Spider-Man 2 Preview: Insomniac’s Sequel Aims to Swing to New Heights

It’s perhaps difficult to grasp — especially for younger fans — how vibrant the legacy of Spider-Man, the world’s favourite web-crawler, is in video games. Over the years, we’ve come to know Spider-Man from his many incarnations in animated TV shows, films, and comic books. Sam Raimi’s take on the character propelled it to new heights of popularity. More recently, Spider-Man films in the Marvel Cinematic Universe and Sony Pictures’ Miles Morales animated features have established their own identity. But the web-swinging, quippy superhero has a long and illustrious history in video games, too. Before Rocksteady’s Arkham games rewrote the superhero games playbook, an iconic lineup of Spider-Man games from Activision were some of the best that the genre had to offer.

The Spider-Man mantle now resides with Insomniac Games, a studio that has proven its merit with beloved PlayStation icons like Spyro the Dragon and Ratchet & Clank. Its two Spider-Man games — 2018’s Marvel’s Spider-Man and 2020’s Spider-Man: Miles Morales — reworked and refined elements from previous Spider-Man titles to deliver highly polished Spider-Man stories that were a blast to play through. The seamless web-swinging mechanics, flowy combat, and the vast New York City playground made the two games a worthy and rewarding return for the friendly neighbourhood superhero in video games. Now, Insomniac is getting ready to bring Marvel’s Spider-Man 2 on PlayStation 5, promising everything that was good in the preceding games and a lot more that’s supposed to surpass what came before.

For starters, this time, it’s Spider-Men. Spider-Man 2 lets you play as both Peter Parker and Miles Morales, charting their interweaving personal journeys as they take on new threats together. The world is bigger, too, with an expanded New York City, almost double the size of the map we saw in the previous two games. There are new additions to combat and traversal, bringing fresh and distinct ideas that try and push this sequel beyond what we’ve come to expect from an Insomniac Spider-Man game. Of course, there are technical advancements that elevate the experience — this is the first Spider-Man game that is releasing only on the PS5, taking full advantage of Sony’s current-gen console. All of these come together to tell a complex and personal Spider-Man story, building upon the narratives we saw in Spider-Man and Spider-Man: Miles Morales.

Insomniac Games’ Mike Fitzgerald on Spider-Man 2, Collaborating With Marvel, and the Studio’s Ambitions

Marvel’s Spider-Man 2, set to release October 20, comes with a burden of expectations. It’s perhaps PlayStation’s biggest exclusive title of 2023 and it has to live up to the standards set by its acclaimed predecessors. Last week, we got a chance to play a sizable early section of the game in a hands-on preview that included some heavy-hitting narrative moments, bombastic action set-pieces, and plenty of free-roaming exploration in the game’s new map. The demo allowed me to play as both Peter and Miles, inhabiting both heroes on their separate quests and experiencing their personal relationships, while also indulging in a ton of fun distractions on the side.

Some caveats first: The demo I played was based on a build created six weeks ago (roughly mid to late July, 2023) for the hands-on preview, as senior creative director Bryan Intihar informed us. So, there could be small changes in the final build. And I played the game in ‘quality mode,’ with 4K output, ray tracing and HDR enabled, at 30fps. As I mentioned before, the demo focussed on an early section, about two hours into the main story.

At PlayStation’s preview event in London, after a brief note from Intihar, I spent over two hours in Spider-Man 2, trying bits and pieces of all that the demo had to offer. From what I got to play, it is clear that Insomniac’s latest represents a considerable step up from previous games in the series. This holds true not just on a technical aspect — the game makes demonstrable visual leaps, bringing a ridiculous amount of detail to its environments, and improving facial animations for characters — but also in the way the game choses to tell its story. There are distinct flavours to playing as both Peter and Miles and the game carefully chooses to drop you in the shoes of one or the other in the middle of story moments.

The two friendly neighbourhood Spider-Men
Photo Credit: Insomniac Games/ Sony/ Marvel

In addition to the two Spider-Men, each side character — at least in the small cross section of the game I got to play — feels fleshed out, with special attention given to the villains of the story. And New York is brimming with impossible detail, somehow adding meaningfully to the already stellar rendition of the city in Spider-Man and Miles Morales. Navigating the city has improved, too, with the addition of new Web Wings which let you glide around skyscrapers like a kite. The already excellent web-swinging is here, of course, but feels ever so slightly refined than its previous iterations. The combat, while retaining its DNA from the two previous games, adds new symbiote abilities to Peter’s repertoire, while Miles gets explosive new bio-electric powers. Both bring new special skills and abilities that can be mapped to a wheel on the HUD and used in tandem with regular combos.

Visually, Spider-Man 2 represents Insomniac at the peak of their powers. While both previous Spider-Man games were stunning themselves, and 2021’s Ratchet & Clank: Rift Apart upped the ante on a technical level, Insomniac’s third Spider-Man title — based on the demo I played — further takes things up a notch. The improved lighting lends almost a life-like warmth to everything in the game. Facial animations and character models are much more naturalistic and emotive. And Spider-Man 2’s New York City is one of the most impressive open-world playgrounds I’ve experienced in a long time. There’s minute and obsessive detail dripping from every grimy street corner and every shiny skyscraper. You can see airplanes and helicopters flying about in the sky, their engines and rotors echoing through the New York skyline. The ambient sounds of traffic, the distant siren of police cars, the noticeable lull of Central Park make the city come alive. What Insomniac has accomplished here is nothing short of immersive virtual tourism.

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Miles and the New York skyline
Photo Credit: Insomniac Games/ Sony/ Marvel

The demo began with a cutscene — a brooding encounter between Spider-Man (Peter) and Kraven the Hunter, one of the game’s primary antagonists. By this point, Peter has already found his symbiote abilities and is wearing the black symbiote suit. After a bit of fiddling around and playing with the new Web Wings to glide around the city, I proceeded to a main story mission that involved Harry Osbourne, Peter’s best friend. The mission offered the first detailed glimpse of symbiote Spider-Man combat, letting us take on Kraven’s hunters.

Symbiote abilities are mapped to a wheel on the bottom-left side of the HUD, accessed by pressing L1 (on the Dualsense controller), while your gadgets are mapped to R1 on the right-sided wheel. The regular fighting controls for combos and moves are borrowed over from the previous Spider-Man games, so it doesn’t take long to get in the groove. The new symbiote abilities work intuitively together with Peter’s regular move-sets, and even when things get chaotic on the screen, you never lose sight of the action. Peter also gets an overpowered mode, called Symbiote Surge, where — with the press of L3 and R3 together — each attack acts like a devastative finisher, taking care of foes in a single hit.

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Spider-Man’s new symbiote abilities land with a heavy punch
Photo Credit: Insomniac Games/ Sony/ Marvel

The demo then switched to Miles’ perspective, which begins with a detailed showcase of the new Web Wings during a drone chase sequence. In addition to the web shooters that lets both Spider-Man web-swing across the high-rises of New York, Spider-Man 2 adds glider-like Web Wings to the Spidey suits in the game. This lets you take to the skies and almost fly around like a bird, gliding long distances in quick time. This new mechanic feels familiar — we’ve seen similar iterations of the same in Arkham games, with Batman’s cape acting as a glider, and Far Cry titles, where players can explore the map using a hand glider.

What’s different here, though, is the synergy between gliding and web-swinging. The two ways to traverse work together like Siamese twins and you naturally understand when to swing and find momentum and then quickly switch — with the press of the triangle button — to your wings and start gliding. While gliding around skyscrapers, you can use the left stick to change directions and tilt, and when you run out of airspace, you can seamlessly go back to swinging around tight corners. The Web Wings especially come in handy when you’re navigating large flat areas like water bodies, Central Park, and residential neighbourhoods, where you don’t have an abundance of tall buildings to facilitate web-swinging.

The environments in Spider-Man 2 are designed to encourage gliding, too. There are channels of wind flowing between the city’s tall buildings, marked by glowing rings laid across their paths. Gliding inside these wind tunnels gives Spider-Man a considerable boost, allowing him to zoom through multiple city blocks in a blink. Many of the city’s low-lying buildings also feature updrafts that push Spider-Man up in the air to help him gain altitude for gliding. I also got a taste for Miles’ combat abilities. Subsequent encounters showcased his newly acquired bio-electric powers, also mapped to the L1 wheel on the left side of the HUD. These are far more devastating than any special moves we saw in Miles Morales. I also got to experience stealth gameplay with Miles, on the trail of Lizard (Dr. Curt Connors) inside a dingy warehouse. The new ability to quickly lay across a web line between gaps (another Arkham inspiration) works like a charm, allowing you to stalk your prey from above.

Spider-Man 2 Gameplay Details Open-World Experience With Fast Travel, Teases Over 65 Suits

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Miles takes to the skies with Web Wings
Photo Credit: Insomniac Games/ Sony/ Marvel

After the story mission with Miles, I indulged in some wayward exploration and checked out a portion of the new areas of the map — Brooklyn and Queens. These residential boroughs establish a distinct identity from the rest of the Manhattan skyline and feature landmark locations like Peter’s high school and Miles’ Brooklyn Visions Academy. When not involved in a story mission, you can swipe left on the Dualsense touchpad to bring up the Friendly Neighbourhood Spider-Man app and press and hold the square button to switch between Peter or Miles. This happens at a lightening-speed — a quick fadeaway and you’re back in the shoes of the other Spider-Man in a different location halfway across the map.

The demo’s final section funnelled me into an epic boss fight with Lizard as Peter tries to reason with Dr. Connors and deliver him an antidote for his worsening condition. The boss fight, which perhaps was the highlight of the preview, took place deep inside the sewers and was very much in line with the big battles we saw in the two games that came before (Spider-Man and Miles Morales). Here, I got a chance to utilise Peter’s newfound symbiote skills and the immediate interactive environment to overpower Lizard. As we’ve come to expect from Insomniac, the encounter was thrillingly cinematic, while rarely taking away control from the player. It’s moments like these that landed so well in the first Spider-Man, and the sequel seems to have doubled down on the same. The boss fight is followed by a long-winding chase through the city, with Spider-Man on Lizard’s tail and Kraven’s minions joining the hunt as well. The demo ends at a key cliffhanger moment, when Kraven himself shows up to spoil the party.

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Lizard’s story gets special attention in Spider-Man 2
Photo Credit: Insomniac Games/ Sony/ Marvel

The preview provided an extended look at Lizard, but it understandably kept details on Kraven and especially Venom tightly under wraps. While the former did show up at a couple instances, Venom was completely absent from the preview, adding to the intrigue surrounding the character in the game. Insomniac have promised their own take on the iconic villain and much of Spider-Man 2’s narrative success will depend on how well they’re able to pull it off. One thing is clear: Insomniac have treated the antagonists of Spider-Man 2 and the people in Peter and Miles’ orbits with similar care as the game’s heroes. Mike Fitzgerald, the studio’s core tech director, reiterated as much in my chat with him after the hands-on preview. Pete and Miles’ personal stories are informed and altered by those around them, be it their friends — Harry, Hailey, Ganke, and MJ, or their nemeses — Martin Li, Lizard, Kraven, and Venom. Every great superhero needs an equal supervillain, after all.

From the nearly three hours I got to spend in Spider-Man 2, it is looking like an improvement on its predecessors in every department. Insomniac Games seem to have taken everything they did right in their first two Marvel games, added fresh ingredients to further build upon that solid basement, and delivered yet another Spider-Man experience that cares about the men behind the mask. Throughout their work on the beloved web-crawler, their commitment to crafting authentic Spider-Man tales stands out. This preview demo of Spider-Man 2 puts that same commitment front and centre. During our conversation, Fitzgerald said that the demo was just a small part of the game, and that the rest of it carries on at the same thrilling pace, too. “It’s not like we picked the good chunk,” he said. If he’s right, Spider-Man 2 could comfortably sit on top of the long and iconic list of its peers.

Disclosure: Sony sponsored the correspondent’s flights and accommodation for the preview event in London, UK.


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Review: Sony’s ‘Across the Spider-Verse’ Reinvents Visual Storytelling | FirstShowing.net

Review: Sony’s ‘Across the Spider-Verse’ Reinvents Visual Storytelling

by Alex Billington
June 7, 2023

“Everyone keeps telling me how my story is supposed to go. Nah. I’m-a do my own thing.” Yes, Miles, you tell them. This line is the key to Miles entire story – be you, stay true to you, don’t let anyone tell you how to be, break the rules, define your own life your way. So let’s get into this… In all honesty, what more can I say about Spider-Man: Across the Spider-Verse that hasn’t already been said in 1000s of other glowing reviews of this animated masterpiece? (Read this one by our writer.) I only wish to chime in and state, for the record, that yes indeed I also think it’s a brilliant, spectacular, mind-blowing film. Is it better than the first Into the Spider-Verse – which I also consider a masterpiece? I’m not sure I can say that yet, it’s hard to compare them at this moment, much like it’s hard to compare the original Star Wars trilogy. I love all three of those movies, and some days I’m in A New Hope mood, other days I’m in an Empire mood, sometimes I’m in an Ewok mood, etc. For now, I’ll say they’re on par with each other and I don’t even mind calling both of them masterpieces. And the trilogy ain’t even finished yet – there’s still Beyond the Spider-Verse up next.

Spoilers from here on out! It’s also hard to write about something a story that is only half finished. I tried to start putting together my thoughts on Across the Spider-Verse, then waited to see it a second time on opening weekend before really thinking about what I want to say. Much like Dune, I can rave about how incredible the movie is, but I’m still anxiously awaiting the grand finale. And how it all comes together will likely affect my feelings about the first movie, because it is one giant, over-arching story spread across two epic movies. The same goes for Across the Spider-Verse, which ends on a cliffhanger and lots of unanswered questions. Yes, the characters in this movie do get an arc anyway, progressing through a good chunk of story, but they’re also pushed right to the brink of making a massive decision. Gwen has to decide who she is loyal to, Miles abandons Miguel and his mission and heads home, Miguel decides to go after him anyway, Peter B. Parker looks like he is also about to jump ship and join Miles. All the while, the story with Miles’ new nemesis The Spot is also unresolved, including the huge space / time rift still devouring Mumbattan. This is common with superhero movies (Avengers: Infinity War / Endgame) but we’re still in the middle.

One thing I can rave about now is how Across the Spider-Verse, thanks to the remarkably talented teams of animators / artists at Sony Pictures Imageworks and Sony Pictures Animation that made these movies, completely reinvents visual storytelling. It’s the epitome of cinema as a visual medium, an eye-popping blend of comic book fundamentals, animation (all styles / techniques / formats), and modern storytelling concepts. As always with cinema, story is key – and the filmmakers know this and care deeply. They’ve also outdone themselves in creating one of the most mesmerizing and psychedelic works of art in cinema. Sure, it can be overwhelming to behold at times, and there are scenes where so much is changing and so many colors are flashing by that it will make some people go catatonic. It really is a hallucinogenic experience, but these artists at Sony know exactly what they are doing. Every single frame is perfect because the look and style connects directly to the characters, the themes, and where the story is at in that moment. There are beautiful, conventional shots like the wind lightly flapping the sheets above Alchemax. And on the flip side, there’s the psychedelic colors splashing across Miles’ worried face just as he’s about to be sent to Earth-42.

What I’m waiting for them to do next is to integrate a live-action character into the animated world, as part of the multiverse concept. It’s the inevitable next step to pushing the multiverse concept and animation even further. My guess is this is what Donald Glover’s Prowler is setup for – he might even get involved in some fight in Beyond the Spider-Verse. Or not, who knows. Only time will tell. Interestingly, James Cameron’s Avatar 2: The Way of Water already pulled this off perfectly integrating Jack Champion’s human Spider character into the fully CGI scenes with all the Na’vi on Pandora. Perhaps they’ll bring back one of the other Spider-Men, as they did in No Way Home, to get involved in helping Miles. Both Into the Spider-Verse and Across the Spider-Verse are both groundbreaking animated movies. The first one already evolved animation forever (see this video) and this one should also inspire animators around the world to rethink how they tell their stories and what’s possible with animation. There’s artistry in every aspect, from the color choices to the backgrounds to the character designs to the framing and composition, and everything else on screen. I keep wanting to go back & watch it again just to get lost in and immersed by all this mind-blowing footage.

Spider-Man: Across the Spider-Verse Review

By the time the opening logos come up in Across the Spider-Verse, the movie expects that everyone knows everything about Spider-Man already. His/her origin story, how the character works, the important parts of his/her life (family member dies, love interest, etc), the goofiness, the web shooters, the way “Spider-Sense” works. This movie doesn’t need to introduce or explain any of that, it’s entirely about “this is who and what Spider-Man is, folks.” The plot is actually what breaks away from this familiar concept, with Miles making rebellious choices to go against what is expected and what he “should” be doing as Spider-Man. This is what causes all the multiverse chaos and rifts and problems that catch up with all of them. This is his lesson to learn, of course, but I also think it’s extremely bold of this movie to say – hey you know what, yes it causes problems, but it’s not the end of the world (hopefully) that you break the rules every once in a while. I love that they continue to break from what is expected in animation (and visual storytelling) by using the story to show what is possible. It’s brilliant because both movies are a metaphors for the animation / entertainment industry, beyond only superheroes, saying that we should be unique, we should strive to be one-of-a-kind.

The thesis for this sequel seems to be – what if we break the rules, what will really happen? What if we break from Canon, can someone pull it off? It deals with the superhero identity theme it a clever way, using the multiverse concept to explore the accepted idea that all Spider-Men/Women are pretty much the same, and must follow the same paths to be who they are – heroes in their own universe. Ultimately, it’s commenting on how it’s possible to break from the superhero mold, from the animation mold, and from the Hollywood structures in place to make something radical and distinct again. It’s also another big learning experience film, once again similar to Avatar 2, perfectly allowing characters to grow and figure out what the right way forward is. And oh yes I need to mention Hobie! Spider-Punk is such an important character, and he kicks ass, becoming the real teacher for Miles in this one. Crash the system, rock out and take on everyone. Be punk. Don’t fall in line because the authority tells you to, you’ve gotta stay true to who you are and always go forward with the right open-mind. Yes, he says some funny stuff and contradicts himself (even Miles quips about this) but at the same time it seems his punk attitude has a major impact on Miles’ decision-making.

I also can’t talk about Across the Spider-Verse without mentioning that in addition to being another perfect Miles Morales movie, it’s a perfect Spider-Gwen movie, too. The voice performances by both Shameik Moore (as Miles) and Hailee Steinfeld (as Gwen) are stupendous. But it’s more about her story and how her character deals with her dilemma. It’s incredibly realistic and authentic, with Gwen’s responses to all these situations being accurate to the experiences of many people in the real world… It’s also a powerfully emotional look at the turmoil that can develop between family members. It’s riveting and refreshing to see the movie open with her storyline, spending the first ~30 minutes on Gwen. I can still feel the heaviness of her sadness trying to be open and admit the truth about her identity to her father, while he can’t accept it (at first) and she screams at him “are you really that afraid of me?!” This is a line that most other movies would be afraid to put in, but it is vitally important in Across the Spider-Verse. It’s a potent expression of anger and frustration, cutting right to the core of the fact that it’s this fear of someone else not being who you want them to be that often causes a rift between people. This is what happens between Miles and Miguel later on.

Where will it go next? How will they wrap up all these storylines they’ve only started to explore? What will they do with all these different Spidey characters? The first movie is all about: anyone can wear the mask, anyone can be a hero. This second movie is all about: who are you really, if you are just the same as every other hero? What defines you, what makes your story different? And most importantly – can you try to do what you believe is right even if everyone else says it won’t work? Strangely enough, Across the Spider-Verse doesn’t answer this question before the cliffhanger ending. How will they stop The Spot? Will they get the multiverse rifts under control, and how? Will Miguel eventually let Miles get away with breaking the Canon of Spider-Man and will it actually destroy the whole multiverse like he claims? I had chills watching this like I remember with the two Matrix sequels (yes, regardless of opinions on each of these not being as good as they could’ve been) – that excitement of waiting for what comes next after the curious ending of Reloaded is exactly how I feel now. I cannot wait for Beyond to land in theaters. I cannot wait to see how the the team of filmmakers / animators / artists pushes themselves again for the finale. I hope they break even more rules.

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