Homeownership isn’t for everyone, money coach says: Don’t fall for artificial ‘pressure to buy’

Jannese Torres is the founder of the blog Delish D’Lites and the podcast “Yo Quiero Dinero.”

Photo Jannese Torres

In her upcoming book, “Financially Lit!: The Modern Latina’s Guide to Level Up Your Dinero & Become Financially Poderosa,” author Jannese Torres discusses how she became the first woman in her family to graduate from college, build a career and achieve what she believed were marks of success.

Yet in her pursuit of the American dream, she realized that she didn’t know what to do with her financial success. She also realized certain milestones, such as homeownership, often aren’t so much achievements as a new set of challenges.

“It’s just important for people not to just feel this pressure to buy a home because you’re a certain age or you’ve reached a certain life milestone,” said Torres, a Latina money expert who hosts the podcast “Yo Quiero Dinero” and an entrepreneurship coach who helps clients pursue financial independence.

As part of its National Financial Literacy Month efforts, CNBC will be featuring stories throughout the month dedicated to helping people manage, grow and protect their money so they can truly live ambitiously.

CNBC spoke with Torres in early April about what drove her to write her new book, how she has worked through “financial survivor’s guilt,” and why pursuing the American dream can become a nightmare for some.

(This interview has been edited and condensed for clarity).

‘Nobody talks about the grief that comes with growth’

“I wanted to write the book that I needed when I was graduating from high school and that could have saved me from making a lot of financial mistakes because I didn’t learn anything about money,” said Jannese Torres, author of “Financially Lit!: The Modern Latina’s Guide to Level Up Your Dinero & Become Financially Poderosa.”

Courtesy: Jannese Torres

Ana Teresa Solá: What drove you to write this book? 

Jannese Torres: When I was doing the market research for the book, one of the things that I did was look and see what the competitive market looked like out there, or if there is a reason that this book needs to exist. 

I couldn’t find a single book that was specifically marketed to the Latina community or Latinos in general being the majority minority in this country. 

Our families have told us to go and pursue the American dream, but we haven’t been given instructions for how to manage the emotions that come with it.

I felt like I wanted to write the book that I needed when I was graduating from high school and that could have saved me from making a lot of financial mistakes because I didn’t learn anything about money. The more that I’ve talked to folks through the podcast and through my social media platforms, that’s been a very common sentiment. We’re told to go to school, get a job and make money, but then that’s the end of the conversation. What do we actually do with it? 

ATS: Like many younger generations of Latinos in the U.S., you overcame many hurdles and achieved major goals. But you describe in the book that these milestones also come with a sense of guilt. Why is guilt tied to success? 

JT: I call it “financial survivor’s guilt” because this is one of those things that we have not been prepared for. Our families have told us to go and pursue the American dream, but we haven’t been given instructions for how to manage the emotions that come with it. Nobody talks about the grief that comes with growth. Nobody talks about what it feels like to be on the other side of the struggle when so many people that you love are still there and you feel powerless to help them all. 

Looking back at it now, it’s like I was making all these decisions because of what other people valued versus asking myself what I actually value.

It’s going to require folks to give themselves some compassion, and to be okay to feel those feelings. But don’t let them sabotage you. It’s going to require some boundaries that you learn to exercise and also being okay with feeling like you’re on this island by yourself. When you’re the first to do something, it’s always going to feel uncomfortable. But if we don’t have examples of people who can make it out, I think it’s going to be much harder for folks to believe that they can do it, too. 

‘I was over my head very quickly’

ATS: Walk me through the chapter or that point in time when you bought a house, but it wasn’t all you thought it would be. 

JT: Looking back at it now, I was falling victim to the American dream. As a first-generation kid, my parents didn’t invest. The only thing that we saw as examples of “making it” was when family members would buy homes: The sacrifices were worth it and this is the thing that you have to show for your success.

When you’re the first to do something, it’s always going to feel uncomfortable. But if we don’t have examples of people who can make it out, I think it’s going to be much harder for folks to believe that they can do it, too. 

Jannese Torres

Latina money expert and entrepreneurship coach

I definitely felt the pressure to keep up with the Joneses in that respect. I was turning 30 years old and I saw friends buying homes, getting married, doing all those things that are on the successful adult checklist of life. When I decided to purchase the home, it was coming from a place of, “Well, I need to do this too, because this is just what everybody does.”

I quickly realized that I bought a home in a place that I didn’t even want to live in. 

Looking back at it now, it’s like I was making all these decisions because of what other people valued versus asking myself what I actually value. The freedom to have that flexibility that comes with renting is something that I valued much more.

But I felt like I was falling victim to that narrative that says, “You’re wasting money if you rent, and successful adults purchase homes.” It took a lot of unlearning of those narratives and realizing that just because something works for one person doesn’t mean that it’s universally applicable. 

Homeownership is one of those things where more people need to question if they have the personality, lifestyle, or the value system for this, or are you just wanting to do it because that’s what everybody else is telling you to do. 

Jannese Torres

Courtesy: Jannese Torres

ATS: What would you tell someone who’s financially comfortable or has reached certain benchmarks where they could potentially invest in a property but are still wary about it? 

JT: One of the things that made me realize I was over my head very quickly was the fact that two weeks into moving into the home, I discovered that the basement would flood. The sewer line was blocked, and that was not something that we checked during inspection. I ended up having to spend $4,000 on replacing the pipe in the basement two weeks after moving in. That pretty much depleted the little money that I had left over after closing costs. 

I ended up having to take a 401(k) loan to pay for repairs and putting things on credit cards. It’s important to realize that closing costs, the fees and the down payment are just the beginning.

There’s this narrative where if you get a mortgage, then you’re going to be paying the same amount of money forever and that’s why you should buy a home instead of renting. And I’m like, “Absolutely not.” Your property taxes and insurance will increase. You’re not going to be able to predict when things go wrong in the home and when you need to fix something. 

You have to make sure you can afford the maintenance costs and the things that will inevitably come with homeownership. And from a value perspective, you have to really be honest with yourself: “Does this suit my lifestyle? Do I want to stay in this place for like a decade or more? … Or do I want the flexibility to give my landlord 30 days’ notice and be able to move somewhere else? Are you in a job that feels like it’s something you want to do long term? Or do you want to make a career pivot?”

‘The American dream is more of an illusion’

ATS: Do you think the American dream has changed? 

JT: I definitely do think that the American dream is in the process of being redefined because it has become so inaccessible, especially to the newer generations. I think there was this path to “success” where you could go to school, you could buy a home with a regular job, and previous generations were not saddled with the level of student loan debt and the cost of living was not as high. There’s factors in play that are making the American dream obsolete or at least inaccessible to people. 

We are seeing sort of this questioning of it and this shift. I think that the Great Recession was a big impetus for people starting to wonder. It feels very much like the American dream is more of an illusion for a lot of folks, and I am curious to see where it goes.

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#Homeownership #isnt #money #coach #Dont #fall #artificial #pressure #buy

Daytime Emmy Awards 2024: Full List Of Nominations. Details Inside

A still from Bold And Beautiful. (courtesy: YouTube)

Washington:

The nominations for the 51st annual Daytime Emmy Awards have been unveiled, setting the stage for a showdown between Netflix’s documentary series African Queens: Njinga and three long-standing daytime dramas: CBS’ The Bold and the Beautiful and The Young and the Restless, along with Peacock’s Days of Our Lives.

As per The Hollywood Reporter, each of these productions has snagged an impressive dozen nominations. Following closely behind is the enduring ABC soap opera General Hospital with 11 nominations.

In the talk show realm, The Kelly Clarkson Show has garnered the most nods with nine nominations, followed by The View with 7.

Some newcomers to the Emmy scene include Downey’s Dream Cars on Max for Best Lifestyle Program, Selena Chef: Home for the Holidays on Food Network for Culinary Series, Neighbours on Amazon Freevee for Daytime Drama, and Extraordinary Birder with Christian Cooper on Nat Geo for Travel, Adventure, and Nature, along with a nod for Best Daytime Personality in a non-daily format.

Among the surprises is the nomination of Eric Braeden, who received his first Emmy nod in 20 years for his portrayal of Victor Newman on The Young and the Restless.

Braeden, who previously declined submissions for consideration, last won the prestigious award in 1998.

The National Academy of Television Arts and Sciences has introduced changes to this year’s categories, including the elimination of Outstanding Younger Performer in a Daytime Drama and Outstanding Promotional Announcement categories.

Additionally, they merged the categories for Outstanding Writing for a Daytime Non-Fiction Series and Outstanding Writing for Daytime Non-Fiction Special into Outstanding Writing for a Daytime Non-Fiction Programme.

Moreover, the Daytime Programme Host category has been divided into two: Daytime Personality Daily and Daytime Personality Non-Daily.

The nominees span various categories, covering a wide array of daytime programming. Here’s a glimpse at the nominees for the 51st Daytime Emmy Awards:

DAYTIME DRAMA SERIES

The Bay

Popstar! TV

The Bold and the Beautiful

CBS

Days of our Lives

Peacock

General Hospital

ABC

Neighbours

Amazon Freevee

The Young and the Restless

CBS

DAYTIME TALK SERIES

The Jennifer Hudson Show

Syndicated

The Kelly Clarkson Show

Syndicated

Tamron Hall

Syndicated

Turning The Tables with Robin Roberts

Disney

The View

ABC

ENTERTAINMENT NEWS SERIES

Access Hollywood

Syndicated

Entertainment Tonight

Syndicated

Extra

Syndicated

CULINARY SERIES

Be My Guest with Ina Garten

Food Network

Family Dinner

Magnolia Network

Selena Chef: Home for the Holidays

Food Network

Valerie’s Home Cooking

Food Network

What Am I Eating? with Zooey Deschanel

Max

LEGAL/COURTROOM PROGRAMME

Hot Bench

Syndicated

Judy Justice

Amazon Freevee

Justice For The People with Judge Milian

Syndicated

The People’s Court

Syndicated

We The People with Judge Lauren Lake

Syndicated

TRAVEL, ADVENTURE AND NATURE PROGRAM

Animals Up Close with Bertie Gregory

National Geographic

Extraordinary Birder with Christian Cooper

National Geographic

Guy’s All-American Road Trip

Food Network

Mutual of Omaha’s Wild Kingdom Protecting the Wild

NBC

Street Somm

Tastemade

INSTRUCTIONAL/HOW-TO PROGRAM

Fixer to Fabulous

HGTV

Fixer Upper: The Hotel

Magnolia Network

Hack My Home

Netflix

Martha Gardens

Roku

Windy City Rehab

HGTV

LIFESTYLE PROGRAM

Downey’s Dream Cars

Max

George to the Rescue

NBC

Growing Floret

Magnolia Network

Homegrown

Magnolia Network

Live to 100: Secrets of the Blue Zones

Netflix

ARTS AND POPULAR CULTURE PROGRAM

Billion Dollar Babies: The True Story of the Cabbage Patch Kids

Vimeo

King of Collectibles: The Goldin Touch

Netflix

Off Script With The Hollywood Reporter

SundanceTV

Oprah and “The Color Purple” Journey

Max

Variety Studio: Actors on Actors

PBS

Working in the Theatre

AmericanTheatreWing.org

EDUCATIONAL AND INFORMATIONAL PROGRAM

African Queens: Njinga

Netflix

Harlem Globetrotters Play It Forward

NBC

Ireland Made with Love

PBS

Leveling Lincoln

PBS

What Really Happened: America’s Wild

National Geographic

DAYTIME SPECIAL

Culture Quest: Ukraine

PBS

Disney Parks Magical Christmas Day Parade

ABC

97th Macy’s Thanksgiving Day Parade

NBC

Recipe for Change: Celebrating Black Men

SpringHill

Unexpected

Hulu

SHORT FORM PROGRAM

Catalyst

LinkedIn News

The Dads

Netflix

Hollywood Atelier: Rob Pickens

The Hollywood Reporter

How Una Pizza Napoletana Became the No.1 Ranked Pizza in the World

Eater

Temple of Film: 100 Years of the Egyptian Theatre

Netflix

LEAD PERFORMANCE IN A DAYTIME DRAMA SERIES: FEMALE ACTOR

Tamara Braun as Ava Vitali

Days of our Lives

Peacock

Finola Hughes as Anna Devane

General Hospital

ABC

Katherine Kelly Lang as Brooke Logan

The Bold and the Beautiful

CBS

Annika Noelle as Hope Logan

The Bold and the Beautiful

CBS

Michelle Stafford as Phyllis Summers

The Young and the Restless

CBS

Cynthia Watros as Nina Reeves

General Hospital

ABC

LEAD PERFORMANCE IN A DAYTIME DRAMA SERIES: ACTOR

Eric Braeden as Victor Newman

The Young and the Restless

CBS

Scott Clifton as Liam Spencer

The Bold and the Beautiful

CBS

Thorsten Kaye as Ridge Forrester

The Bold and the Beautiful

CBS

Eric Martsolf as Brady Black

Days of Our Lives

Peacock

John McCook as Eric Forrester

The Bold and the Beautiful

CBS

SUPPORTING PERFORMANCE IN A DAYTIME DRAMA SERIES: FEMALE ACTOR

Jennifer Gareis as Donna Logan

The Bold and the Beautiful

CBS

Linsey Godfrey as Sarah Horton

Days of our Lives

Peacock

Courtney Hope as Sally Spectra

The Young and the Restless

CBS

Allison Lanier as Summer Newman Abbott

The Young and the Restless

CBS

Emily O’Brien as Gwen Rizczech

Days of our Lives

Peacock

SUPPORTING PERFORMANCE IN A DAYTIME DRAMA SERIES: ACTOR

Robert Gossett as Marshall Ashford

General Hospital

ABC

Bryton James as Devon Winters

The Young and the Restless

CBS

Wally Kurth as Justin Kiriakis

Days of our Lives

Peacock

A Martinez as Nardo Ramos

The Bay

Popstar! TV

Mike Manning as Caleb McKinnon

The Bay

Popstar! TV

GUEST PERFORMANCE IN A DAYTIME DRAMA SERIES

Linden Ashby as Cameron Kirsten

The Young and the Restless

CBS

Ashley Jones as Dr. Bridget Forrester

The Bold and the Beautiful

CBS

Alley Mills as Heather Webber

General Hospital

ABC

Guy Pearce as Mike Young

Neighbours

Amazon Freevee

Dick Van Dyke as Mystery Man/Timothy Robicheaux

Days of our Lives

Peacock

DAYTIME TALK SERIES HOST

Joy Behar, Whoopi Goldberg, Alyssa Farah Griffin, Sara Haines, Sunny Hostin, Ana Navarro

The View

ABC

Kelly Clarkson

The Kelly Clarkson Show

Syndicated

Mark Consuelos, Kelly Ripa

Live with Kelly and Mark

Syndicated

Akbar Gbajabiamila, Amanda Kloots, Natalie Morales, Jerry O’Connell, Sheryl Underwood

The Talk

CBS

Tamron Hall

Tamron Hall

Syndicated

CULINARY HOST

Lidia Bastianich

25 Years with Lidia: A Culinary Jubilee

PBS

Valerie Bertinelli

Valerie’s Home Cooking

Food Network

Eduardo Garcia

Big Sky Kitchen with Eduardo Garcia

Magnolia Network

Emeril Lagasse

Emeril Cooks

Roku

Sophia Roe

Counter Space

Tastemade

Buddy Valastro

Legends of the Fork

A&E

DAYTIME PERSONALITY – DAILY

Frank Caprio

Caught in Providence

Facebook Watch

Kevin Frazier, Nischelle Turner, Matt Cohen, Cassie DiLaura, Denny Directo, Will Marfuggi, Rachel Smith,

Entertainment Tonight

Syndicated

Deborah Norville, Steven Fabian, Lisa Guerrero, Ann Mercogliano, Jim Moret, Les Trent

Inside Edition

Syndicated

Robert Hernandez, Star Jones

Divorce Court

FOX

Judge Judy Sheindlin, Whitney Kumar, Kevin Rasco, Sarah Rose

Judy Justice

Amazon Freevee

DAYTIME PERSONALITY – NON-DAILY

Samantha Brown

Samantha Brown’s Places To Love

PBS

Derrick Campana

The Wizard of Paws

BYUtv

Christian Cooper

Extraordinary Birder with Christian Cooper

National Geographic

Zoe Francois, Andrew Zimmern

Holiday Party with Andrew & Zoe

Magnolia Network

Jet Tila

Ready Jet Cook

Food Network

WRITING TEAM FOR A DAYTIME DRAMA SERIES

The Bay

Popstar! TV

The Bold and the Beautiful

CBS

Days of our Lives

Peacock

General Hospital

ABC

The Young and the Restless

CBS

WRITING TEAM FOR A DAYTIME NON-FICTION PROGRAM

African Queens: Njinga

Netflix

Mutual of Omaha’s Wild Kingdom Protecting the Wild

NBC

Reconnecting Roots

PBS

Super Animals

Syndicated

Team Rubicon

Roku

DIRECTING TEAM FOR A DAYTIME DRAMA SERIES

The Bay

Popstar! TV

The Bold and the Beautiful

CBS

Days of our Lives

Peacock

General Hospital

ABC

The Young and the Restless

CBS

DIRECTING TEAM FOR A SINGLE-CAMERA DAYTIME NON-FICTION PROGRAM

African Queens: Njinga

Netflix

Billion Dollar Babies: The True Story of the Cabbage Patch Kids

Vimeo

Live to 100: Secrets of the Blue Zones

Netflix

Mutual of Omaha’s Wild Kingdom Protecting the Wild

NBC

Searching for Soul Food

Hulu

TrueSouth

ESPN I ABC I SEC Network

DIRECTING TEAM FOR A MULTIPLE CAMERA DAYTIME NON-FICTION PROGRAM

Disney Parks Magical Christmas Day Parade

ABC

The Drew Barrymore Show

Syndicated

The Kelly Clarkson Show

Syndicated

Turning The Tables with Robin Roberts

Disney

The View

ABC

OUTSTANDING MUSIC DIRECTION AND COMPOSITION

African Queens: Njinga

Netflix

Live to 100: Secrets of the Blue Zones

Netflix

Mutual of Omaha’s Wild Kingdom Protecting the Wild

NBC

Mysteries of the Faith

Netflix

Temple of Film: 100 Years of the Egyptian Theatre

Netflix

ORIGINAL SONG

“Shine”

General Hospital

ABC

“Unexpected Truth”

Unexpected

Hulu

“We’re Home”

Reconnecting Roots

PBS

LIGHTING DIRECTION

General Hospital

ABC

The Jennifer Hudson Show

Syndicated

The Kelly Clarkson Show

Syndicated

The View

ABC

TECHNICAL DIRECTION, CAMERAWORK, VIDEO

The Bold and the Beautiful

CBS

Days of our Lives

Peacock

Disney Parks Magical Christmas Day Parade

ABC

The Kelly Clarkson Show

Syndicated

CINEMATOGRAPHY

African Queens: Njinga

Netflix

Animals Up Close with Bertie Gregory

National Geographic

Live to 100: Secrets of the Blue Zones

Netflix

Living For The Dead

Hulu

Oracles of God: The Story of the Old Testament

CBN

SINGLE CAMERA EDITING

African Queens: Njinga

Netflix

Drive with Swizz Beatz

Hulu

Live to 100: Secrets of the Blue Zones

Netflix

Oprah and The Color Purple Journey

Max

Searching for Soul Food

Hulu

MULTIPLE CAMERA EDITING

Family Ingredients

PBS

The Kelly Clarkson Show

Syndicated

Team Rubicon

Roku

TrueSouth

ESPN|ABC|SEC|Network

The Wizard of Paws

BYUtv

OUTSTANDING LIVE SOUND MIXING AND SOUND EDITING

The Jennifer Hudson Show

Syndicated

The Kelly Clarkson Show

Syndicated

The Talk

CBS

Tamron Hall

Syndicated

SOUND MIXING AND SOUND EDITING

African Queens: Njinga

Netflix

Downey’s Dream Cars

Max

Drive with Swizz Beatz

Hulu

Live to 100: Secrets of the Blue Zones

Netflix

Temple of Film: 100 Years of the Egyptian Theatre

Netflix

MAIN TITLE AND GRAPHIC DESIGN

African Queens: Njinga

Netflix

Car Masters: Rust to Riches

Netflix

Searching for Soul Food

Hulu

Super Animals

Syndicated

Tex Mex Motors

Netflix

CASTING

African Queens: Njinga

Netflix

Days of our Lives

Peacock

General Hospital

ABC

Start Up

PBS

The Young and the Restless

CBS

ART DIRECTION/SET DECORATION/SCENIC DESIGN

African Queens: Njinga

Netflix

The Drew Barrymore Show

Syndicated

General Hospital

ABC

The Kelly Clarkson Show

Syndicated

The View

ABC

The Young and the Restless

CBS

COSTUME DESIGN/STYLING

African Queens: Njinga

Netflix

The Bold and the Beautiful

CBS

The Jennifer Hudson Show

Syndicated

Sherri

Syndicated

HAIRSTYLING AND MAKEUP

African Queens: Njinga

Netflix

The Drew Barrymore Show

Syndicated

Sherri

Syndicated

The View

ABC

The Young and the Restless

CBS

The ceremony, set to air live on June 7 on CBS and Paramount , promises to be an exciting celebration of excellence in daytime television.

As per The Hollywood Reporter, updates on the lifetime achievement honorees, hosts, presenters, and Silver and Gold Circle honorees will be announced soon.

The Daytime Emmy Awards continue to honor outstanding achievements in daytime television, showcasing the talent and creativity of the industry’s finest.

(Except for the headline, this story has not been edited by NDTV staff and is published from a syndicated feed.)

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#Daytime #Emmy #Awards #Full #List #Nominations #Details

Former hedge fund star says this is what will trigger the next bear market.

Much of Wall Street expects easing inflation, but an overshoot could dash hopes of a May rate cut, curtailing the S&P 500’s
SPX
waltz with 5,000, warn some.

Read: Arm’s frenzied stock rally continues as AI chase trumps valuation.

What might take this market down eventually? Our call of the day from former hedge-fund manager Russell Clark points to Japan, an island nation whose central bank is one of the last holdouts of loose monetary policy.

Note, Clark bailed on his perma bear RC Global Fund back in 2021 after wrongly betting against stocks for much of a decade. But he’s got a whole theory on why Japan matters so much.

In his substack post, Clark argues that the real bear-market trigger will come when the Bank of Japan ends quantitative easing. For starters, he argues we’re in a “pro-labor world” where a few things should be playing out: higher wages and lower jobless levels and interest rates higher than expected. Lining up with his expectations, real assets started to surge in late 2023 when the Fed started to go dovish, and the yield curve began to steepen.

From that point, not everything has been matching up so easily. He thought higher short-term rates would siphon off money from speculative assets, but then money flowed into cryptos like Tether and the Nasdaq recovered completely from a 2022 rout.

“I have been toying with the idea that semiconductors are a the new oil – and hence have become a strategic asset. This explains the surge in the Nasdaq and the Nikkei to a degree, but does not really explain tether or bitcoin very well,” he said.

So back to Japan and his not so popular explanation for why financial/speculative assets continue to trade so well.

“The Fed had high interest rates all through the 1990s, and dot-com bubble developed anyway. But during that time, the Bank of Japan only finally raised interest rates in 1999 and then the bubble burst,” he said.

He notes that when Japan began to tighten rates in late 2006, “everything started to unwind,” adding that the BOJ’s brief attempts [to] raise rates in 1996 could be blamed for the Asian Financial Crisis.

In Clark’s view, markets seem to have moved more with the Japan’s bank balance sheet than the Fed’s. The BOJ “invented” quantitative easing in the early 2000s, and the subprime crisis started not long after it removed that liquidity from the market in 2006, he notes.

“For really old investors, loose Japanese monetary policy also explained the bubble economy of the 1980s. BOJ Balance Sheet and S&P 500 have decent correlation in my book,” he said, offering the below chart:


Capital Flows and Asset Markets, Russell Clark.

Clark says that also helps explains why higher bond yields haven’t really hurt assets. “As JGB 10 yields have risen, the BOJ has committed to unlimited purchases to keep it below 1%,” he notes.

The two big takeaways here? “BOJ is the only central bank that matters…and that we need to get bearish the U.S. when the BOJ raises interest rates. Given the moves in bond markets and food inflation, this is a matter of time,” said Clark who says in light of his plans for a new fund, “a bear market would be extremely useful for me.” He’s watching the BOJ closely.

The markets

Pre-data, stock futures
ES00,
-0.41%

NQ00,
-0.80%

are down, while Treasury yields
BX:TMUBMUSD10Y

BX:TMUBMUSD02Y
hold steady. Oil
CL.1,
+0.79%

and gold
GC00,
+0.46%

are both higher. The Nikkei 225 index
JP:NIK
tapped 38,000 for the first time since 1990.

Key asset performance

Last

5d

1m

YTD

1y

S&P 500

5,021.84

1.60%

4.98%

5.28%

21.38%

Nasdaq Composite

15,942.55

2.21%

6.48%

6.20%

34.06%

10 year Treasury

4.181

7.83

11.45

30.03

42.81

Gold

2,038.10

-0.17%

-0.75%

-1.63%

9.33%

Oil

77.14

5.96%

6.02%

8.15%

-2.55%

Data: MarketWatch. Treasury yields change expressed in basis points

The buzz

Due at 8:30 a.m., January headline consumer prices are expected to dip to 2.9% for January, down from 3.4% in December and the lowest since March 2021. Monthly inflation is seen at 0.3%.

Biogen
BIIB,
+1.56%

stock is down on disappointing results and a slow launch for its Alzheimer’s treatment. A miss is also hitting Krispy Kreme
DNUT,
+1.99%
,
Coca-Cola
KO,
+0.24%

is up on a revenue rise, with Hasbro
HAS,
+1.38%
,
Molson Coors
TAP,
+3.12%

and Marriott
MAR,
+0.74%

still to come, followed by Airbnb
ABNB,
+4.20%
,
Akamai
AKAM,
-0.13%

and MGM Resorts
MGM,
+0.60%

after the close. Hasbro stock is plunging on an earnings miss.

JetBlue
JBLU,
+2.19%

is surging after billionaire activist investor Carl Icahn disclosed a near 10% stake and said his firm is discussing possible board representation.

Tripadvisor stock
TRIP,
+3.04%

is up 10% after the travel-services platform said it was considering a possible sale.

In a first, Russia put Estonia’s prime minister on a “wanted” list. Meanwhile, the U.S. Senate approved aid for Ukraine, Israel and Taiwan.

Best of the web

Why chocolate lovers will pay more this Valentine’s Day than they have in years

A startup wants to harvest lithium from America’s biggest saltwater lake.

Online gambling transactions hit nearly 15,000 per second during the Super Bowl.

The chart

Deutsche Bank has taken a deep dive into the might of the Magnificent Seven, and why they will continue to matter for investors. One reason? Nearly 40% of the world still doesn’t have internet access as the bank’s chart shows:

Top tickers

These were the top-searched tickers on MarketWatch as of 6 a.m.

Ticker

Security name

TSLA,
-2.81%
Tesla

NVDA,
+0.16%
Nvidia

ARM,
+29.30%
Arm Holdings

PLTR,
+2.75%
Palantir Technologies

NIO,
+2.53%
Nio

AMC,
+4.11%
AMC Entertainment

AAPL,
-0.90%
Apple

AMZN,
-1.21%
Amazon.com

MARA,
+14.19%
Marathon Digital

TSM,
-1.99%
NIO

Random reads

Everyone wants this freak “It bag.”

Dumped over a text? Get your free dumplings.

Messi the dog steals Oscars’ limelight.

Love and millions of flowers stop in Miami.

Need to Know starts early and is updated until the opening bell, but sign up here to get it delivered once to your email box. The emailed version will be sent out at about 7:30 a.m. Eastern.

Check out On Watch by MarketWatch, a weekly podcast about the financial news we’re all watching – and how that’s affecting the economy and your wallet.

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#hedge #fund #star #trigger #bear #market

In Memoriam 2023: The arts and entertainment stars we lost this year

From beloved “Friends” star Matthew Perry to style icon Jane Birkin, Euronews Culture remembers the arts and entertainment stars who died this year.

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Join us as we pay homage to some of the most notable figures in the realms of art and entertainment who bid us farewell over the past twelve months. 

It’s impossible to do justice to all the people who left an indelible mark on our lives either through their achievements, performances or strength of character but we wanted to celebrate the joy they spread and, the fun, fear, sadness or excitement they made us feel. 

For more on the stars from the world of music who passed this year, from Shane MacGowan to Tina Turner, check out our tribute page

The following names are listed chronologically by the dates of their deaths.

Lisa Loring (1958 – 2023)

Lisa Loring, who was the first actress to play Wednesday, the youngest member of the creepy, kooky, mysterious, spooky and ooky Addams Family, died aged 64.

Loring played the princess of all things morbid from 1964 to 1966 in The Addams Family, the first adaptation of Charles Addams’ New Yorker cartoons. 

She was just five years old when she was cast.

Paco Rabanne (1934 – 2023)

Renowned designer Paco Rabanne, one of the most seminal fashion figures of the 20th century, died aged 88. 

Over decades the Franco-Spanish couturier created memorable designs and developed several enticing scents that brought him success both on the catwalk and on the high streets, making him a household name. 

Raquel Welch (1940 – 2023)

Hollywood star Raquel Welch, whose emergence from the sea in a skimpy, furry bikini in the film ‘One Million Years B.C.’ made her an international sex symbol throughout the 1960s and ’70s, died aged 82.

Her curves and beauty also captured pop culture’s attention, with Playboy crowning her the “most desired woman” of the ’70s, despite never being completely naked in the magazine.

In addition to acting, Welch was a singer and dancer. 

And she surprised many critics and attracted positive reviews when she starred in the 1981 musical ‘Woman of the Year’ on Broadway, replacing Lauren Bacall. 

Lance Reddick (1962 – 2023)

Lance Reddick, the charismatic and prolific actor who appeared in major TV series like ‘The Wire’, ‘Fringe’ and ‘Bosch’, as well as in the John Wick franchise, died of natural causes at the age of 60.

The actor had been in the middle of a press tour for the fourth instalment of the John Wick movies, John Wick: Chapter 4

He played a recurring character named Charon, the concierge at the Continental Hotel who works alongside Keanu Reeves’ infamous hitman. 

Reddick was also slated to appear in the upcoming Ballerina spinoff, starring Ana de Armas.

Michael Lerner (1941 – 2023)

Academy Award-nominated American actor Michael Lerner died at the age of 81.

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The late actor was best known for his role as the film producer, Jack Lipnick, in Barton Fink (1991) which earned him a nomination for Best Supporting Actor at the Academy Awards.

He has also starred and appeared in other films and series: The Warden in No Escape (1994), Mel Horowitz on the television series Clueless (1996-97), Jerry Miller in The Beautician and the Beast(1997), Mayor Ebert in Roland Emmerich’s Godzilla (1998), Mr. Greenway in Elf (2003), and Senator Brickman in X-Men: Days of Future Past (2014). 

Barry Humphries (1934 – 2023)

Barry Humphries, best known for his comic creation Dame Edna Everage, died at the age of 89.

The Australian entertainer, who was particularly popular in the UK, appeared in West End shows including Maggie May and Oliver!.

His star rose further when the character of Dame Edna, a parody of suburban housewives, became a hit in the 1970s, even landing her own TV chat show, the Dame Edna Everage Experience, in the late 1980s.

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Known for her flamboyant glasses, wittily condescending attitude, lilac-rinsed hair and catchphrase “Hello possums!”, Humphries even wrote an autobiography called My Gorgeous Life, as the character.

Jerry Springer (1944 – 2023)

Jerry Springer, the onetime mayor of Cincinnati and news anchor turned legendary TV host, died at the age of 79. 

The American presenter was famous for his raucous talk show, The Jerry Springer Show, which featured a three-ring circus of dysfunctional families willing to bare all on weekday afternoons including brawls, obscenities, bleep-filled arguments and blurred images of nudity. 

At its peak, it was a ratings powerhouse and a US cultural pariah, synonymous with lurid drama.

Well in advance of Donald Trump’s political rise from reality TV stardom, Springer mulled a Senate run in 2003 that he surmised could draw on “non-traditional voters,” people “who believe most politics are bull.”

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Martin Amis (1949 – 2023)

Celebrated British author Martin Amis, known for his seminal novels, Money and London Fields, died at 73. 

Amis’ works were rebellious, witty and daring and made him one of the most prominent writers of his generation.

Money: A Suicide Note, a satire published in 1984, is considered one of his finest early works. It was included as one of the 100 best novels written in English by the Guardian which described it as a “zeitgeist book that remains one of the dominant novels of the 1980s.”

A film adaptation of Amis’s novel The Zone of Interest directed by Jonathan Glazer premiered at the Cannes Film Festival. 

Glenda Jackson (1936 – 2023)

Glenda Jackson, the Oscar-winning actress and former MP, died at the age of 87.

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The British trailblazer, who won two Academy Awards for Women In Love and A Touch of Class, as well as two more nominations, was an international star in the 1970s.

At the height of her career, she gave it all up for politics, acting as a Labour MP in north London from 1992 until 2015.

Alan Arkin (1934 – 2023)

Oscar-winning actor Alan Arkin, who had a decades-long career and won the Academy Award for best-supporting actor for his role in 2006’s Little Miss Sunshine, died at the age of 89. 

In the movie about a dysfunctional family on their way to a beauty pageant, he played a frail, foul-mouthed grandfather who was suffering from years of drug abuse.

Throughout his long career, Arkin was very prolific, appearing in more than 100 films and TV shows, nominated for four Oscars in total, including for his roles The Russians Are Coming, the Russians Are Coming and Argo,and was also a renowned director and author.

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Jane Birkin (1946 – 2023)

Jane Birkin, the Franco-British actress, singer and style icon died at the age of 76. 

She first came to public attention in Michelangelo Antonioni’s film Blow Up, where her nudity caused a scandal.

Birkin achieved international fame through her enduring musical and romantic collaboration with Serge Gainsbourg spanning a decade. 

In addition to her musical success, she enjoyed a prolific acting career, predominantly in French cinema, working with some of the world’s finest film-makers, including Jacques Rivette and Agnès Varda. 

Angus Cloud (1998 – 2023)

Angus Cloud, the actor who starred as the drug dealer Fezco “Fez” O’Neill on the HBO series “Euphoria” alongside Zendaya, died at the age of 25.

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To some, Cloud seemed so natural as Fez that they suspected he was identical to the character – a notion that Cloud pushed back against.

The part made Cloud the breakout star of one the buzziest shows on television. He was also cast to co-star in Scream 6 before his death. 

Mark Margolis (1939 – 2023)

Breaking Bad and Better Call Saul actor Mark Margolis, renowned for his portrayal of Hector Salamanca, passed away at the age of 83. 

Margolis, a versatile actor with a career spanning over five decades and more than 60 films, achieved widespread recognition for his role as the resentful former drug lord Salamanca. 

The role earned him an Emmy nomination for Outstanding Guest Actor in a Drama Series in 2012. 

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Margolis also had notable roles in Scarface, Ace Ventura, and The Wrestler.

William Friedkin (1935 – 2023)

Oscar-winning director William Friedkin, who shot to global stardom with the release of the 1973 film, The Exorcist, died at the age of 87.

The Exorcist was a Hollywood blockbuster based on William Peter Blatty’s best-selling novel about a 12-year-old girl possessed by the devil.

The harrowing scenes of the girl’s possession and a splendid cast, including Linda Blair as the girl, Ellen Burstyn as her mother and Max Von Sydow and Jason Miller as the priests who try to exorcise the devil, helped make the film a box-office sensation. 

The film received 10 Oscar nominations, including one for Friedkin as director, and won two, for Blatty’s script and for sound.

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But it was two years prior that he won his first Oscar for ‘The French Connection’.

Friedkin continued working until his death. His latest film, The Caine Mutiny Court-Martial, starring Kiefer Sutherland premiered at this year’s Venice Film Festival. 

David McCallum (1933 – 2023)

Renowned actor David McCallum, celebrated for his role as a teenage heartthrob in the iconic 1960s series The Man From U.N.C.L.E. and later as the eccentric medical examiner in the immensely popular NCIS four decades later, died at the age of 90.

In NCIS, McCallum played Dr. Donald “Ducky” Mallard, a bookish pathologist for the Naval Criminal Investigation Service. 

Throughout his illustrious career, McCallum also made guest appearances on various TV shows, such as Murder, She Wrote and Sex and the City.

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Geneviève de Fontenay (1932 – 2023)

Geneviève de Fontenay, a historic and iconic figure in the Miss France pageant, died aged 90.

She took over sole management of the Miss France Committee in 1981, after the death of Louis de Fontenay.

Known for her strong character, and signature black and white outfits, she boycotted the centenary of beauty pageants in France organised by French channel TF1 at the end of 2020. 

Defending a conservative image of femininity, she was gradually ostracised.

Michael Gambon (1940 – 2023)

Veteran actor Sir Michael Gambon, best known for playing Hogwarts headmaster Albus Dumbledore in six of the eight Harry Potter films, died aged 82. 

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He was cast as the much-loved character after the death of his predecessor, Richard Harris, in 2002.

Although the Potter role raised Gambon’s international profile and introduced him to a new generation of fans, he had long been recognised as one of Britain’s leading actors.

His work spanned TV, theatre and radio, and he starred in dozens of films from The Cook, the Thief, His Wife & Her Lover, The Insider, Gosford Park to The Life Aquatic with Steve Zissou , Hail, Caesar!, The King’s Speech, and the animated family movie Paddington.

Terence Davies (1945 – 2023)

British screenwriter and director Terence Davies, hailed by critics as one of the greatest filmmakers of his generation, died at the age of 77.

After making several experimental short films in the 70s and 80s, known as the Terence Davies’ trilogy, Davies made his feature debut with 1988’s Distant Voices, Still Lives, a semi-autobiographical film that remains to this day one of his most celebrated works.

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The lyrical film, which favoured imagery over dialogue, won the Cannes International Critics Prize in 1988, and in 2002 was voted the ninth-best film of the past 25 years by British film critics.

His final two feature films were centred around influential literary figures, Emily Dickinson in A Quiet Passion and Siegfried Sassoon in Benediction.

Burt Young (1940 – 2023)

Oscar-nominated actor, Burt Young, who played Paulie, the mumbling-and-grumbling best friend, corner man and brother-in-law of Sylvester Stallone in six Rocky films, died aged 83. 

Rocky was nominated for ten Oscars, including best supporting actor for Young. It won three, including best picture.

Young also had roles in acclaimed films and television shows including Chinatown, Once Upon a Time in America and The Sopranos, and guest-starring in MASH and Miami Vice.

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Richard Roundtree (1942 – 2023)

Richard Roundtree, the trailblazing actor who starred as the ultra-smooth private detective in several Shaft films beginning in the early 1970s, died at the age of 81.

He was considered as the first Black action hero and became one of the leading actors in the Blaxploitation genre through his New York street smart John Shaft character in the Gordon Parks-directed film in 1971.  

Roundtree’s character was part of a change in how Black movies were viewed in Hollywood, which failed to consider Black actors – especially for leading roles – in projects at the time. 

The Blaxploitation films were primarily aimed at the African American audiences, and later influenced directors such as Quentin Tarantino.

Through his 50-plus year career, Roundtree appeared in a number other notable films including Earthquake, City Heat, Roots, Maniac Cop, Se7en and What Men Want

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Matthew Perry (1969 – 2023)

Friends star Matthew Perry, the Emmy-nominated actor whose sarcastic, but lovable Chandler Bing was among television’s most famous and most quotable characters, died at 54.

Perry’s 10 seasons on Friends made him one of Hollywood’s most recognisable actors, starring opposite Jennifer Aniston, Courteney Cox, Matt LeBlanc, Lisa Kudrow and David Schwimmer as a friend group in New York.

As Chandler, he played the quick-witted, insecure and neurotic roommate of LeBlanc’s Joey and a close friend of Schwimmer’s Ross. 

The series was one of television’s biggest hits and has taken on a new life – and found surprising popularity with younger fans – in recent years on streaming services.

Perry also had several notable film roles, starring opposite Salma Hayek in the rom-com Fools Rush In and Bruce Willis in the crime comedy The Whole Nine Yards.

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Benjamin Zephaniah (1958 – 2023)

Birmingham-born writer and poet Benjamin Zephaniah, known for his poetry, music, acting roles, died aged 65.

Zephaniah moved to London in his 20s, where he published his first poetry collection ‘Pen Rhythm’ in 1980. 

Over his life, he went on to publish 14 poetry collections, five novels, a non-fiction biography of Mona Baptiste, five children’s books, seven plays, among many other works.

Alongside his writing work, Zephaniah has recorded extensive music, including seven studio albums. He also acted, most notably as recurring character Jeremiah Jesus in the BBC series Peaky Blinders.

Ryan O’Neal (1941 – 2023)

Hollywood actor Ryan O’Neal, who worked across genres with many of the era’s most celebrated directors, including Peter Bogdanovich on Paper Moon and _What’s Up, Doc?_and Stanley Kubrick on Barry Lyndon, died aged 82.

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The heartthrob actor went from a TV soap opera to an Oscar-nominated role in Love Story and delivered a wry performance opposite his charismatic nine-year-old daughter Tatum in Paper Moon.

Ryan O’Neal was nominated for best actor for 1970 tear-jerker drama Love Story, co-starring Ali MacGraw, about a young couple who fall in love, marry and discover she is dying of cancer. 

The romantic melodrama was the highest-grossing film of 1970, became one of Paramount Pictures’ biggest hits and collected seven Oscar nominations, including one for best picture. It won for best music.

Andre Braugher (1962 – 2023)

Andre Braugher, the Emmy-winning actor known for his role in the US comedy Brooklyn Nine-Nine and the gritty cop drama Homicide, Life on the Streets, died at the age of 61.

Known for his instantly recognisable deep voice, Braugher’s career spanned gritty drama and modern comedy, earning him critical acclaim and accolades, including two Emmys. 

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He won his first career Emmy for his role as Detective Frank Pembleton in Homicide: Life on the Street, a dark police drama based on a book by David Simon. 

He went on to play a very different kind of cop on a very different kind of show, shifting to comedy as Capt. Ray Holt on the beloved Andy Samberg-starring Brooklyn Nine-Nine.

It would run for eight seasons from 2013 to 2021 on Fox and NBC.

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Universal banks on ‘Migration’ to expand its animation lead over Disney

Universal and Illuminations latest animated film centers on a family of ducks who decides to leave the safety of a New England pond for an adventurous trip to Jamaica. However, their well-laid plans quickly go awry when they get lost and wind up in New York City.

Universal

Disney dropped the animation crown. Universal has picked it up.

And, with “Migration” opening Friday, the studio is looking to strengthen its grip.

“Migration,” a comic tale about a family of New England ducks that leave their pond for Jamaica, but end up in New York City, is expected to tally $25 million during its domestic debut. Universal has more conservative expectations, forecasting between $10 million and $15 million in ticket sales for the film’s opening.

While that pales in comparison to the $100 million-plus debuts of Illumination/Universal’s “The Super Mario Bros. Movie” and the latest “Minions” film, it’s comparable to the studio and DreamWorks Animation’s “Puss in Boots: The Last Wish,” which ran in theaters for several months, securing nearly $500 million globally.

“‘Migration,’ with solid word-of-mouth and strong reviews, will have to be judged more on its long-term results than the opening weekend splash,” said Paul Dergarabedian, senior media analyst at Comscore.

Disney’s most recent animated film “Wish” failed to connect with audiences. After generating $31.6 million domestically over the five-day Thanksgiving holiday, the film has grossed a total of $55.2 million in the U.S. and Canada. Globally, the film has reached $127.1 million. The film had a budget of $200 million, not including marketing costs.

For comparison, “Trolls Band Together,” which was released the week before Thanksgiving, secured $30 million for its three-day debut and nearly $180 million worldwide. The film had a budget of $95 million, not including marketing costs.

Representatives from Disney did not immediately respond to CNBC’s request for comment.

How Disney lost the crown

Ariana DeBose stars as Asha in Disney’s new animated film “Wish.”

Disney

Disney established its animated feature empire in the early 20th century with 1937’s “Snow White and the Seven Dwarfs” and continued to dominate, more or less, into the 1980s and 1990s with “The Little Mermaid” and “Beauty and the Beast.”

Later, it acquired Pixar, which together with Walt Disney Animation, generated billions in box-office receipts for the company.

“The world of feature animation has been dominated for decades by Disney and for good reason,” said Dergarabedian. “They set the gold standard.”

Then came the Covid pandemic. While theaters closed, Disney sought to pad its fledgling streaming service Disney+ with content, stretching its creative teams thin, and sending theatrical movies during the pandemic straight to digital.

The decision trained parents to seek out new Disney titles on streaming, not theaters, even when Disney opted to return its films to the big screen. Compounding Disney’s woes was a general sense from audiences that the company’s content had grown overly existential and too concerned with social issues beyond the reach of children.

As a result, no Disney animated feature from Pixar or Walt Disney Animation has generated more than $480 million at the global box office since 2019.

“I think what’s changed is that Disney doesn’t get the benefit of the doubt,” said Josh Brown, CEO at Ritholtz Wealth Management and a CNBC contributor. “And people will not go to a movie just because it’s the latest Disney movie in the way that previous generations did.”

Universal appeal

But as moviegoers have returned to cinemas in the wake of the pandemic, more are gravitating toward Universal’s fare.

“Simply put, Illumination Animation’s only agenda is entertainment,” said Jeff Bock, senior box-office analyst at Exhibitor Relations. “Their animated films are sweet and simple and family audiences appreciate that. Disney sometimes attempts to pack too much into their animated features, and lately have been losing sight of the simplicity of the genre.”

Not to mention, Universal has been revisiting tried and true fan-favorite stories and characters. In fact, Illumination hasn’t released a nonfranchise film since 2016, and only three of the last 10 DreamWorks features have been original stories.

For comparison, of the last eight films released by a Disney animation studio, seven have been original films with just 2022’s “Lightyear,” a “Toy Story” spinoff, tied to an existing franchise. Previously, Disney has thrived bringing new animated material to audiences, but in the post-pandemic world, it has struggled.

It is the exact opposite strategy of Disney’s live-action theatrical releases, which have relied heavily on established franchises. Think “Indiana Jones and the Dial of Destiny,” “The Little Mermaid,” Marvel franchise films and “Haunted Mansion.”

Iger has said that Disney will continue to make sequels, without apology, but admitted that the company needs to be more selective in which franchises it revisits.

“I think there has to be a reason to make them, you have to have a good story,” Iger said during The New York Times’ DealBook Summit in late November.

“Minions: The Rise of Gru” is the sequel to the 2015 film, “Minions,” and spin-off/prequel to the main “Despicable Me” film series.

Universal

In animation, returning to popular characters and worlds is an easy way to capture the attention of parents and kids.

“Because they have seen these characters and related stories before, they have high confidence that they will be high quality, entertaining and ‘brand safe’ for their kids,” said Peter Csathy, founder and chair of advisory firm Creative Media. “And they may even anticipate franchise animated films as much as their kids.”

In developing consistent franchise content like Minions and Trolls, Universal is now able to introduce a new film like “Migration” with a sense of clout. Parents who see that the film is from the same studio that brought other fan favorites to the big screen are then more likely to come out to see it.

It’s what Pixar was able to do so well for nearly three decades.

“With ‘Minions,’ ‘Secret Life of Pets’ and ‘Sing,’ I think Illumination is a brand people are aware of by now,” said Bock. “And that awareness will boost ‘Migration’s’ flight pattern, likely extending its box-office run. That’s key. The long play.”

So far, “Migration” has generally favorable reviews from critics. If audiences respond well, and spread the word, the film could see a solid run, adding to the prestige of Universal’s animation brand.

“The kids animation market opportunity will never grow old, so those playing at the top of the game – as is Illumination – hold the promise and possibility of becoming the next go-to brand for quality animation after Pixar,” said Csathy.

Next year, Disney and Pixar are set to release “Inside Out 2” in June, while Universal and Illumination’s “Despicable Me 4” is scheduled to hit theaters weeks later in July.

Disclosure: NBCUniversal is the parent company of Universal Pictures and CNBC.

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Hasbro laying off 1,100 workers as weak toy sales persist into holiday season

Hasbro is laying off about 1,100 employees as the toy maker struggles with soft sales that have carried into the holiday shopping season, according to a company memo obtained by CNBC.

Hasbro had about 6,300 employees as of earlier this year, according to a company fact sheet.

Shares of the company fell more than 2% Tuesday. Rival Mattel’s stock also slipped.

“We anticipated the first three quarters to be challenging, particularly in Toys, where the market is coming off historic, pandemic-driven highs,” CEO Chris Cocks said in the memo. “While we have made some important progress across our organization, the headwinds we saw through the first nine months of the year have continued into Holiday and are likely to persist into 2024.

Hasbro, which already laid off hundreds of employees earlier this year, had warned in October that trouble was on the horizon. In the company’s most recent quarterly earnings report, Hasbro slashed its already-soft full-year outlook, projecting a 13% to 15% revenue decline for the year.

Popular toy brand sales had dropped significantly, Hasbro also said in the October quarterly report. Popular brands like My Little Pony, Nerf and Transformer had fallen 18% at the time, due to “softer category trends.”

Hasbro’s stock was down nearly 20% through Monday’s close.

Hasbro competitor Mattel had also warned of soft sales. Yet Mattel’s stock is up about 6% through Monday, powered a great deal by the box office success of the film “Barbie.” That’s still behind the 17% gain posted by the S&P 500 so far this year, though.

Retailers overall could be in for a tepid holiday season, and toys saw lower discounts for consumers when compared to discounts a year ago.

Read the full memo from CEO Chris Cocks:

Team,   

A year ago, we laid out our strategy to focus on building fewer, bigger, better brands and began the process of transforming Hasbro. Since then, we’ve had some important wins, like retooling our supply chain, improving our inventory position, lowering costs, and reinvesting over $200M back into the business while growing share across many of our categories. But the market headwinds we anticipated have proven to be stronger and more persistent than planned. While we’re confident in the future of Hasbro, the current environment demands that we do more, even if these choices are some of the hardest we have to make.   

Today we’re announcing additional headcount reductions as part of our previously communicated strategic transformation, affecting approximately 1,100 colleagues globally in addition to the roughly 800 reductions already taken.  

Our leadership team came to this difficult decision after much deliberation. We recognize this is heavy news that affects the livelihoods of our friends and colleagues. Our focus is communicating with each of you transparently and supporting you through this period of change. I want to start by addressing why we are doing this now, and what’s next. 

Why now? 

We entered 2023 expecting a year of change including significant updates to our leadership team, structure, and scope of operations. We anticipated the first three quarters to be challenging, particularly in Toys, where the market is coming off historic, pandemic-driven highs. While we have made some important progress across our organization, the headwinds we saw through the first nine months of the year have continued into Holiday and are likely to persist into 2024.  

To position Hasbro for growth, we must first make sure our foundation is solid and profitable. To do that, we need to modernize our organization and get even leaner. While we see workforce reductions as a last resort, given the state of our business, it’s a lever we must pull to keep Hasbro healthy. 

What happens next? 

While we’re making changes across the entire organization, some functional areas will be affected more than others. Many of those whose roles are affected have been or will be informed in the next 24 hours, although the timings will vary by country, in line with local rules and subject to employee consultations where required. This includes team members who have raised their hands to step down from their roles at the end of the year as part of our Voluntary Early Retirement Program (VRP) in the U.S. We’re immensely grateful to these colleagues for their many years of dedication, and we wish them all the best.   

The majority of the notifications will happen over the next six months, with the balance occurring over the next year as we tackle the remaining work on our organizational model. This includes standardizing processes within Finance, HR, IT and Consumer Care as part of our Global Business Enablement project, but it also means doing more work across the entire business to minimize management layers and create a nimbler organization. 

What else are we doing? 

I know this news is especially difficult during the holiday season. We value each of our team members – they aren’t just employees, they’re friends and colleagues. We decided to communicate now so people have time to plan and process the changes. For those employees affected we are offering comprehensive packages including job placement support to assist in their transition.  

We’ve also done what we can to minimize the scale of impact, like launching the VRP and exploring options to reduce our global real estate footprint. On that note, our Providence, Rhode Island office is currently not being used to its full capacity and we’ve decided to exit the space at the end of the lease term in January 2025. Over the next year, we’ll welcome teams from our Providence office to our headquarters down the road in Pawtucket, Rhode Island. It’s an opportunity to reshape how we work and ensure our workspace is vibrant and productive, while reflecting our more flexible in-person cadence since the pandemic.   

Looking ahead 

As Gina often says, cost-cutting is not a strategy. We know this, and that’s why we’ll continue to grow and invest in several areas in 2024.  

As we uncover more cost savings, we’ll invest in new systems, insights and analytics, product development and digital – all while strengthening our leading franchises and ensuring our brands have the essential marketing they need to thrive well into the future.  

We’ll also tap into unlocked potential across our business, like our new supply chain efficiency, our direct-to-consumer capabilities, and key partnerships to maximize licensing opportunities, scale entertainment, and free up our own content dollars to drive new brand development. 

I know there is no sugar-coating how hard this is, particularly for the employees directly affected. We’re grateful to them for their contributions, and we wish them all the best. In the coming weeks, let’s support each other, and lean in to drive through these necessary changes, so we can return our business to growth and carry out Hasbro’s mission.  

Thanks,    

Chris  

–CNBC’s Claudia Johnson contributed to this report.

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The ultimate work perk? This company provides a free place to stay in Spain

Some workers go to great lengths to hide hush trips from their bosses.

But employees of the Polish company PhotoAid needn’t bother.

The company, which helps travelers take their own passport photos at home, allows its employees to stay at an apartment in Spain for free — provided they work while they’re there.

The apartment is in Tenerife, the largest of Spain’s Canary Islands, an archipelago west of Morocco. Employees can stay up to three weeks at a time and can visit as many times in year as they like, depending on demand from other employees.

The company reimburses half of employees’ airfare too, up to 1,000 Polish zlotys ($246), once a year. Flights from Warsaw to Tenerife can start at around $150 for a six-hour direct flight.

Employees can stay up to three weeks at a time at the Tenerife apartment and can visit as many times as they like.

Source: PhotoAid

The company started renting the apartment in Tenerife’s capital, Santa Cruz de Tenerife, in the summer of 2022 as a way to create relationships and build morale among its employees, all of whom work remotely, said co-founder Rafal Mlodzki.

Plus, Mlodzki said he and the other co-founders, Marcin and Tomasz Mlodzki — who are also his brothers — wanted to offer a company perk that would stand out.  

How the ‘workcations’ work

PhotoAid is a small company with a young workforce, so most employees don’t have children, said Mlodzki. But those who do tend to group together and use the benefit in the summer months when schools are closed.

Employees can request to bring their partners too, which the company reviews on a case-by-case basis, he said.  

Employees must abide by several rules, he said, such as the check-in and check-out protocol. Employees must upload a photo of the apartment on arrival, then do the same on departure to show the next group of employees how they left it.

Workcation time spent in Tenerife doesn’t count as employee vacation time, which is up to 26 days a year, said PhotoAid co-founder Rafal Mlodzki.

Source: PhotoAid

On arrival, employees are assigned a cleaning task too, but the company hires a professional cleaner for deep cleans, he said. While drinking wine on the balcony and chatting into the night are regular occurrences, employees are not allowed to drink during work hours, he said.   

Mlodzki told CNBC Travel that employees like to visit Tenerife with coworkers with shared interests. For example, a recent group played sports in their free time, while another group went to music concerts.

‘The best onboarding in the world’

Around 50 of PhotoAid’s 143 employees have now stayed at the Tenerife apartment, many meeting their teammates in person for the first time during their stays. Around 10 were onboarded as new starters there too, said Mlodzki.

“One of the reasons we decided to open this office was the possibility of offering the best onboarding in the world for senior team members. Those onboarded are not only thrilled but also deeply understand the company and their role in it,” said Mlodzki.

Coworkers with shared interests — such as sports and music — travel to Tenerife together.

Source: PhotoAid

“Often, spontaneous moments occur. For example, after a series of 45-minute sets with 10-minute breaks, we might go on a mini mountain trip and continue onboarding informally. It might even transition into an evening on the terrace.

“We just onboarded our new chief operating officer during a workation in Tenerife, and he was deeply impressed. He had never experienced an onboarding like this before.”

Two senior leaders have scheduled a strategic planning and brainstorming session at the apartment this winter, where average temperatures in January are 68 degrees Fahrenheit, higher than 34 F in the Polish capital of Warsaw.

The apartment

The 3,200-square-foot apartment overlooks the port of Santa Cruz de Tenerife. It has three bedrooms, a spacious lounge with board games, two balconies and a small gym. There are also eight workspaces with high-speed internet, computer monitors and ergonomic chairs.

The apartment has eight workspaces with high-speed internet, computer monitors and ergonomic chairs.

Source: PhotoAid

There’s a bakery next door for fresh bread, with restaurants, bars, wineries, and vermuterias (bars specializing in Spanish vermouth) nearby.

Workation as a ‘wow’ factor

When she was interviewing, Aleksandra Staromiejska said the Tenerife benefit made PhotoAid stand out. Now a company digital public relations specialist, she stayed in the apartment for two weeks in May, along with a colleague from her team. 

Aleksandra Staromiejska started her work days early to maximize her time at the beach, she said.

Source: Aleksandra Staromiejska

She started and finished her work early, she said, to spend as much time as possible at the beach, a 20-minute bus ride away. Over the weekend, she and her colleague went hiking in Macizo de Anaga (Anaga mountains).

“I noticed my productivity levels were higher,” said Staromiejska. “I really wanted to do my job quickly so I could finish my work day and have time to go to the beach.”

Vacations to Spain’s Canary Islands are popular with employees of PhotoAid, a company based in the much colder city of Warsaw, Poland.

Source: PhotoAid

“It was actually a very relaxing trip. Just being in nature is something else. My batteries were just charged up,” she said.

The Spanish apartment is often mentioned in employee satisfaction surveys, said Mlodzki.

“When we recruit, it’s an attractive benefit that candidates always react positively to.”

A vacay with the boss?

Enamored by the culture and scenery, Mlodzki said he spends half his time in Warsaw and half his time in Tenerife, staying in the master bedroom at PhotoAid’s apartment. 

Mlodzki acknowledged that some people might feel nervous about spending so much time with their boss. (Indeed, Staromiejska admitted she did before her workation.) But he said it’s great for rapport.

“It’s super interesting for me to get to know more people. To give and get feedback is very enriching for me,” he said.

Rafal Mlodzki, Aleksandra Staromiejska and Michel Jonca. “It’s super interesting for me to get to know more people,” said co-founder Mlodzki.

Source: PhotoAid

From leasing the apartment to paying for employees’ flights, Mlodzki said the investment has been worth it.

 “We think about the Tenerife office as the ‘company charger’ with the goal of reenergizing employees and boosting team spirits that can get depleted by remote work.”

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Activist investor ValueAct has been building a stake in Disney

Disney CEO Bob Iger speaking with CNBC’s David Faber at the Allen&Co. Annual Conference in Sun Valley, Idaho.

David A. Grogan | CNBC

ValueAct Capital has taken a significant stake in Disney (DIS) and has been in dialogue with Disney’s management, the Activist Spotlight has learned. This is a new stake not previously disclosed in filings or media reports.

Here’s a breakdown of the situation:

Company: Walt Disney Co.

Business: Disney is one of the most iconic entertainment companies globally. It operates through two segments, Disney Media and Entertainment Distribution; and Disney Parks, Experiences and Products. Disney engages in film and TV content production and distribution activities, as well as operates television broadcast networks and studios.

Stock Market Value: $167 Billion ($91.07 a share)

Activist: ValueAct Capital

Percentage Ownership: n/a

Average Cost: low $80s per share

Activist Commentary: ValueAct has been a premier corporate governance investor for over 20 years. ValueAct principals are generally on the boards of half of ValueAct’s core portfolio positions and have had 56 public company board seats over 23 years. ValueAct has filed 89 13D’s in their history and has had an average return of 57.57% versus 17.52% for the S&P 500 over the same period.

Behind the scenes:

ValueAct knows technology very well as seen by their active investments at Salesforce, Microsoft, and Adobe where they had board seats. They also know media well as active investors at the New York Times, Spotify and 21st Century Fox.

ValueAct began buying Disney this summer during the WGA and SAG strikes and it is one of the firm’s largest positions. The activist investor has been in dialogue with Disney’s management and are still growing their position today.

ValueAct believes that Disney’s theme parks and consumer products businesses and their $10 billion in EBIT (earnings before interest and taxes) are alone worth low $80s per share, ValueAct’s approximate cost basis in the stock.

The theme parks unit has a high return on capital, allowing Disney to further monetize its intellectual property. Amongst its peers like Warner Bros, Paramount and Netflix, Disney is the only one who has this advantage. Moreover, this is a business that is not threatened by technology, but enhanced by it.

For example, Disney’s Genie app, which allows park visitors to be guided through the parks in a way that minimizes their wait time, greatly enhances the visitor experience. Moreover, Disney has recently announced that it will be investing $60 billion into theme parks, which will be money well spent.

Stock Chart IconStock chart icon

Disney YTD

This theme park valuation implies an almost zero valuation for the rest of Disney’s business that includes ESPN, theatrical movie releases, Disney+, Hulu and its television networks. Like digital news and music, video streaming was greatly disrupted by the internet and the low cost of capital from 2016 to 2021 afforded streaming companies, almost unlimited capital to acquire customers at any cost. Then with rising interest rates and inflation, that bubble burst in 2022 and there was a massive re-rating of assets globally.

Many of the high-growth companies that had easy access to capital now find themselves the most capital constrained they had been in a long time. This gives a huge advantage to companies like Disney, which has a market leading brand and an incumbent business model with strong customer relations.

Now, these streaming wars are in the process of resolving and companies are focused more on profitability than acquiring customers at any cost. This means cutting costs and creating growing and sustainable revenue.

ValueAct has experience in both of these areas. At Salesforce, where ValueAct CIO Mason Morfit is on the board, margins have gone from 18% to 32% while the stock has gone from $130 to $220 in 10 months. Disney has already announced an aggressive cost cutting plan, but it is the revenue opportunity that is more interesting here.

At portfolio companies like Adobe, Microsoft, Salesforce, Spotify and the New York Times, ValueAct has advocated for and assisted in creating bundles, pricing tiers and advertising stacks that have led to less churn, more pricing power, higher average revenue per user and even better advertising technology.

Both the New York Times and Spotify increased their bundles (NYT with Wordle, the Athletic, etc.; Spotify with podcasting and audiobooks) and both increased subscription pricing. The New York Times’ stock went from $30 per share to $45 per share and Spotify went from approximately $80 per share to $175 per share. Disney has numerous opportunities for bundling, price tiers, etc. and there are many ways this can work out through its present assets, M&A, alliances and licensing, but intelligently bundling its products will lead to more stable and valuable revenue. Based on similar situations that ValueAct has been involved in, this could lead to up to $15 billion of EBIT for the media assets and a Disney stock price as high as $190 per share.

ValueAct has a history of creating value through board seats, including at Salesforce and Microsoft, but has also added value as active shareholders in situations like Spotify and the New York Times.

I would expect that they would want a board seat here and as someone who has a reputation of working amicably and constructively with boards, the Disney board should welcome them with open arms. Aside from their extensive experience at technology companies and media companies and their innovative and relevant history of growing sustainable revenue at similar companies, there is one other reason shareholders should welcome them to the board.

Bob Iger returned to Disney in 2022 with an initial two-year contract with the explicit goal of righting the ship. The board formed a succession planning committee at that time. Iger subsequently extended his employment agreement through 2026 but longer-term succession remains one of the board’s most important priorities. Having a shareholder representative on the board is very helpful in that area particularly one like ValueAct, whose CIO participated in one of the most audacious and successful CEO successions ever when Satya Nadella replaced Steve Ballmer as CEO of Microsoft. Someone with that experience and perspective would be invaluable in navigating CEO succession at Disney.

Finally, we cannot ignore the fact that Disney is presently the target of a proxy fight by Nelson Peltz and Trian Partners that is turning somewhat confrontational. This certainly gives the Disney board an alternative they were not expecting.

Ken Squire is the founder and president of 13D Monitor, an institutional research service on shareholder activism, and the founder and portfolio manager of the 13D Activist Fund, a mutual fund that invests in a portfolio of activist 13D investments.

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What’s Warner Bros. Discovery’s next move? David Zaslav and John Malone offer clues

David Zaslav, CEO and president of Warner Bros. Discovery (L), and John Malone, chairman of Liberty Media, Liberty Global, and Qurate Retail Group.

CNBC | Reuters

Warner Bros. Discovery‘s next step to gain scale may be looking at distressed assets.

Chief Executive David Zaslav and board member John Malone both made comments this week suggesting the company is paying down debt and building up free cash flow to set up acquisitions in the next two years of media businesses suffering from diminished valuations.

The targets could be companies flirting with or filing for bankruptcy, Malone said in an exclusive interview with CNBC on Thursday. While U.S. regulators may frown at large media companies coming together because of overlaps with studio, cable or broadcasting assets, they’ll be much more forgiving if the companies are struggling to survive, Malone told David Faber.

“I think we’re going to see very serious distress in our industry,” Malone said. “There is an exemption to the antitrust laws on a failing business. At some point of distress, right, then some of the restrictions, they look the other way.”

Media company valuations have been plummeting amid streaming video losses, traditional TV subscriber defections, and a down advertising market. This has affected Warner Bros. Discovery as much as its peers. The company’s market valuation recently fell below $23 billion, its lowest point since WarnerMedia and Discovery merged last year. The company ended the third quarter with about $43 billion in net debt.

Warner Bros. Discovery is trying to position itself to be an acquirer, rather than a distressed asset, itself, by paying down debt and increasing cash flow, Zaslav said during his company’s earnings conference call this week. Warner Bros. Discovery has paid down $12 billion and expects to generate at least $5 billion in free cash flow this year, the company said.

“We’re surrounded by a lot of companies that are – don’t have the geographic diversity that we have, aren’t generating real free cash flow, have debt that are presenting issues,” Zaslav said Thursday. “We’re de-levering at a time when our peers are levering up, at a time when our peers are unstable, and there is a lot of excess competitive – excess players in the market. So, this will give us a chance not only to fight to grow in the next year, but to have the kind of balance sheet and the kind of stability … that we could be really opportunistic over the next 12 to 24 months.”

Still, Warner Bros. Discovery also acknowledged it will miss its own year-end leverage target of 2.5 to 3 times adjusted earnings as the TV ad market struggles and linear TV subscription revenue declines.

Buying from distress

Malone has some experience with profiting from times of distress.

His Liberty Media acquired a 40% stake in Sirius XM over several years more than a decade ago, saving it from bankruptcy. Since then, the equity value of the satellite radio company has bounced back from nearly zero to about $5 per share. Sirius XM currently has a market capitalization of about $18 billion.

“It made us a lot of money with Sirius,” Malone told Faber.

While Malone didn’t name a specific company as a target for Warner Bros. Discovery, he discussed Paramount Global as an example of a company whose prospects seem shaky. Paramount Global’s market valuation has slumped below $8 billion while carrying about $16 billion in debt.

Malone noted that Paramount’s debt was recently downgraded. “I think that they’re running probably negative free cash flow,” he said.

Paramount Global’s third-quarter cash flow was $377 million, and the company has forecast a return to positive free cash flow in 2024.

While Paramount Global shares have fallen precipitously since Viacom and CBS merged in 2019, there are signs the company is shoring up its balance sheet. CEO Bob Bakish said earlier this month Paramount Global’s streaming losses will be lower in 2023 than 2022, and the company expects further improvement to losses in 2024. The company closed a sale for book publisher Simon & Schuster for $1.6 billion and will use the proceeds to pay down debt.

Paramount Global’s fate

Shari Redstone, chair of Paramount Global, attends the Allen & Co. Media and Technology Conference in Sun Valley, Idaho, on Tuesday, July 11, 2023.

David A. Grogan | CNBC

Paramount Global is one of the few assets that logically fits Malone’s vision of a media asset that would have regulatory issues as an acquisition with potential distress concerns. Comcast‘s NBCUniversal, another potential merger partner, will lose more than $2 billion this year on its streaming service, Peacock, but the media giant is shielded by its parent company, the largest U.S. broadband provider.

“Warner Bros. [Discovery] now is making money. Not a lot, but they’re making money,” Malone said. “Peacock is losing a lot of money. Paramount is losing a ton of money that they can’t afford. At least [Comcast CEO] Brian [Roberts] can afford to lose the money.”

Paramount Global’s controlling shareholder Shari Redstone is open to a transformative transaction, CNBC reported last month. Puck’s Dylan Byers recently reported that industry insiders have speculated Warner Bros. Discovery might pursue an acquisition of Paramount Global after the 2024 U.S. presidential election.

A combination of NBCUniversal and Paramount Global also has strategic logic, but the combination of two national broadcast networks — Comcast’s NBC and Paramount Global’s CBS — would present a significant regulatory hurdle. Warner Bros. Discovery doesn’t own a broadcast network, making an acquisition of CBS easier.

Spokespeople for Paramount Global and Warner Bros. Discovery declined to comment.

While Malone said all legacy media companies should be talking to each other about merger synergies, he acknowledged valuations may have to fall farther to get regulators on board with further consolidation. Malone predicted that could happen in the same timeline Zaslav gave — within the next two years.

“Eventually maybe there’ll be regulatory relief,” Malone said. “Out of distress usually comes the reduction in competition, increased pricing power, and the opportunity to buy assets at a deep discount.”

Disclosure: Comcast owns NBCUniversal, the parent company of CNBC.

Tune in: CNBC’s full interview with John Malone will air 8 p.m. ET Thursday.

Liberty Media's John Malone on interest rates, media outlook and the streaming landscape

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Take a look inside the new Raffles hotel in London

History seeps from the walls of the Old War Office in Whitehall, London, Winston Churchill’s former workplace.

Once the beating heart of Britain’s military empire, the headquarters from which some of the most consequential decisions in modern U.K. history were made, the building is now forging a new future as one of the capital’s leading luxury hotels: Raffles London.

A painstaking eight-year renovation has seen the Grade II* listed Edwardian Baroque building — located on the site of the Palace of Whitehall and a stone’s throw from Downing Street — shake state secrets for mystique of another kind, as the first European location of the iconic Singaporean brand.

It’s the magic combination: the building, the location and the name, Raffles.

Fiona Harris

Communications director, Raffles London

“It’s the magic combination: the building, the location and the name, Raffles,” Fiona Harris, Raffles London’s communications director, told CNBC Travel.

The hotel’s opening last month marks a full circle moment for the Raffles brand, whose name and original location pay homage to Sir Stamford Raffles, the British diplomat who founded modern Singapore.

The building’s new owner, the Hinduja Group, which purchased a 250-year lease from the Ministry of Defense in 2016, started as a trading company in colonial India in 1914 and is now a global conglomerate.

CNBC Travel took a tour of the £1.4 billion ($1.7 billion) redevelopment — here’s a look at its 100-year transition from control center of the British empire to luxury stable for international visitors to the U.K.

An emblem of British history

Originally built for the British Army between 1899 and 1906, the vast OWO building served as an embodiment of imperial influence at its height.

At the time, more than 2,500 British army men and women worked within the building’s 1,100 rooms and two-and-a-half miles of corridors.

The Grade II listed Old War Office was built for the British Army in 1906 and is based on the site of the original Palace of Whitehall, home to several former British monarchs, including Henry VIII.

Raffles London

That grandeur remains today under an extensive renovation by EPR Architects, through which much of the building’s original features have been restored.

Inside the grand lobby, an Italian marble imperial staircase and double-tier chandelier do justice to a building that served as the birthplace of the British Secret Service and the inspiration for Ian Fleming’s James Bond series.

A new Italian chandelier, whose design is said to symbolize international trade, was delicately installed by a company that typically handles nuclear equipment.

CNBC

Above it, the first floor features the balcony from which Churchill would address his staff, giving way to the former offices of various political and military heavyweights, including David Lloyd George and Lord Kitchener.

“This building would have been full of state secrets,” Harris said.

The Old War Office was occupied by various political and military leaders, including wartime Prime Minister Winston Churchill. A replica of his desk and a bust is displayed in the Churchill Suite.

CNBC

Churchill’s own office — dubbed by Harris as “the room where all the big decisions were made,” including the move to join World War II and the decision behind the D-Day landings — is no less grand in its new life as a suite, with a replica desk and bust of the former prime minister.

Pivot to the future

The Churchill suite is just one of the rooms reimaged in tribute to the building’s history by the late Thierry Despont, whose architectural accolades include the restoration of New York’s Statue of Liberty and the interior redesign of Manhattan’s residential skyscraper 220 Central Park South.

All in, the hotel houses 120 suites and rooms, including five heritage suites in the former offices of political and military leaders, and eight corner suites named after notable women and female spies.

Raffles London is home to 120 rooms and suites, including eight corner suites named after notable women and female spies.

Raffles London

Meanwhile, deep underground, a three-floor excavation expands the building’s area by more than a third to 800,000 square feet, making way for a ballroom, a 65-foot swimming pool, and a Guerlain spa.

The addition of nine new restaurants run by multi-Michelin star chefs, including three by Argentina’s Mauro Colagreco, aim to burnish the hotel’s credentials as a culinary epicenter for the city, while three new bars seek to showcase the building’s unique history and location.

A 65-foot subterranean swimming pool at the heart of Raffles London’s four-story spa, which includes nine Guerlain treatment rooms and a gym.

Raffles London

Guests at the Guards Bar and Lounge, for example, can enjoy a prime position from which to watch the famous changing of the guard ceremony while sipping a London Sling ($29), a gin and cherry cocktail inspired by its Singapore namesake.

Those seeking more discretion can opt for the subterranean spy bar, located in an old interrogation room, from where they can pay homage to the various spies whose secrets were held within its walls.

Saison, run by Argentine Michelin star chef Mauro Colagreco, is one of nine restaurants and three bars at Raffles London. It is housed in the former library where James Bond author Ian Fleming used to write.

Raffles London

And for non-paying guests, there is an opportunity to visit and tour the building on one of 11 annual open days — a part of the Ministry of Defense’s lease agreement.

“We’re flipping it on its head,” Harris said of the building that once required security clearance for admittance. “It doesn’t matter if you’re super rich or you just want to come for coffee with a friend. It’s open to everyone,” she said.

London’s new luxury wave

A stay at Raffles London is not without a significant price tag. A night in one of the hotel’s classic rooms costs around £1,100 ($1,340), while a stay in one of its five most exclusive suites will set guests back between £18,000 and £25,000 per night.

Those who prefer to stay forever can also do so, budgeting upward of £8 million for one of 85 Raffles branded OWO residences. At the time of writing, around half of those units have already sold — to buyers from the U.S., China and the Middle East — though a five-bedroom penthouse priced at £100 million remains there for the taking.

A roll top bath takes center stage in the opulent bathroom of the Granville Suite, named after British spy Christine Granville.

CNBC

The hefty sums come as Britain’s economy and much of its population remain under financial pressure amid high inflation. And yet Raffles is not alone in betting big on London’s luxury market.

In September, another £1 billion hotel, The Peninsula, opened on the corner of Hyde Park, and in the coming months, a Mandarin Oriental, a Rosewood and a new sister hotel to Claridge’s, The Emory, are all set to launch in exclusive pockets of the capital.

An art installation of suspended, fragmented poppies pays homage to the Royal British Legion, a charity for members and veterans of the British Armed Forces.

CNBC

OWO’s owner, Hinduja Group Chairman Gopichand Hinduja — who, incidentally, purchased the property in 2016 ahead of a Brexit-based downturn — said the investment showcased Britain’s long-term appeal as a luxury travel market.

“We don’t go on short-term,” Hinduja told CNBC in July. “The U.K. is an important country, and everyone loves to come to London whether it is for holiday or it is for business.”

“We have converted that place into peace and solace,” Hinduja added of The OWO building. “It is a unique, singular property. It is a place of destination.”

The Granville Suite is one of five heritage suites at Raffles London, each occupying rooms which previously served as offices for some of Britain’s leading politicians and military leaders.

CNBC

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