Malayalam cinema: Marketing teams go for innovative ideas, rope in influencers to promote films

Shane Nigam wonders if he could have Rashmika Mandanna as his co-star. While film directors Aby Treesa Paul and Anto Jose Periera, and producer Sandra Thomas hem and haw, Anagha LK walks in and, without batting an eyelid, Shane says he feels she would be the best. The same goes for another role in which he feels he would look right with a smattering of grey. The minute Baburaj walks in with a funny line, Shane agrees that only he would do for the character. And to cap it all, the dancer steps in with a shake and a twist… This is not a scene from the movie Little Hearts but a promotional reel for the film releasing today (January 26).  

A few months ago, it was the makers of Falimy who came out with a reel that caught eyeballs and pulled youngsters into theatres for the Basil Joseph-starrer directed by debutant Nithish Sahadev.

Movie promotions have reached new heights with many producers going all out with innovative methods to market the movie.

Children wearing masks resembling Mohanlal’s character in Malaikottai Vaaliban
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A comic book featuring Mohanlal as the lead character of Lijo Jose Pelliserry’s Malaikottai Vaaliban went viral. The books come with a mask of the Vaaliban. T-shirts and ‘strong man’ challenges were included in the promotions for the movie that reached cinemas on January 25.

The announcement of the title of a film has been turned into a big event with ‘first look poster’, trailers teasers, character sketches and promos released by super stars making it to the news. Then there are audio releases of the music, videos of the songs in the film, reactions of the audience after the premiere… It is a different ball game altogether from the days of mega cut outs and posters that announced the release of new films.

Synergy at play

Five years ago, when Sangeetha Janachandran started her agency, Stories Social Marketing and communication, she had to persuade directors and producers to credit her as such and not as public relations officer (PRO). “That is not the case now with production houses working with us to come up with interesting ideas to promote the film. There has been a 360 degree change,” she says.

Unmasking The Star from Mollywood to Kollywood, a promotional video for Shane’s Tamil debut, Madraskaaran, has got 1,77,337 views since it was released on January 19. It has Shane reeling off dialogues from Tamil blockbusters.

Sangeetha says it was an entertaining way to introduce him to a new audience. Depending on the content of the film and the budget, she reaches out to influencers to create eye-catching content that grab attention. She checks their demographics, follower base and the regions they are active in before collaborating with them. Sangeetha believes influencers know the local pulse better than anyone else.

Tovino Thomas in a still from the promotional video of Ajayante Randam Moshanam

Tovino Thomas in a still from the promotional video of Ajayante Randam Moshanam
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“With many big-budget films being released in multiple Indian languages on the same day, marketing the movie has become a necessity. For instance, Tovino Thomas’ Ajayante Randaam Moshanam (ARM), being released in five languages, required us to reach out to influencers in all five languages to create content to promote the movie,” says Vaisakh C Vadakaveedu who handles public relations and marketing with his partner Jinu Anilkumar.

Trending reels

They were the ones behind the catchy promotions of 2018, Jaya Jaya Jaya Jaya Hey, Ozler, Falimy, Neymar, and so on. Nithish says Falimy’s  good opening was thanks to the five reels that were used for the promotions.

Falimy centres on a family and a journey. The makers were apprehensive that the usual content might give it the feel of a family drama. So Vaisakh worked with influencers to come up with subjects and scripts. “We gave them inputs but they shot the reels. We also conducted a contest inviting people to share their experience of traveling with the family,” he adds.

Basil Joseph and Darshana Rajendran in a promotional reel conceptualised by Basil to promote Jaya Jaya Jaya Jaya Hey

Basil Joseph and Darshana Rajendran in a promotional reel conceptualised by Basil to promote Jaya Jaya Jaya Jaya Hey
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Some actors are game to participate in the fun promos. In fact, it was Basil who came up with the viral dance video with Darshana Rajendran to promote Jaya…Hey. He had also conceptualised and shot a captivating song featuring animals and children for the promotion of his film Palthu Janwar (2022).

Remember Anjali Menon’s Wonder Women that premiered on SonyLiv? “Positive pregnancy test results were shared by the cast such as Parvathy Thiruvothu, Nithya Menen, Sayonara and the others on their social media handles. It created such a buzz and went beyond the digital media audience,” she points out.

Flashback in tinsel town

“We were assigned to take photographs on the sets and these would be provided to print magazines and dailies. Then there were single-page materials, called notice in the trade, with the names of the stars, directors, singers etc, and printed booklets with the lyrics of the songs that were for sale. All that has vanished,” says still photographer R Gopalakrishnan. While the notices were scattered from vehicles fitted with a loudspeaker to announce the release of a movie, in rural areas posters were carried on bullock carts, and drums were played to create excitement for the movie. 

Still from Padmarajan’s Aparan in which Jayaram made his debut as an actor.  (from left) Padmarajan, Madhu and Jayaram 

Still from Padmarajan’s Aparan in which Jayaram made his debut as an actor.  (from left) Padmarajan, Madhu and Jayaram 
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R GOPALAKRISHNAN

Cut to the eighties. Still photographer Gopalakrishnan who began working in 1979 recalls a time when still photographs and posters were the only material used to promote movies. In fact, the author-photographer wonders why, at present, even still photographs of the action on the sets are not given for publicity prior to the release.

Still from Priyadarsan’s Kadathanadan Ambadi (1990) featuring Mohanlal and Prem Nazir

Still from Priyadarsan’s Kadathanadan Ambadi (1990) featuring Mohanlal and Prem Nazir
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R GOPALAKRISHNAN

True to the trend now, when it came to his son, actor-director Vishnu Raghav’s film Vaashi, the still photographs of the film were not widely circulated until the movie reached theatres.

Vishnu explains that in the past, only the snaps were available as publicity material. At present, almost all the stars are active on social media, there is no mysterious aura about them. Their lives are out there on various platforms. “To create a bit of excitement and curiosity about the characters in Vaashi, we did not share photographs of Keerthy (Suresh) and Tovino as lawyers till the movie was ready to release,” says Vishnu.

Tovino Thomas and Keerthy Suresh in Vaashi, directed by Vishnu G Raghav

Tovino Thomas and Keerthy Suresh in Vaashi, directed by Vishnu G Raghav
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SPECIAL ARRANGEMENT

 To make the film a talking point, the makers organised a discussion on the film at Government Law college, Ernakulam, as the leads played by Tovino and Keerthy were lawyers.

In the case of Jude Anthany Joseph’s 2018: Everyone Is A Hero, the marketing team released carefully selected footage of the flood in 2018 to help viewers connect with the film. “It was tricky. We did not want them to think that it was a documentary!” recalls Vaisakh.

For the upcoming ARM and Manjummel Boys, the marketing blitz has just started. The teaser was launched by Hrithik Roshan while Rakshit Shetty released it in Kannada. Then a glittering function was held at Lulu, Kochi to launch the 3-D teaser of ARM.

“Each film requires customised marketing to reach target audiences. And producers have realised the importance of marketing their films to reach target audiences. Once viewers are convinced that it is a visual and audio experience, they will frequent cinemas. Otherwise, they might enjoy it on OTT. So, many a time, we work closely with the production and creative teams,” says Sangeetha.

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Adarsh Sukumaran and Paulson Skaria talk about scripting ‘Kaathal – The Core’

The crowd favourite of International Film Festival of Kerala (IFFK) 2022 was Lijo Jose Pellissery’s Mammootty-starrer Nanpakal Nerathu Mayakkam. Among the delegates who thronged the theatres to watch the movie was Adarsh Sukumaran and Paulson Skaria.

Little did the scriptwriter duo know that their movie, Kaathal-The Core, the Mammootty-Jyothika starrer directed by Jeo Baby, would be welcomed the same way at the next edition of the IFFK. “We had come to IFFK last year after the shoot of Kaathal…. Seeing the crowd for Nanpakal… we wondered if we would be able to bring Kaathal… to the next IFFK. It was a wonderful moment when that dream was fulfilled this year and all shows were jam-packed,” says Adarsh.

Paulson adds, “We didn’t expect the film to be welcomed so warmly especially since it is still running in cinemas. We knew that the film would be discussed but not to this extent. Even Jeo chettan (Jeo Baby) did not expect this response.”

Paulson Skaria (left) and Adarsh Sukumaran
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Kaathal… is the story of Mathew Devassy (Mammootty), a retired bank manager, who is all set to contest a local panchayat election when his wife of 20 years, Omana (Jyothika), files for divorce stating that her husband is in a relationship with a man, Thankan (Sudhi Kozhikode), who runs a driving school. Mathew, father to a teenager, is in denial but manages to come out towards the end.

Adarsh, 29, and Paulson, 27, debuted as scenarists with the surprise hit of the year, Neymar, a breezy story of an indie dog. Adarsh is also the co-writer of the blockbuster of the year,RDX, with Shabas Rasheed. In a chat with MetroPlus, the duo talks about finding their way in Malayalam cinema, the success of Kaathal… and more.

The duo says that it was their love for cinema that brought them together. “We have been friends for over 10 years now. Although we didn’t study together (Paulson is an engineer, while Adarsh is a post graduate in television journalism) our colleges were on the same campus (Mar Athanious College, Kothamangalam). Our common friend Devadath Shaji (co-writer of Bheeshma Parvam) used to make short films and we used to work in it. That’s how we met,” says Paulson.

They used to write stories and often shared them with each other. “After a point, when it became a question of surviving in the industry, we decided to write together. Kaathal… was our first joint script,” he adds.

Their original plan was to write the story about two thugs and their friendship. “We remembered this scene in Vettayadu Vilayaadu in which Kamal Hassan’s character asks two villains if they were homosexuals! It so happened that while preparing for my civil service exams I came across several articles on revocation of Section 377 of the Indian Penal Code (law that criminalises same-sex relations). Eventually, we decided to write the story of a family,” says Paulson.

They did not approach Jeo Baby initially because he usually direct his own scripts. But no one else was ready to take up the project. “We decided to give it a try with Jeo chettan as advised by a friend. We met him in October 2021. He took us on board, reworked the script with us. It his suggestion to have Mammookka [Mammootty]. It was Mammookka’s idea to cast Jyothika ma’am as Omana. Thus everything fell in place,” Adarsh says.

The writers say they learnt more about the subject as they wrote. “We read books, met people from the community, and that opened a whole new world to us,” Paulson says. Adarsh adds: ”We followed debates and discussions about the topic. We also consulted legal experts, especially with regard to points regarding the subject. We had heard about a similar court case while writing the script but couldn’t get the details.”

The duo admits that working with Jeo has been a learning experience because his perspectives influenced them as he knew more about the subject and how to handle it. “That helped us to break our conditioning about the subject. Now when the silences in the film are getting celebrated, the credit should go to the director. Our script had more conversations,” Paulson points out. They also appreciate the fact that Jeo involved them in every aspect of the movie, including designing the poster and title.

Discussions aplenty

The film has left the field wide open for discussions about homosexuality and the writers are excited about it. “We were overwhelmed by some of the comments and observations posted on social media handles. Many real-life stories are now in the open because of this film. We are happy that the film has worked with families as well, although we didn’t make any deliberate attempts to bring the family audience to the theatres,” Paulson comments. They are also pleased with the fact their families have loved the movie.

The film is another proof for how Mammootty is reinventing himself as an actor, they say. “We feel that he is some 10 years ahead of us, which probably comes from his experience, his reading and his interaction with others. He came up with several important suggestions that elevated some of the scenes,” Adarsh observes. Paulson adds, “He has put in subtle nuances in his scenes, which most of us in the crew noticed when we rewatched the movie.”

(From left) Adarsh Sukumaran, Paulson Skaria, Jeo Baby and Mammootty on the set of Kaathal - The Core

(From left) Adarsh Sukumaran, Paulson Skaria, Jeo Baby and Mammootty on the set of Kaathal – The Core
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While Paulson picks Mathew’s interaction with his daughter in college as his favourite scene, Adarsh chooses the multi-shot sequence showing Mathew’s emotional interaction with his father, Omana’s reaction from the other room and her scene with Mathew that follows.

Hits in their kitty

Their first project to release was Neymar directed by Sudhi Madisson. “The project came to us through our friend, Justin Mathew (co-writer of Minnal Murali). We didn’t have to struggle much as there was already a director and production house. We had to crack the script by breaking the cliches on the subject of human-animal bond,” Paulson says.

The hit parade continued for Adarsh with RDX, the action-packed family drama. “Nahas (Nahas Hidayath, director of RDX), approached me with a real-life story and we (he and co-writer Shabas) had to come up with a script around that,” he says.

Facing the camera

Kaathal… is Adarsh’s 12th film as an actor and marked Paulson’s debut before the camera. Adarsh played a politician, while Paulson was cast as the pragmatic priest, Fr Jomon. “I debuted in Amal Neerad’s Varathan and am now acting with Mammookka in Turbo. I enjoy that. I have been a mimicry artiste as well and have done shows on Malayalam channels,” Adarsh says. “I felt that it is fairly easy to act if you are the writer as well!” Paulson says.

Paulson is already writing a project for Basil Joseph, while Adarsh has completed a script with another friend, Able Baby.

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