Amateur videos show Turkish police violence against African migrants

Amateur videos sent to the FRANCE 24 Observers team show police in Turkey stopping and questioning African migrants as part of a crackdown on illegal immigration. The videos, sent in by migrants from Senegal, Cameroon, Guinea and Angola, show officers shouting at the migrants and in some cases using physical violence against them. A Senegalese man seen in one of the videos being slapped by a police officer told the FRANCE 24 Observers he was in Turkey legally.

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Turkish authorities launched the crackdown at the beginning of July. Interior Minister Ali Yerlikaya said in an interview published July 9 that fighting illegal immigration is one of his main priorities, and that police in Istanbul and all of Turkey’s 81 provinces were intensifying their efforts to stop and detain people in the country illegally.

In Istanbul, police on July 4 started a series of evening and nighttime sweeps focusing on entertainment venues and public spaces. They reported detaining 3,535 people in the first week on suspicion of entering Turkey illegally, working without authorisation, or overstaying their visas.

Videos sent to The Observers by African migrants living in Turkey suggest that the police conduct is often violent and discriminatory.  

One video sent by migrants from Senegal and Guinea shows the police pinning down an African man in the middle of a crowd. The officers were not wearing uniforms, but they had handcuffs on them. The victim asked for his phone several times which angered the policeman holding him down. The officer shouted at him and then slapped him.

 


In this video, sent by African migrants to the France 24 Observers via WhatsApp and also posted on Twitter, a Senegalese hair salon owner is seen being slapped by a Turkish police officer after being stopped for an immigration check. The Senegalese man told the France 24 Observers his residency permit was being renewed.

 

 

 

The incident took place in Istanbul on July 19. By using Google Maps imagery, the Observers team managed to determine that it took place at the entrance to the underground mall AVM. Several Western African migrants living in Istanbul confirmed the location. 

The surrounding neighbourhood, Aksaray, is known for the abundance of African-run clothes shops and markets. 

‘Every time policemen see me they ask for my papers’

The Observers team managed to identify and contact the man seen in the video: Mohamed Preira is originally from Senegal, he moved to Turkey in 2019 and now owns a hair salon in Aksaray. He said he was on his way to his salon when he was stopped by the police. He told them he did not have a residency permit on him because it was being renewed. 

They took my phone, my money. They put me in a car and drove me to a spot where they let me go. Even they themselves know that they don’t have the right to arrest me. I can’t even file a complaint against them.

I filed my documents [to renew my residency status] and I was given a receipt. I am in the process of getting the documents so I have the right to live here. 

It’s not the first time I’ve been stopped. Every time policemen see me they ask for my papers. But these policemen were just racist. Now my whole body hurts. 

I have my own hair salon in Istanbul. I pay my rent. But they still harass me. It’s gotten worse. There are more and more check-ups. Now I’m thinking of going back to Senegal. Living in another country without peace, without money, it’s too hard.

The Observers received multiple videos showing the use of force by the police. One of the videos, also posted on Twitter, shows two uniformed policemen holding an African migrant while a third officer can be seen pushing his head downwards. As they walk him away, the third policeman apparently mocks the victim, clapping in his face. 

Several African migrants told The Observers that the incident took place in the Esenyurt neighbourhood of Istanbul. Satellite imagery appears to confirm the location, but the FRANCE 24 Observers team was unable to contact the man who was detained.

‘We were treated like criminals for not having the papers they refused to give us’

In November 2022 a report by Human Rights Watch found that migrants detained in Turkey without papers were often held in overcrowded detention centres, with inadequate access to legal support and their families. 

“Cédric,” a Cameroonian man who spoke to the FRANCE 24 Observers on condition of anonymity, was arrested in Istanbul in December 2022 while awaiting an update of his residency status. He provided the following account: 

There were 12 of us being held in rooms designed for six people. We were supposed to have the right to talk to our families, but they took our phones. The conditions were horrible. I saw a lot of suicides. We were treated like criminals for not having the papers they refused to give us. They don’t let you have your own lawyers. They only allow you to see their lawyers.

Cédric said he was allowed to leave the centre after two months and was given a document that only allowed him to live in Bartin, a small town 400km from Istanbul. But he didn’t stay: “There were no opportunities there and the people were racist, so I went back to Istanbul.”

‘Migrants of all nationalities face many human rights violations’

Mahmut Kaçan, a Turkish lawyer specialised in migration, says the country’s immigration system has become more restrictive in the past two years. 

For the past two years, whether you are a regular or an irregular migrant, asylum applications have not been accepted

In the past few years, and during the [May 2023] elections there has been a debate. The current government as well as the opposition claim that they will deport all refugees. 

Migrants of all nationalities face many human rights violations. I receive such complaints but since they are not properly registered, they are not able to file complaints and contact NGOs.



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Cannes spotlights Cameroonian film: ‘It’s high time African stories influence world cinema’

From our special correspondent in Cannes – The Cannes Film Festival delivered its first honours on Thursday with a historic prize for Malaysia’s “Tiger Stripes” while African movies continued to enjoy the Cannes spotlight with the screening of “Mambar Pierrette”, an intimate portrait of a free-spirited seamstress and single mother in Cameroon. Its director, Rosine Mbakam, sat for an interview with FRANCE 24. 

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With the race for the Palme d’Or now in the final stretch ahead of Saturday’s closing ceremony, the 76th Cannes Film Festival made history on Thursday by rewarding Amanda Nell Eu’s playfully subversive debut feature, “Tiger Stripes” – the first movie by a female Malaysian director to screen at Cannes.   

coming-of-age drama about female puberty inspired by the body-horror genre, “Tiger Stripes” scooped the top award in the Critics’ Week sidebar, dedicated to first and second films. The jury was led by French director Audrey Diwan, whose abortion drama “Happening” won the top prize at the Venice Film Festival two years ago.  

 


 

The Malaysian filmmaker won plaudits in Cannes for her bold take on menstruation and the trauma endured by young girls ostracised by their communities. While the film is set in a rural and conservative environment, Eu told FRANCE 24 it carried a universal message. 

“There are so many parts of the world where women or young girls fear their own bodies or don’t have ownership of their bodies,” she said following the film’s premiere. “Telling the story of what happens to young girls is incredibly universal.” 

>> Read more: Malaysian tweens earn their ‘Tiger Stripes’ in Cannes body horror

Films about the challenges of adolescence also picked up the remaining prizes in the Critics’ Week segment. Belgian director Paloma Sermon-Daï won the runner-up Jury Award for “It’s Raining in the House”, which follows two siblings as they experience first love and learn to fend for themselves, while Serbia’s teenage sensation Jovan Ginic won the Revelation Award for his part in “Lost Country”, about a 15-year-old’s showdown with his mother – a senior official in the administration of former Yugoslav strongman Slobodan Milosevic. 

Mother courage in Douala 

In the festival’s other segments, Africa’s “Cannes Moment” continued with the screening of films from two countries that are seldom represented at the world’s leading movie gatherings. 

“Omen” (“Augure”), a promising debut feature by the Belgian-Congolese rapper Baloji, mined the themes of displacement and ostracism through a set of characters who have been rejected by their communities following accusations of witchcraft. Its screening in the Un Certain Regard sidebar marked the first time a film from the Democratic Republic of Congo premiered at Cannes. 


Encore in Cannes! © AFP

In the Directors’ Fortnight, which runs parallel to the main festival, Rosine Mbakam’s “Mambar Pierrette” painted an intimate portrait of a Cameroonian seamstress and single mother struggling to make ends meet against a backdrop of social hardship and the threat of floods.  

Pierrette Aboheu Njeuthat stars as the titular character, a mother of three who works tirelessly at her sewing machine to provide for her children while customers and neighbours linger in her small shop, sharing their joys and disappointments in a deftly woven tapestry of communal life in the city of Douala. 

A remarkable debut feature based on the life of Mbakam’s seamstress cousin, “Mambar Pierrette” draws on the director’s experience of documentary filmmaking, which has previously explored the themes of kinship and migration to Europe. FRANCE 24 spoke to the filmmaker about her focus on character studies and her commitment to promoting African stories in the moviemaking industry.  


“Mambar Pierrette” is your first feature-length fiction film, although it is based on your cousin’s life. Where do you draw the line between documentary and fiction? 

I drew inspiration from Pierrette’s life to write the script, placing it at the very heart of the film. Once we started shooting, the other characters also added their input, bringing the screenplay closer to their own lives.  

Fiction never takes over. Its role is to add substance to the narrative and provide more context. In particular, the fictional element helps underscore the fact that Pierrette’s social predicament is not only a result of her small income, her husband’s irresponsibility or Cameroon’s politics. It is also derived from an enduring neo-colonialism that leaves swaths of the population in poverty. 

“Mambar Pierrette” director Rosine Mbakam (left) pictured with her cousin Pierrette Aboheu, the film’s protagonist. © David Rich

The fabric shop is at the heart of your film. What does it symbolise? 

My film tells the story of Pierrette, who is a seamstress in real life. Sewing embellishes, it brings people together, and her workshop is a place where people open up and share their secrets. I wanted to highlight the value of this work of dressmaking and transformation, which has all but vanished in the West. We shop, but we have lost this relationship with what we wear. 

The sewing room also represents gender relationships in Cameroon. The men remain in the entrance, at the door, while the women establish themselves in the workshop, inhabiting the space. These opposing stances signal the contrast between a new generation of women who are increasingly assertive and men who don’t accept this reality – and are therefore in a vulnerable situation. Pierrette doesn’t sew for women only, she works for everyone, her workspace excludes nobody. By keeping at a distance, the men seek to protect themselves and avoid questioning their position in society.

This year’s festival has witnessed a breakthrough for African films, carried by a new generation of female filmmakers, in particular. Does this give a particular significance to your presence in Cannes?   

It is indeed very important to me. We know how much Western cinema has influenced Africa and continues to do so. It is high time that our works travel in the opposite direction and influence world cinema – introducing new narratives, different ways of speaking French, and characters we are not accustomed to seeing. The West must get used to all of this. 

There is a lot happening in African cinema, but these productions are scarcely visible in Europe. Africa is awash with European and American films, but how many films make it out of Africa? That’s why our selection at the Cannes Film Festival is so important. This is the best way for our films to be seen in France, Italy or elsewhere. Without these festivals we cannot export our works. I’m immensely proud to see so many African movies here in Cannes this year. 

Mali’s Souleymane Cissé has spoken of a Western “contempt” for African films. What are your thoughts on the way the film industry looks at the continent? 

The film industry tends to follow preconceived ideas. The few African films that make it abroad are often filmed by Westerners who, in reality, are merely filming themselves. Such films often show Africa without African people. I was interested in filming Pierrette, but people often ask me why I didn’t show more of the neighbourhood in my film. I don’t blame them, because that’s what they are used to. They have this image of a continent blighted by poverty and they want to feed that image. But I’m not going to change my way of filming. Pierrette is the focus of my film; she dictates the rhythm, the narrative and the camera’s movements. 

People who attended the festival will go home with seven African films on their minds – not one or two, as is usually the case. This is huge. These stories will feed the West but also the imagination of young Africans, who will see their stories valued beyond their continent. 

Cannes Film Festival
Cannes Film Festival © Studio graphique France Médias Monde

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Chairman FAO: Western powers pressure China’s UN food boss to grip global hunger crisis

ROME, Italy — The Chinese head of a crucial U.N. food agency has come under intense scrutiny by Western powers, who accuse him of failing to grip a global hunger crisis exacerbated by Russia’s war in Ukraine.

Qu Dongyu, director general of the Food and Agriculture Organization, has alienated the Western powers that are the agency’s main backers with his technocratic leadership style and connections to Beijing that, in their view, have damaged its credibility and capability to mitigate the crisis.

POLITICO has interviewed more than a dozen U.N. officials and diplomats for this article. The critical picture that emerges is of a leader whose top-down management style and policy priorities are furthering China’s own agenda, while sidelining the U.N.’s Sustainable Development Goals.

Russia’s invasion of Ukraine in February was met with weeks of eerie silence at the FAO, and although the messaging has since changed, Qu’s critics say FAO should be showing stronger political leadership on the food crisis, which threatens to tip millions more people into hunger.

“Nobody actually takes him seriously: It’s not him; it’s China,” said one former U.N. official. “I’m not convinced he would make a single decision without first checking it with the capital.”

In his defense, Qu and his team say a U.N. body should not be politicized and that he’s delivering on the FAO’s analytical and scientific mandate.

Chairman FAO

Qu Dongyu was elected in 2019 to run the Rome-based agency, handing China a chance to build international credibility in the U.N. system, and punishing a division between the EU and the U.S after they backed competing candidates who lost badly. The election was clouded by allegations of coercion and bribery against China.

Now, as he prepares for a likely reelection bid next year to run FAO until 2027, Qu — who describes himself as a conflict-averse “humble, small farmers’ son” — is under intensifying scrutiny over his leadership during the crisis.

After three years of largely avoiding the headlines, Qu drew criticism from countries like France and the U.S. for his sluggish and mealy-mouthed response to Russia’s invasion of Ukraine, a massive exporter of food to developing countries.

The EU and U.S. forced an emergency meeting of the FAO’s Council in the spring in order to pressure the FAO leadership into stepping up to the plate, with Ukraine demanding he rethink his language of calling it a “conflict” and not a war. The communications division was initially ordered to keep schtum about the war and its likely impacts on food supply chains. In May, Ukrainians protested outside FAO HQ in Rome demanding Russia be kicked out of the organization.

At a meeting of the FAO Council in early December, countries like France, Germany and the U.S. successfully pushed through yet another demand for urgent action from FAO’s leadership, requesting fresh analysis of impact of Russia’s war on global hunger, and a full assessment of the damage done to Ukraine’s vast farm system.

China has not condemned Russia outright for invading Ukraine, while the EU and the U.S. use every opportunity in the international arena to slam Moscow for its war of aggression: Those geopolitical tensions are playing out across the FAO’s 194 member countries. Officials at the agency, which has $3.25 billion to spend across 2022 and 2023, are expected to act for the global good — and not in the narrow interest of their countries.

Qu is said still to be furious about the confrontation: “[He] is still upset about that, that really annoyed him,” said one ambassador to the FAO. “He sees the EU as an entity, a player within the FAO that is obstructing his vision.”

Qu featured on a TV screen inside the FAO headquarters in Rome | Eddy Wax/POLITICO

Though Qu has now adapted his language and talks about the suffering being caused by Russia’s war, some Western countries still believe FAO should respond proactively to the food crisis, in particular to the agricultural fallout from Russia’s invasion of Ukraine. The FAO’s regular budget and voluntary funds are largely provided by EU countries, the U.S. and allies like Japan, the U.K. and Canada. The U.S. contributes 22 percent of the regular budget, compared to China’s 12 percent.

Qu is determined to stick to the mandate of the FAO to simply provide analysis to its members — and to steer clear of geopolitics.

“I’m not [a] political figure; I’m FAO DG,” he told POLITICO in October, in an encounter in an elevator descending from FAO’s rooftop canteen in Rome.

FAO’s technocratic stance is defended by other members of Qu’s top team, such as Chief Economist Máximo Torero, who told POLITICO in May: “You are in a war. Some people think that we need to take political positions. We are not a political entity that is the Security Council — that’s not our job.”

Apparatchik

Qu can hardly be said to be apolitical, as he is a former vice-minister of agriculture and rural affairs of the Chinese Communist Party.

On top of his political background he has expertise in agriculture. He was part of a team of scientists that sequenced the potato genome while he was doing a PhD at Wageningen University in the Netherlands. In an email to POLITICO his professor, Evert Jacobsen, remembered Qu’s “enthusiasm about his country,” as well as is “strategic thinking” and “open character.”

Yet Western diplomats worry that many of the policy initiatives he has pushed through during his tenure map onto China’s foreign policy goals.

They say that the U.N. Sustainable Development Goals have been eclipsed by his own initiatives, such as his mantra of the Four Betters (production, nutrition, environment, life), and Chinese-sounding plans from “One Country, One Priority Product” to his flagship Hand-in-Hand Initiative.

Some Western diplomats say these bear the hallmarks of China’s Global Development Initiative, about which Qu has tweeted favorably.

Detractors say these are at best empty slogans, and at worst serve China’s foreign policy agenda. “If the countries that are on the receiving end don’t exercise agency you need to be aware that these are policies that first and foremost are thought to advance China, either materially or in terms of international reputation, or in terms of diplomacy,” said Francesca Ghiretti, an analyst at the Mercator Institute for China Studies (MERICS).

Insiders say he’s put pressure on parts of the FAO ecosystem that promote civil society engagement or market transparency: two features that don’t go down well in Communist China. The former U.N. official said Qu had subjected the G20 market transparency dashboard AMIS, housed at FAO, to “increased pressure and control,” causing international organizations to step in to protect its independence earlier this year.

The diplomat said Qu was trying to suffocate the Committee on World Food Security, which invites civil society and indigenous people’s groups into FAO’s HQ and puts them on a near-equal footing with countries. “What has he accomplished in two-plus years? You can get Chinese noodles in the cafeteria,” they said.

Flags at the entrance to the FAO headquarters in Rome | Eddy Wax/POLITICO

But at a U.N. agency that has historically been deeply dysfunctional, Qu is popular among staff members.

“Mr. Qu Dongyu brought a new spirit on how to treat staff and established trust and peace between staff and management,” said one former FAO official.

Even his sharpest critics concede that he has done good things during his tenure. He made a point of shaking every staff member’s hand upon his election, even turning up occasionally unannounced to lunch with them in the canteen that he’s recently had refurbished. There’s also widespread appreciation among agriculture policymakers of the high quality of economic work turned out by FAO, and support for his climate change and scientific agenda.

“The quality of data FAO produces is very good and it’s producing good policy recommendations,” one Western diplomat acknowledged.

FAO play

Three years into his term, there’s a much stronger Chinese presence at FAO and Chinese officials occupy some of the key divisions, covering areas such as plants & pesticides, land & water, a research center for nuclear science and technology in agriculture, and a division on cooperation between developing countries. A vacant spot atop the forestry division is also expected to go to a Chinese candidate.

Experts say those positions are part of a strategy. “China tries to get the divisions where it can grow its footprint in terms of shaping the rules, shaping the action and engaging more broadly with the Global South,” said Ghiretti, the MERICS analyst.

The EU Commission is closely monitoring trends in staff appointments and data collection. “He’s hired a lot of young Chinese people who will fill [the] ranks later,” said an EU diplomat.

Mandarin is heard more than before in the corridors of the Rome HQ, a labyrinthine complex built in the 1930s by Fascist dictator Benito Mussolini to house its ministry of overseas colonies.

Western diplomats and staffers past and present describe Qu as a poor communicator, who displays little care about engaging with or being accountable to countries and who tends to leave meetings after delivering perfunctory remarks, all of which leaves space for rumor and suspicion to grow.

Even those who acknowledge that Qu has made modest achievements at the helm of FAO still see his leadership style as typical of a Chinese official being kept on a tight leash by Beijing. The EU and U.S. criticized Qu’s move to push back an internal management review that was meant to be conducted by independent U.N. inspectors, and will now likely not emerge until after the next election.

And although FAO is still receiving bucketloads of Western funding, its fundraising drive specifically for rural families and farmers in war-torn Ukraine is still $100 million short of its $180 million target, a pittance in an international context — especially amid deafening warnings of a global food supply crisis next year. 

That’s partly because the U.S. and EU prefer to work bilaterally with Kyiv rather than going through FAO. “This is the time for FAO to be fully funded,” said Pierre Vauthier, a French agronomist who runs the FAO operation in Ukraine. “We need additional money.”

A plaque outside Qu’s fourth floor office at the FAO headquarters in Rome | Eddy Wax/POLITICO

There’s no love lost on Qu’s side, either. In June, he went on a unscripted rant accusing unnamed countries of being obsessed with money, apparently in light of criticism of his flagship Hand-in-Hand Initiative.

“You are looking at money, I’m looking to change the business model because I’m a farmer of small poor, family. You from the rich countries, you consider the money first, I consider wisdom first. It’s a different mentality,” Qu said, before complaining about his own salary being cut.

Asked repeatedly, Qu did not confirm to POLITICO whether he would stand for a second four-year term, but traditionally FAO chiefs serve at least twice and he is widely expected to run. Nominations officially opened December 1. The question is whether the U.S., EU or a developing nation will bother trying to run against him, when his victory looks all but inevitable.

There’s competition for resources between the World Food Programme (WFP), a bastion of U.S. development power, and FAO. A Spaniard, Alvaro Lario, was recently appointed to run the third Rome-based U.N. food agency, the International Fund for Agricultural Development, while WFP’s chief David Beasley is expected to be replaced by another American next year.

In any case, the countries that Qu will likely count on to be re-elected are not so interested in the political machinations of the West or its condemnation of the Russia’s war in Ukraine, which it seeks to impress upon FAO’s top leadership.

“Our relations with the FAO are on a technical basis and not concerned by the political positions of the FAO. What interests us is that the FAO supports us to modernize our agriculture,” said Cameroon’s Agriculture Minister Gabriel Mbairobe.

Other African countries defend FAO’s recent track record: “They’ve been very, very active, let’s be honest,” said Yaya A.O. Olaniran, Nigeria’s ambassador to the FAO. “It’s easy to criticize.”

This story has been updated.



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