prestigious Dronacharya Award, something that he richly deserves. With lots of exciting tournaments to look forward to, I expect a fully-packed year of playing chess. When I am not engaged with the game, I look forward to playing some friendly games of table tennis and shuttle with my brother and brushing up my human resources lessons for my masters degree.

(As told to Srinivasa Ramanujam)

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